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Adopting Home Language And Multimodality In Composition Courses, Mack Curry May 2020

Adopting Home Language And Multimodality In Composition Courses, Mack Curry

English Dissertations

Over the years, language has been a major issue in teaching composition courses, specifically when discussing African American Vernacular English (AAVE) and Standard English (SE). Concepts such as Students Right to their Own Language (SRTOL), culturally relevant pedagogy, and code-switching have been introduced as ways to be more receptive to home language in the classroom. However, many students still lack feeling confidence to expressing themselves in their natural voices. I conducted this study to examine and tests how well AAVE, SE, code-meshing, and multimodality work together to help students better understand linguistic and rhetorical principles. This study found that teacher …


Place, Race, And Modernism In The Works Of E.M. Forster And Eudora Welty, Marny H. Borchardt Feb 2013

Place, Race, And Modernism In The Works Of E.M. Forster And Eudora Welty, Marny H. Borchardt

English Dissertations

This dissertation examines similarities between the works of E. M. Forster (A Room with a View, A Passage to India) and Eudora Welty (“Powerhouse,” Delta Wedding). This study focuses on three areas: the importance of a sense of place for both writers, their nuanced critiques of racism and other intolerances, and their subtle, yet inherently modernist philosophies and methodologies. This dissertation also argues that both writers deserve a prominent place in the modernist literary canon.


Sensory Coding In William Faulkner's Novels: Investigating Class, Gender, Queerness, And Race Through A Non-Visual Paradigm, Laura R. Davis May 2011

Sensory Coding In William Faulkner's Novels: Investigating Class, Gender, Queerness, And Race Through A Non-Visual Paradigm, Laura R. Davis

English Dissertations

ABSTRACT

Although the title of William Faulkner’s famous novel The Sound and the Fury overtly references the senses, most critics have focused on the fury rather than on the sound. However, Faulkner’s stories, vividly and descriptively set in the U.S. South, contain not only characters and plot, but also depict a rich sensory world. To neglect the way Faulkner’s characters employ their senses is to miss subtle but important clues regarding societal codes that structure hierarchies of class, gender, queerness, and race in his novels. Thus, a more complete examination of the sensory world in Faulkner’s fiction across multiple texts …