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Perceptions And Realities: Contemporary Impressions Of Formative And Temporal Experiences, Holly Lee Brewer
Perceptions And Realities: Contemporary Impressions Of Formative And Temporal Experiences, Holly Lee Brewer
Theses
This thesis describes contemporary, non-traditional printmaking processes aimed at creating a metaphor for our perceptions of time and how the passage of time affects us both internally and externally in our attempt at constructing our self-identity. The language of this metaphor adopts the internal patterns of tree burls and altered pieces of manufactured wood in communicating the transience of time and mutability of memory. Texture is highlighted in many of the pieces for the exhibition, not only with that of irregular wood grain, but also in the series with skin-like handmade flax paper. In order to demonstrate how memory is …
Eclipse: Theories In Contemporary Art's World, Bethany Burton
Eclipse: Theories In Contemporary Art's World, Bethany Burton
Student Scholarship
Globalization and New Internationalism have quickly become two of the most common and comprehensive theories for discussing contemporary art in the early twenty -first century. Moving beyond the formal qualities of a Eurocentric paradigm today's art movement is often associated with ephemeral practices that span outside of both national territories and museum walls. While activating public pace and integrating electronic multimedia, artists and curators have begun to challenge the formal art institutional apparatus, showcasing a worldwide spectacle that merge together Western and non-Western art.
Chicken Line Art, Jennifer Mullen
Stranger In The Forest, Audrey Schroeder
Bird Line Art, Jennifer Mullen
Together Let’S Float Away, Audrey Schroeder
Taylor Mali Quote, Audrey Schroeder
Untitled, Chris Hudson
The Sublime & The Picturesque In Art, James M. Chleboun
The Sublime & The Picturesque In Art, James M. Chleboun
Theses
Is it possible to create "classical'' landscape pictures of today? The genre of drawing and painting landscapes is the subject for this thesis. For comparing for relevancy, the binary topic is two aesthetic terms, the Sublime and the Picturesque. I will show what the art critics and artists say about those terms with several historical and contemporary artists a<; examples. I will explain what I did with some of my drawings and paintings in relation to the terms within the "classical" composition format.
The challenge for my work is to compose the contemporary landscape using the classical composing principles used by Old Masters. A contemporary German artist has succeeded very well in composing the '·classical·' landscapes of today with modern cultural attributes, but they …