Digital Commons Network^™

The Reciprocal Interaction Of Musical Performance And Analysis, Gregory Hartmann

Dissertations, Theses, and Capstone Projects

Musicians can generally be divided into one of two kinds: practitioners who compose or perform music, and thinkers who analyze or write about music (theorists, musicologists, and critics). These roles might seem to be of approximately equal importance, so the perspectives of each should be given proportionate consideration. Yet the existing music-theoretical literature consistently relegates the performer to an inferior position. When performance is discussed, it is usually done in objective terms; an analysis is presented as a rationale to judge a performance as right or wrong. My dissertation challenges this perspective and provides an alternative. By marrying rigorous, theory-based …

Examining The Health Risks Of Particulate Matter 2.5 In New York City: How It Affects Marginalized Groups And The Steps Needed To Reduce Air Pollution, Freddy Castro

Dissertations, Theses, and Capstone Projects

The following examines the impact of particulate matter 2.5 (PM2.5) on public health, focusing on its sources and effects on vulnerable populations in New York City. PM2.5 is a particle that is 2.5 micrometers or less in diameter and, because of its size, can enter the bloodstream affecting the respiratory and cardiovascular systems and further complicating the health of the immunocompromised. Recent studies have shown that PM2.5 can come from various sources, including transportation and industrial emissions, as well as indoor sources like cigarettes and gas-operated stoves. Despite reduced levels of PM2.5 due to recent policy changes and initiatives taken …

Voice Leading In Fugue, Yuval Shapira

Dissertations, Theses, and Capstone Projects

This dissertation examines voice leading in the fugues of J. S. Bach’s Well-Tempered Clavier from a Schenkerian perspective. In Bach’s fugues, thematic material usually permeates all the parts, making the surface diminutions unusually complex. Given the predominance of the subject, there is a tendency in the Schenkerian tradition to base the voice-leading analysis of a fugue on an a priori analysis of the subject by itself. Based on the subject’s outline, one might expect to find the fugal thematic layout reflected in the underlying voice leading, conceiving the fugal surface as an elaboration of a simpler quasi-fugal substructure. I argue …

Social Impacts Of Robotics On The Labor And Employment Market, Kelvin Espinal

Dissertations, Theses, and Capstone Projects

Robotics have been introduced into the workplace to perform tasks that human beings have traditionally fulfilled. Complementing or substituting human labor with robotics eliminates human involvement in functions attributable to hazardous environments, heavy lifting, toxic substances, and repetitive low-level tasks. On the other hand, they are meant to be more efficient and cost-effective, saving money, time, and labor. However, since the introduction of robotics in the workforce, societal opposition has been towards this branch of technology in fear of losing employment, wages, and purpose.

Previous studies have reported an overarching societal fear that adopting robotics in the workplace and industry …

Disposizione Scenica Per L’Opera Simon Boccanegra: An Insight Into Verdi’S Sense Of Drama And A Valuable Tool For Contemporary Performance, Giordana Rubria Fiori

Dissertations, Theses, and Capstone Projects

The purpose of this dissertation is twofold: while it aims to provide a valuable tool for performers and all artists involved in a production of Simon Boccanegra, it also simultaneously explores and outlines several instances in which Verdi’s all-encompassing idea of drama shapes and directs this opera.

Throughout this process, the disposizione scenica to Simon Boccanegra constitutes the central document that connects the practical and the aesthetic perspective of this dissertation. Each chapter is dedicated to a different character of Simon Boccanegra, allowing the reader to follow each character on a journey through the opera as it is presented in …

Chorale And Collapse: An Analysis Of Mahler's Sixth Symphony, Benjamin G. Schweitzer

Student Theses

Gustav Mahler's Sixth Symphony in A minor, commonly known as the "Tragic," has become one of the Austrian symphonist's most celebrated works. This monumental symphony's direct and powerful expression have assured its place in the concert hall and its labyrinthine structure and wealth of intricate detail have made it an object of fascination for countless analysts and commentators through to the present day. My analysis of the symphony works up from the smallest elements of its harmonic progression and harmony to large-scale issues of tonality and form. In the process, I reveal the connections that bind all of the symphony's …

I Just Work Here, Carrie Rudd

Theses and Dissertations

Via an in-depth analysis of the artist’s works and the material, social, and historical possibilities of Painting, the following paper investigates the myriad approaches for Painting to communicate complex ideas both physically and psychologically.

The Quartet’S Death: Embodiment, Performativity, And Physicality In Heinz Holliger’S 1973 String Quartet, Vicente Alexim

Dissertations, Theses, and Capstone Projects

Throughout the twentieth century and continuing today, many composers have explored and expanded the ways in which performers are asked to interact with their musical instruments. Often referred to as “extended techniques,” these modes of playing frequently produce sounds of indefinite pitch, or which fall outside equal temperament, and the works that employ them rely on the physicality of these techniques in order to create additional layers of meaning. The concrete parameters involved in making use of such resources can sometimes take precedence over or drive other more abstract compositional materials such as precise pitch and rhythm, but their influence …

Freshman Composition: Early College Initiative, Julianne Davidow

Open Educational Resources

The purpose of this course is to provide further practice with a variety of genres that you’ll use throughout your college career and in your professional life. These genres include reflection, analysis, reporting, arguing, and self-assessment. While you likely had experience with these genres in your primary and secondary education, this class will provide you with an opportunity to expand and develop your range. In addition to exploring these genres, we will also develop our research practices to make use of City College’s virtual library.

Composition Of Individual & Society Fiqws, Julianne Davidow

Open Educational Resources

First-year composition courses at CCNY teach writing as a recursive and frequently

collaborative process of invention, drafting, and revising. Writing is both personal and social, and students should learn how to write for different purposes and audiences. Since writing is a process of making meaning and communicating, FYC teachers respond mainly to the content of students’ writing as well as to recurring surface errors. Students should expect frequent written and oral responses on the content of their writing from their teachers and peers. Classes rely heavily on a workshop format. Instruction emphasizes the connection between writing, reading, and critical thinking; …

Rachmaninoff And The Flexibility Of The Score: Issues Regarding Performance Practice, Tanya Gabrielian

Dissertations, Theses, and Capstone Projects

Sergei Rachmaninoff’s piano music is a staple of piano literature, but academia has been slower to embrace his works. Because he continued to compose firmly in the Romantic tradition at a time when Debussy, Stravinsky, and Schoenberg variously represented the vanguard of composition, Rachmaninoff’s popularity has consequently not been as robust in the musicological community. He left a rich legacy of recorded material which provides a first-hand account of his approach to musical interpretation. Few have analyzed Rachmaninoff’s recordings in great detail, and there are even fewer studies addressing Rachmaninoff’s performances of works by other composers.

The aim of this …

An Improved Method For The Analysis Of Fiber Evidence Using Polarized Light Microscopy, Samuel F. Kaplan

Student Theses

Using the basic fundamentals of polarized light microscopy, a new and improved method for identifying synthetic fibers is presented in this thesis. Using the equation of an ellipse in spherical coordinates, an EXCEL™ (Microsoft Inc., Seattle, WA) spreadsheet was developed that generated tables of data that provide a foundation for a new and more efficient method in fiber analysis. Intermediate refractive index values for each subclass of textile fibers were calculated based on the fiber's principal refractive index values. The angles of refractive index matching to known refractive index fluids vary from 0 to 90 degrees upon rotation of the …

An Exploration And Analysis Of The Unaccompanied Viola Sonatas Of Günter Raphael, Gregory K. Williams

Dissertations, Theses, and Capstone Projects

Günter Raphael (1903–1960) was a skillful German-Jewish composer, organist, pianist, violinist and violist largely unknown outside of Europe. Although he is best known for his sacred choral and keyboard music, he was prolific in composing for strings, especially for his beloved viola. Raphael's unaccompanied viola sonatas are particularly fascinating to study and perform because of their complex harmonies and sonorities, and rhythmic and technical challenges.

This dissertation offers the first significant English-language biographical account of Raphael’s life, a thorough analysis of his unaccompanied viola literature, and performance issues through annotated passages and notes on interpretation. This dissertation also examines the …

Symmetry And Interval Cycles In The Quartettos Of Mario Davidovsky, Ines Thiebaut Lovelace

Dissertations, Theses, and Capstone Projects

The music of Mario Davidovsky has seldom been analyzed past the timbral implications of his electroacoustic pieces and gestural aspects of his phrasing, and there has been virtually no attention paid to its pitch organization, despite the composer’s longstanding interest in writing for acoustic instruments. In this dissertation, I demonstrate how two main consistent resources for the organization of pitch govern the musical continuity and formal structure of his music, what I’ve called symmetry potentiality—actuality, and interval cycle potentiality-actuality processes. The interval cycle potentiality-actuality process refers to the various interval cycles that self-perpetuate, completing aggregates. This self-perpetuation means that incomplete …

Snapshots, Cynthia L. Wong

Dissertations, Theses, and Capstone Projects

For all instruments:

Linger slightly on the first note of a glissando in order to make the pitch distinguishable.

For the piano / celesta:

The piano / celesta is set up in an L-shape so that the celesta is in the front and the piano is to the left of the player. The right side of the piano keyboard can touch the left side of the celesta at or around the celesta's Ab below middle C (the lowest celesta note written in this piece). The L.H. invariably plays the piano, though the R.H. switches between the piano and celesta.

Duration: …

The Fourth Movement Of György Ligeti's Piano Concerto: Investigating The Musical-Mathematical Connection, Cynthia L. Wong

Dissertations, Theses, and Capstone Projects

This interdisciplinary study explores musical-mathematical analogies in the fourth movement of Ligeti’s Piano Concerto. Its aim is to connect musical analysis with the piece’s mathematical inspiration. For this purpose, the dissertation is divided into two sections. Part I (Chapters 1-2) provides musical and mathematical context, including an explanation of ideas related to Ligeti’s mathematical inspiration. Part II (Chapters 3-5) delves into an analysis of the rhythm, form, melody / motive, and harmony. Appendix A is a reduced score of the entire movement, labeled according to my analysis.

Why John Stuart Mill Cannot Dismiss The Poet Of Culture, Nelson Tuero

Dissertations and Theses

No abstract provided.

L'Harmonie Révée: An Analysis Of Henri Pousseur's 'Votre Faust' And 'Les Litanies D'Icare', Andre Rene Bregegere

Dissertations, Theses, and Capstone Projects

This dissertation consists of two chapters, largely self-contained, each dedicated to a different piece by Belgian composer Henri Pousseur (1929-2009). The first chapter presents a detailed survey of Pousseur's opera, Votre Faust, attempting to address all major aspects of this vast, ambitious work: origins and reception, compositional design, relationship with the Western operatic and literary tradition, formal experimentations, and harmonic innovations. The second chapter presents a detailed analysis of a work representative of Pousseur's more recent output, Les Litanies d'Icare (1993) for piano solo, focused on Pousseur's trademark techniques of parametric, serial design (technique des groupes), and …

La Vie Dans Les Plis, Andre Rene Bregegere

Dissertations, Theses, and Capstone Projects

La vie dans les plis was premiered at The Firehouse Space (Brooklyn, NY) on June 9, 2014, by violinist Karen Rostron and pianist Mirna Lekić. The piece's title is a reference to an eponimous collection of texts by Belgian author Henri Michaux. There is no direct connection between Michaux's text and the structure of the piece. This choice of title, in addition to its great poetic beauty, is meant as an acknowledgement of my indebtedness to Henri Michaux's writings, and, more generally, to Surrealist - and Surrealist-influenced - poetry, for revealing to me the artistic value of a bold exploration …

The Finales Of Robert Shumann's Piano Sonatas And Fantasie, Emiko Sato

Dissertations, Theses, and Capstone Projects

This dissertation sets out to examine the finales of Robert Schumann's Piano Sonatas (opp. 11, 14, 22 [original finale]), and Fantasie (op. 17), with an especial focus on their form, which can be broadly categorized as parallel form. The introduction examines historical criticisms of Schumann's large-scale works, pointing out some of the idiosyncratic features found in Schumann's finales. Each chapter will present a comprehensive analysis of one of the finales. I make use of color diagrams in the formal analyses, which expeditiously and efficiently elucidate the repeating patterns of thematic and transitional materials; they also visually reflect the actual …

Emerging Musical Structures: A Method For The Transcription And Analysis Of Electroacoustic Music, Mario Mazzoli

Dissertations, Theses, and Capstone Projects

This dissertation proposes a method for transcribing "electroacoustic" music, and subsequently a number of methods for its analysis, utilizing the transcription as main ground for investigation. The core of the investigation is on pieces that seem particularly resistant to traditional musical analysis, as they present at least three crucial differences with respect to the "standard" repertoire: they utilize (completely or in part) non-pitched sounds, they focus on timbre avoiding traditional strategies of pitch and rhythm organization, and they are not traditionally notated. Pieces by Agostino di Scipio and Douglas Henderson serve as case studies to demonstrate the efficacy of the …

Three Stravinsky Analyses: Petrushka, Scene 1 (To Rehearsal No. 8); The Rake’S Progress, Act Iii, Scene 3 (“In A Foolish Dream”); Requiem Canticles, “Exaudi”, Joseph N. Straus

Publications and Research

Most published work in our field privileges theory over analysis, with analysis acting as a subordinate testing ground and exemplification for a theory. Reversing that customary polarity, this article analyzes three works by Stravinsky (Petrushka, The Rake’s Progress, Requiem Canticles) with a relative minimum of theoretical preconceptions and with the simple aim, in David Lewin’s words, of “hearing the piece[s] better.”

More Taxa Or More Characters : Which Dataset Is Better?, Stefan Barone

Student Theses and Dissertations

No abstract provided.

The Man-Made Disaster: Fire In Cities In The Medieval Middle East, Anna Akasoy

Publications and Research

Considering the building materials and climatic conditions in the medieval Middle East, fires must have been a major problem. This article provides a first survey of sources which are relevant for studying the impact of fires in urban environments. Evidence can be found, for example, in historiographies such as Ibn Kathīr's The Beginning and the End, or in legal discussions. Most fires mentioned in these sources were caused during riots or war, or by accidents in markets. The article also analyses how far fires fit into the general pattern of discussions around disasters in medieval Arabic literature.

The Effects Of Dietary Omega-3 And Omega-6 Fatty Acids Glucose Tolerance And Pancreatic Insulin Concentration In C57bl/Ksj Db/Db Mice, Rohini Suraj

Student Theses and Dissertations

No abstract provided.