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Community Contracting At Mankato State University., Robert D. Reason, Barbara R. Lee, Paul B. Bixler Jun 1995

Community Contracting At Mankato State University., Robert D. Reason, Barbara R. Lee, Paul B. Bixler

Robert D Reason

High-rise residence halls present unique problems for residential life staff. Since structures of typical high-rises, such as single-loaded corridors, are not conducive to community development, creative programs to encourage the growth and development of individuals within these residence halls must be implemented. Having already been utilized effectively at other institutions (Scheuermann & Grandner, 1986), community contracting seems to be a reasonable strategy to consider.


Chivalry In Pholcid Spiders Revisited, Julie A. Blanchong, Michael S. Summerfield, Mary A. Popson, Elizabeth M. Jakob Jan 1995

Chivalry In Pholcid Spiders Revisited, Julie A. Blanchong, Michael S. Summerfield, Mary A. Popson, Elizabeth M. Jakob

Julie A. Blanchong

Cohabiting pairs of adult spiders are likely to interact over prey, and the outcome of these interactions is likely to affect the reproductive success of both individuals. In two species of pholcid spiders, previous workers reported the occurrence of "chivalrous" behavior, in which males cede prey to females. We looked for the occurrence of chivalrous behavior in another pholcid spider, Holocnemus pluchei. Pairs of spiders were placed on a web and left overnight without prey. A housefly was then introduced onto the web equidistant from the spiders, and subsequent interactions were noted on audiotape. We found no evidence of chivalry …


Jane Howell And Subverting Shakespeare: Where Do We Draw The Lines?, Linda Shenk Jan 1995

Jane Howell And Subverting Shakespeare: Where Do We Draw The Lines?, Linda Shenk

Linda Shenk

When Ralph Berry asks RSC director Bill Alexander to explain how a director chooses to do a Shakespearean play in a certain manner, Alexander replies: "For me, it all boils down to this: how best can I reveal this play, how best can I release my own perception of the play, my own feeling of what it's about, and what it says and why he wrote it" (Berry 178). To fulfill these goals, directors often choose to set a play in a different historical context, devise a thematic doubling scheme, and/or cut lines to emphasize a specific concept. Such decisions …


The Ready-Made: Duchamp's Thing, Daniel J. Naegele Jan 1995

The Ready-Made: Duchamp's Thing, Daniel J. Naegele

Daniel J. Naegele

Marcel Duchamp fully appreciated the twentieth century's proclivity for certainty and classification and this attitude became an essential component of his art. In this he was not unlike Freud or Einstein or, in his immediate artistic milieu of belle ipoque Paris, Stravinsky or Raymond Roussel. Of the playwright Roussel, Duchamp once noted with admiration that "starting with a sentence ... he made a word game with kinds of parentheses ... His word play had a hidden meaning ... It was an obscurity of another order. Roussel had economically undermined the totalizing tendency of word order, throwing all of its accepted …