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Remember Harpers Ferry: Masculinity And The 126th New York, Anika N. Jensen

The Gettysburg Compiler: On the Front Lines of History

“The Harpers Ferry Cowards” is not an enviable nickname, but it is the one with which the 126th New York Infantry was stuck after September 15, 1862, the date that saw the largest capture of United States troops until the Battle of Bataan roughly 70 years later. The regiment, which had been active for a mere 21 days, was stationed on Maryland Heights and had been successful in fending off Joseph Kershaw’s brigade on September 12 and 13, but when the 126th observed their colonel, Eliakim Sherrill, being carried from the field after receiving a wound to the face, a …

Lisa Wolfinger, Executive Producer Of Pbs’S Mercy Street, Talks History And Memory, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

This winter, the Gettysburg Compiler will be releasing weekly posts as part of a Mercy Monday feature that will cover issues of medical history, gender and race relations, historical memory, and other themes depicted in the new PBS series Mercy Street.

Recently, I had the opportunity to interview Lisa Wolfinger, the executive producer and co-creator of Mercy Street. She kindly agreed to be interviewed by the Gettysburg Compiler about her work on the series. Wolfinger also participated in a recent conversation on local public radio station WITF’s Smart Talk program alongside the CWI’s Jill Titus and Ian Isherwood. …

Sexual Healing: Nurses, Gender, And Victorian Era Intimacy, Anika N. Jensen

The Gettysburg Compiler: On the Front Lines of History

In the first episode of the new PBS series Mercy Street, nurse Anne Hastings is seen applying a plaster cast to a wounded soldier’s bare legs before a captivated audience of surgeons and hospital workers. This action seems trivial today, even unquestionable, but as the show progressed and more scenes portrayed this seemingly insignificant concept of touch, of intimacy between a female nurse and her male patients, its true magnitude became apparent. [excerpt]

Dead Broets Society: Masculinity In Walt Whitman’S War Verse, Anika N. Jensen

The Gettysburg Compiler: On the Front Lines of History

There are two images of masculinity in Walt Whitman’s Drum-Taps, his collection of wartime poetry: one, the strong, hardened soldier, the image of manliness, and the other the boyish, rosy-cheeked recruit. Whitman’s sexuality, while not the Victorian social norm, was no secret, and he wrote openly of the hospitalized soldiers during his time as a Union nurse with admiration, affection, and love. Some critics, such as Thomas Wentworth Higginson, castigated Whitman’s queer themes to be overwhelming, distractingly sensual, and "unmanly," while others, like William Sloane Kennedy, dissented, arguing instead that the overt sexuality present in Whitman’s work was precisely …

The Saint Patrick’S Battalion: Loyalty, Nativism, And Identity In The Nineteenth Century And Today, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

Two decades before the Irish Brigade covered itself with glory, an earlier unit of Irish immigrants had won renown for its service during the Mexican American War. Calling themselves the Saint Patrick’s Battalion, these men marched under a flag of brilliant emerald decorated with Irish motifs: a harp, a shamrock, and the image of Saint Patrick [excerpt].

Ready, Aim, Feminism: When Women Went Off To War, Anika N. Jensen

The Gettysburg Compiler: On the Front Lines of History

I like to imagine that if Sarah Emma Edmonds were my contemporary she would often sport a t-shirt saying, "This is what a feminist looks like."

Edmonds was a patriot, a feminist, and, along with an estimated 400 other women, a soldier in the American Civil War. Fed up with her father’s abuse and appalled at the prospect of an arranged marriage Edmonds left her New Brunswick home at the age of fifteen and soon adopted a male identity to become a successful worker. When the war erupted, she was compelled by a sense of patriotism and adventure to join …

A Woman In Soldier’S Dress: Then And Now, Elizabeth A. Smith

The Gettysburg Compiler: On the Front Lines of History

This post is the second in a three-part series on women soldiers in the Civil War and during modern reenactments. Also check out the introduction of this series.

I was thirteen years old when I joined the 5^th Kentucky Orphan Brigade, a Confederate reenactment group based out of south-central Kentucky. At fourteen, I “saw the elephant”—a Civil War term for seeing battle—for the first time as a soldier. It was the most terrifying thing I’ve ever done, but seven years later I credit that decision to go through with it as bringing me to where I am now, …

A Woman In Soldier’S Dress: Taking The Field, Elizabeth A. Smith

The Gettysburg Compiler: On the Front Lines of History

The year was 1989. The place, a Civil War reenactment at Antietam National Battlefield. Lauren Cook (then Burgess) had been participating in reenactments for two years. Her portrayal of a fifer required her to wear a soldier’s uniform rather than in a civilian woman’s dress. She did her best to portray a soldier, disguising her sex so she could pass the “fifteen yard” rule, which meant that at fifteen yards she could not be identified as a woman. The call of nature proved to be her undoing, however, when an NPS official “caught” her coming out of the women’s restroom. …

Finally Speaking Up: Sexual Assault In The Civil War Era, Anika N. Jensen

The Gettysburg Compiler: On the Front Lines of History

Trigger warning: This article contains detail concerning rape and sexual assault.

On March 12, 1864, in the midst of a bloody war which had long overflowed its thimble, Margaret Brooks was returning from her home near Memphis, Tennessee when her wagon broke down in Nonconnah Creek. Not long after her driver left to find help, three rambunctious New Jersey cavalrymen, all white, approached Brooks, demanding her money. She was then raped multiple times at gunpoint [excerpt].

Re-Thinking James Buchanan, Ryan M. Nadeau

The Gettysburg Compiler: On the Front Lines of History

On Saturday, September 19th, local citizens, historians, Civil War enthusiasts, and the rare college student alike converged at the LancasterHistory.org Campus of History for the second day of the President James Buchanan National Symposium. The theme for the symposium was "The Worlds of Thaddeus Stevens and James Buchanan: Race, Gender, and Politics in the Civil War Era," thus it featured the lives of two of Lancaster, Pennsylvania’s most prominent historical residents and two of the most colorful characters of the Civil War era [excerpt.

The Unfinished Work: Slavery Today, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

2.7 million. That’s an estimate for the number of slaves in the world today. The true number is probably higher, even though the United States abolished slavery 150 years ago. Most of today’s slaves go unseen and unaided, victims of an opaque system of exploitation that conspires to keep them oppressed. [excerpt]

What Makes A Man?: A Historiography On The Common Soldier And Masculinity, Brianna E. Kirk

The Gettysburg Compiler: On the Front Lines of History

The American Civil War ended with Union victory on April 9, 1865, in the front parlor of the McLean House in Appomattox, Virginia. Robert E. Lee’s surrender to Ulysses S. Grant ensured the southern states would return to the Union and begin the process of Reconstruction. Union soldiers, flushed with victory, reveled in the knowledge that their cause triumphed, that their masculinity and honor was upheld while the southern men were forced to reconcile with their failure as soldiers and men. This victorious sentiment and love toward the Union Army has transcended the celebratory jubilees in which northern soldiers engaged …

Theater Of War: Booth And Beyond, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Lastly, we come upon perhaps the best known actor of the Civil War era, John Wilkes Booth. Of course, the reason memory allows us to recall the name is not because of the merits achieved through his profession, but rather because he murdered the elected executive official – United States President Abraham Lincoln. Booth, a product of a theater family, was a dramatic, eccentric, and impatient being. He wanted the leading roles, did not want to prepare the role, but to simply play the role. His brother, Edwin Booth, a talented poetical performer, one might deduce, did prepare for his …

Theatre Of War: A Witness To Love, Tragedy, And Parody, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Central to American nineteenth century life was the theater. As the fratricidal fighting of the American Civil War broke out and divided the nation, this centrality remained, and audiences crowded into the theaters. For both north and south, the theater provided an outlet through which Americans could enjoy plays, performances, music, and variety shows that appealed to all social classes of American society. However, in order to understand the operations of theater companies during the war itself, it is first essential to examine the state of the theater as a concept during the mid-nineteenth century, and in the pre-war years. …