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An Analytical Approach To Vibraphone Performance Through The Transcription And Analysis Of Gary Burton's Solo On Blue Monk, Charles Bryant Brooks
An Analytical Approach To Vibraphone Performance Through The Transcription And Analysis Of Gary Burton's Solo On Blue Monk, Charles Bryant Brooks
LSU Major Papers
The purpose of this study is to gain a insight into the realm of solo jazz vibraphone performance through the transcription and analysis of Gary Burton's improvised solo on "Blue Monk" by Thelonious Monk, recorded on the Album Face to Face with pianist Makoto Ozone. Gary Burton is the inventor of the "Burton grip," a four-mallet grip used for vibraphone performance. His individual approach to playing the vibraphone and highly developed technique seem unattainable for many students of percussion. Nonetheless,many vibraphonists, including Burton, have published method books about his grip and its application. In order to emulate his style diligent …
Structural Elegance And Harmonic Disparity In Selected Solos By Jazz Trumpeters Freddie Hubbard And Woody Shaw, Edward Rex Richardson
Structural Elegance And Harmonic Disparity In Selected Solos By Jazz Trumpeters Freddie Hubbard And Woody Shaw, Edward Rex Richardson
LSU Major Papers
Freddie Hubbard and Woody Shaw were two of the greatest figures in the jazz trumpet pantheon from their emergence in the 1960s until the 1980s. They were both unusual personalities; almost as well known for their volatility as for their instrumental virtuosity and creativity. Their association was characterized by competition and a certain degree of discomfort: Shaw, born nearly seven years after Hubbard, was often compared to his elder in a fashion that seemed to denigrate the younger trumpeter’s originality; he in turn often denied that he’d ever been directly influenced by Hubbard, in what appears to have been an …
Crossover Considerations: Performing Three Works By Ludmila Ulehla, Phil Woods And Bill Dobbins, John M. Perrine
Crossover Considerations: Performing Three Works By Ludmila Ulehla, Phil Woods And Bill Dobbins, John M. Perrine
LSU Major Papers
When musicians prepare a piece of music for performance, they utilize various sources of background knowledge that are available to them. This knowledge can be organized into groups of stylistic attributes suited for the various genres that are in question. This process is made possible by the perspective that history provides. One can comprise a compendium of performance practices provided evidence exists of consistency throughout the style period being addressed. An exciting opportunity presents itself when dealing with the present time. The relationship between the collaborating performers of any music is a delicate one. This task is made challenging with …