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Alban Berg's Filmic Music: Intentions And Extensions Of The Film Music Interlude In The Opera Lula, Melissa Ursula Dawn Goldsmith
Alban Berg's Filmic Music: Intentions And Extensions Of The Film Music Interlude In The Opera Lula, Melissa Ursula Dawn Goldsmith
LSU Doctoral Dissertations
The music composed to accompany the film in Berg’s Opera Lulu--the “Film Music Interlude” (FMI)--is the subject of this study. Although this is film music, and Berg wrote his own Film Music Scenario, scholars have ignored writings about film theory and film music in their historical and analytical treatments of the FMI. How do writings about film theory and film music apply to the analysis and exploration of historical and social contexts of the FMI, and what musical and extramusical intentions and extensions can be drawn from the FMI? Some answers come to light while exploring sources containing Berg’s correspondence …
The Future In Feminism : Reading Strategies For Feminist Theory And Science Fiction, Alcena Madeline Davis Rogan
The Future In Feminism : Reading Strategies For Feminist Theory And Science Fiction, Alcena Madeline Davis Rogan
LSU Doctoral Dissertations
Contemporary feminist theory, especially in its more dialectical manifestations, is read in this study as describing a relationship between present and future. In this reading, the work of feminist theory contains a “present;” that is, an articulation of the specific problem or question that it addresses. The work of feminist theory also contains a “future,” either implicit or explicit, and often both. An explicit “future” in feminist theory states a praxis-model or specific call-to-arms that claims political effectuality; claims that its implementation might help to ameliorate, in some way, the status quo of sexual politics. An implicit “future” in feminist …
Heidegger, Levinas, And The Feminine, Andrea Danielle Conque
Heidegger, Levinas, And The Feminine, Andrea Danielle Conque
LSU Master's Theses
Herein, I will reconsider the works of Martin Heidegger and Emmanuel Levinas with a feminist focus. Through a careful analysis of both the Heideggerian and Levinasian placement of the feminine and of sexual difference, I will suggest alternatives to some traditional readings of these two prolific figures offered by feminists and feminist philosophers. I will argue, in effect, for a Heideggerian model for re-thinking sexual difference. In addition, I will offer what I believe should be a 'new' goal toward which feminism should work, one beyond the goals that have been in place thus far and one based upon a …