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Articles 1 - 30 of 69
Full-Text Articles in Entire DC Network
Essay: Five Hours Of A 1000 Yuan Worth Allegory Of Love, Tan Xu 徐坦
Essay: Five Hours Of A 1000 Yuan Worth Allegory Of Love, Tan Xu 徐坦
Zhou Documents
This document was scripted in English by Monica Dematte on December 22nd, 1993 in Guangzhou, China. It discussed the third art event, which happened on November 24th, 1993, by the “Big Tail Elephant” group. The activity consisted of “Five Hours” by Chen Shaoxiong, “Allegory of Love” by Xu Tan, and “100 pieces and 1000 pieces” by Lin Yilin. Dematte talked about the meaning, the artistic significance, the response of the public, and the correlations among these three works in the essay. She concluded by pointing out that the “Big Tail Elephant” group’s goal of art-making was to create an imperfect, …
Pvn-Cat-031-Bd-001-007-Fwo, Patricia Urban
Mutual Choice, Mutual Destructure -- On Fu Zhong Wang's "Mortise And Tenon Structure", Zhong-Wang Fu 傅中望
Mutual Choice, Mutual Destructure -- On Fu Zhong Wang's "Mortise And Tenon Structure", Zhong-Wang Fu 傅中望
Zhou Documents
This essay is scripted in Chinese. (Jerry Wu'23).
Exhibition Document: Consuming Virus 消费病毒, Shuang-Gui Ye 叶双贵
Exhibition Document: Consuming Virus 消费病毒, Shuang-Gui Ye 叶双贵
Zhou Documents
YE Shuang-gui's "Consuming Virus" is an action art project. This project includes a few cooperative parts, such as consumers, setup, "virus", and the cook, namely, the artist himself. Ceramics were transformed into dishes with virus characteristics. These PDF documents contains photographs from the event. As seen in the photos, the artist displayed the process of transforming "Virus" into cakes, which were then served to customers with beverages and other foods. (Zhuocheng Jiang '26)
Kenyon Collegian - December 9, 1993
Kenyon Collegian - November 18, 1993
Kenyon Collegian - November 11, 1993
Kenyon Collegian - November 4, 1993
Interview Record Between Fu Zhong Wang And Peng De, Zhong-Wang Fu 傅中望
Interview Record Between Fu Zhong Wang And Peng De, Zhong-Wang Fu 傅中望
Zhou Documents
This interview record is scripted in Chinese. It was published in "Art Scholarships" in 1994 (volume 1). (Jerry Wu'23).
Inspirations From Fu Zhong Wang's "Mortise And Tenon Structure" Sculptures, Zhong-Wang Fu 傅中望
Inspirations From Fu Zhong Wang's "Mortise And Tenon Structure" Sculptures, Zhong-Wang Fu 傅中望
Zhou Documents
This essay is scripted in Chinese. It was published by Henan Art in the portfolio "Fu Zhong Wang's Art". (Jerry Wu'23).
Kenyon Collegian - October 28, 1993
Review: The Figures' Histories, Their Emergences, And Purity - Hu Jianping's "Paper-Man On Walls", Jian-Ping Hu 胡建平
Review: The Figures' Histories, Their Emergences, And Purity - Hu Jianping's "Paper-Man On Walls", Jian-Ping Hu 胡建平
Zhou Documents
This review is scripted in Chinese. (Jerry Wu'23).
Kenyon Collegian - October 21, 1993
Kenyon Collegian - October 14, 1993
Issues Of Sculpture In China 中国雕塑问题, Wang Zhan 展望
Issues Of Sculpture In China 中国雕塑问题, Wang Zhan 展望
Zhou Documents
This is an article, titled "Toward New Sculpture," by Zhang Qing, editor of special column, "Issues of Sculpture in China," on "Art Gallery" magazine (issue and year unknow, but should be in the 1990s), about contemporary Chinese sculpture. Starting with the origin of Chinese contemporary sculpture, the article analyzes the characteristics of Chinese academician sculpture and the divergence from Western contemporary art. Then the author concludes the challenges the field faced, such as internationalization, localization, and the impact of installation art and market economy. At the same time the the situation of sculpture in China. seems promising to the author …
El Nuevo Criterio Edición Especial
Kenyon College Alumni Bulletin - October 1993
Kenyon College Alumni Bulletin - October 1993
Kenyon College Alumni Bulletin
No abstract provided.
Kenyon Collegian - September 30, 1993
Kenyon Collegian - September 23, 1993
Kenyon Collegian - September 16, 1993
Kenyon Collegian - September 9, 1993
杨克勤油画展, Ke-Qin Yang 杨克勤
杨克勤油画展, Ke-Qin Yang 杨克勤
Zhou Documents
This ad for Yang Ke-Qin's 1993 oil painting exhibit at the Central Academy of Fine Arts, Beijing China was published in China Culture Newspaper. (Nicole Wang '26).
有男性气度的女画家(Female Artist With Masculinity), Ke-Qin Yang 杨克勤
有男性气度的女画家(Female Artist With Masculinity), Ke-Qin Yang 杨克勤
Zhou Documents
This article was written by Zhang Zhi-Dan about Yang Ke-Qin's "masculine" quality in her artistic style and was published in “People's Daily Overseas Edition”. (Nicole Wang).
Review: A Review On H.K. Monthly "九十年代杂志", Shuang-Gui Ye 叶双贵
Review: A Review On H.K. Monthly "九十年代杂志", Shuang-Gui Ye 叶双贵
Zhou Documents
This review is written in traditional Chinese and published in Hong Kong. It briefly introduced the "New Era Group" including four artists, Ren Jian, Zhou Xi-pin, Liang Xiao-chuan and Ye Shuang-gui. Then, the review follows with the summarization of their work and exhibition, their responds to new era of art. (Zhuocheng Jiang '26)
Pvn-Cat-128-R-010-001-Fwo, Ellen Bell
Essay: About Art Plan "New Structures" -- On The Developments Of "Experimental Cognizance" 新架构 -- 关于综合意义的“实验认识”的发展建构, Jian-Wei Wang 汪建伟
Essay: About Art Plan "New Structures" -- On The Developments Of "Experimental Cognizance" 新架构 -- 关于综合意义的“实验认识”的发展建构, Jian-Wei Wang 汪建伟
Zhou Documents
The essay is scripted in Chinese. (Jerry Wu'23).
Pvn-Lot-163-A-001, Neil Ross
Review: Spirit Shape 精神造型, Shuang-Gui Ye 叶双贵
Review: Spirit Shape 精神造型, Shuang-Gui Ye 叶双贵
Zhou Documents
This review is written by Hong YU, an art critic, in Chinese. The author summarized the artists' motivation, aspiration and the guiding concept manifested in two Art Series. The review could be broken down into two parts, 1. The analysis of “Guan Tong Series”(literal meaning, Consistency): Dismantling and Destruction of forms, Ye’s three forms of ceramics. 2. The analysis of “Hou Guan Tong Series” (Post-Consistency Series): Injection and Expression of Spirit. (Zhuocheng Jiang '26)
Pvn-Rdo-386-H-002, Christopher Attarian