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Spaces Between, Sara Kapadia Mar 2019

Spaces Between, Sara Kapadia

The STEAM Journal

No abstract provided.


Standing Still – Behind The Cover Art, Young - Tseng Mar 2019

Standing Still – Behind The Cover Art, Young - Tseng

The STEAM Journal

I am drawn to the in-between—to movement at the corners of the eyes, to the moments between one breath and the next. When we want to catch such moments we stand still, we pause, we wait, “with bated breath.” At such moments, I believe, the potential exists for taking on different perspectives and for finding other points of view. Standing still, in a state of stillness, is an action that encapsulates many of my concerns. My work takes form in objects and architecture that collaborate with bodies moving inside them. The space is structured, not as a system, but as …


Standing Still, Young - Tseng Mar 2019

Standing Still, Young - Tseng

The STEAM Journal

I am drawn to the in-between—to movement at the corners of the eyes, to the moments between one breath and the next. When we want to catch such moments we stand still, we pause, we wait, “with bated breath.” At such moments, I believe, the potential exists for taking on different perspectives and for finding other points of view. Standing still, in a state of stillness, is an action that encapsulates many of my concerns. My work takes form in objects and architecture that collaborate with bodies moving inside them. The space is structured, not as a system, but as …


Research And Inhabited Image (Ria): A Spatial Hypothesis, Sveva Avveduto, Fabio Fornasari Dec 2014

Research And Inhabited Image (Ria): A Spatial Hypothesis, Sveva Avveduto, Fabio Fornasari

The STEAM Journal

This paper discusses the possibility of representing research activity as a narrative path starting from an experimentation field. The aim is to test and verify connections between social space and the construction of images of the world through the building and perception of specific language in the narrative dimension of research. The field work we present has been carried out as an installation art in Borromini’s Crypt in Rome, and is the example of rendering the story-dimension of research through a medium, a narrative technology in constant progress and evolution. In this way research activity can be presented as ascent …