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Articles 1 - 17 of 17
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There’S No Space In History: Affiliation, Eros And Colonial Entanglements In North American Nuclear Poetry, 1945-Present, Marguerite Daisy Atterbury
There’S No Space In History: Affiliation, Eros And Colonial Entanglements In North American Nuclear Poetry, 1945-Present, Marguerite Daisy Atterbury
Dissertations, Theses, and Capstone Projects
This dissertation investigates “affiliation” as a socio-spatial poetics and spatial ontology, a departure from the past and future to the material, landed present. The author’s experience growing up proximate to federally ordered uranium mining and nuclear weapons research on Indigenous land and at Los Alamos National Labs drives this work’s aim to render visible the economic, social, and ideological structures governing social-spatial dynamics in the North American context. This dissertation argues for a poetics of affiliation as a methodology, to move beyond theoretical and discursive questions in scholarship to negotiations of the social at scales that affect systems beyond the …
The Intersection Of Prose And Poetics In Apollonius’ Argonautica, Stephen B. Ogumah
The Intersection Of Prose And Poetics In Apollonius’ Argonautica, Stephen B. Ogumah
Dissertations, Theses, and Capstone Projects
Detecting allusions in the Argonautica of Apollonius of Rhodes is not quite new except for the fact that it has been carried out for long mostly within the poetic tradition. Looking at the proem of the epic, where there is mixing of genres, this mixture suggests that scholars may need to look beyond the Homeric epics and the poetic tradition for better appreciation of the Alexandrian epic. This dissertation explores the relationship between certain features and episodes of Apollonius’ Argonautica and the prose tradition, and seeks to show that the prose tradition, particularly Herodotus’ Histories, is germane to the …
Once There Was And Once There Wasn’T: The Poetics Of Flicker, Sara Akant
Once There Was And Once There Wasn’T: The Poetics Of Flicker, Sara Akant
Dissertations, Theses, and Capstone Projects
This dissertation is a series of lyric essays that describe what I call “the poetics of flicker.” Over the course of five chapters, I draw connections between four interlocking literary and theoretical frameworks for “the flicker”: the Turkish story-telling traditions of my childhood, the evil-eye belief complex, the names I have been given and the politics of naming, and the cut-up technique in modern and contemporary poetry. First, I establish these origin points for the flicker. Then, I enact a “poetics”—derived from the Greek word poiein, "to make”—around it, generating cut-up texts based on my grandfather Ilhan Akant’s archive …
Streets Of Grievance: Everyday Poetics And Postcolonial Politics In Urban Algeria, Stephanie Victoria Love
Streets Of Grievance: Everyday Poetics And Postcolonial Politics In Urban Algeria, Stephanie Victoria Love
Dissertations, Theses, and Capstone Projects
This dissertation analyzes the intersections of language, settler-colonial and postcolonial politics, and urbanism in North Africa (Algeria). It is an urban and linguistic ethnography of Oran, Algeria’s second-largest city, based on sixteen months of ethnographic, linguistic anthropological, and archival research conducted in Arabic and French. I show how contemporary Oranis mobilize language as a key resource in contemporary urban politics, which are inextricably tied to French colonialism’s material remnants, rubble, and legacies. In contemporary Oran, the connection between the colonial past and the postcolonial present remains palpable, even sixty years after independence; however, while the postcolonial Algerian state has long …
Towards A Decolonial Feminist Aesthetics: Gender, Race, And Empire In Theresa Hak Kyung Cha’S Dictee, Juwon Jun
Towards A Decolonial Feminist Aesthetics: Gender, Race, And Empire In Theresa Hak Kyung Cha’S Dictee, Juwon Jun
Dissertations, Theses, and Capstone Projects
Defining revolutionary struggle as a struggle between fictions, Trinh T. Minh-ha asserts that art in revolution is a spiritual presence which widens the conception of freedom. Political struggle is constituted by clashes in differently written and conceived realities—hinged on the creation and realization of multiple liberatory fictions. Liberation then requires us to attend to creating new myths and conceptions of freedom which can free us from the current structures of domination that produce current subjects and realities. If culture is indeed an “essential element in the history of a people,” mapping decoloniality in cultural and aesthetic fields may be essential …
Writing Not Writing: Transdisciplinary Poetics, Institutional Critique, Miriam L. Atkin
Writing Not Writing: Transdisciplinary Poetics, Institutional Critique, Miriam L. Atkin
Dissertations, Theses, and Capstone Projects
This dissertation is an exploration of transdisciplinary creative practice as a means of institutional critique. The artists I have chosen as my primary focus—Robert Kocik, Eleni Stecopoulos, Zora Neale Hurston, Jimmie Durham, Leslie Scalapino and Lyn Hejinian—employ multiple mediums and fields of discourse to address the presumptions and exclusions that are structurally integral to the institutions that house them. They enact “architextural” interventions through their use of forms that move between the page and three dimensional space, incorporating architecture, sculpture, drawing, painting, film, performance, poetry and prose. My work aims at a renewed understanding of critique as such, and therefore—though …
The Lodge In The Wilderness: Ecologies Of Contemplation In British Romantic Poetry, Sean M. Nolan
The Lodge In The Wilderness: Ecologies Of Contemplation In British Romantic Poetry, Sean M. Nolan
Dissertations, Theses, and Capstone Projects
This dissertation argues that contemplation is often overlooked in studies of British Romantic poetry. By the late 1700s, changing commercial and agricultural practices, industrialism, secularization, and utilitarianism emphasizing industriousness coalesced to uproot established discourses of selfhood and leisure, and effected crises of individuation in Romantic poetry and poetics. Closely reading poems and writing about poetry composed between the 1780s and 1830s by William Cowper, George Crabbe, Robert Bloomfield, Charlotte Smith, William Wordsworth, Samuel Taylor Coleridge, and John Stuart Mill, I probe the relationship between aesthetic, ethical, and emotional responses to depictions of toil, idleness, and leisure. I argue that ecologies …
From The Unspoken To The Verbalized: Different Ways Of Communication And Their Relationship To Culture In A Traditional Lakota Narrative "Ikto Na Wičhá Ha Kiŋ”, Or “Ikto And The Racoon Skin”, Liliana R. Boladz-Nekipelov
From The Unspoken To The Verbalized: Different Ways Of Communication And Their Relationship To Culture In A Traditional Lakota Narrative "Ikto Na Wičhá Ha Kiŋ”, Or “Ikto And The Racoon Skin”, Liliana R. Boladz-Nekipelov
Dissertations, Theses, and Capstone Projects
This master’s thesis is a discourse analysis of a traditional Lakota story, " Iktó na wičhá ha kiŋ”, or “Ikto and the Racoon Skin”, one of the 64 stories included in the “Dakota Texts”, which were collected by Ella Deloria at three Lakota reservations in 1930s as a part of Franz Boas’ language documentation project. The thesis is also an attempt to examine different communicative strategies employed within the narrative and their relationship to culture, as well as the relationship between form and the transfer of meaning and culture and meaning. The analysis is conducted using Dell Hymes’ ethnographic approach …
Topics Of The Sky: Ashbery's Involving Search For The Poem, Tom M. Carlson
Topics Of The Sky: Ashbery's Involving Search For The Poem, Tom M. Carlson
Dissertations, Theses, and Capstone Projects
An essay lived by John Ashbery's Three Poems with special attention to the possibility of cosmic relevance. This paper attempts to imagine priorities and needs proper to celestial bodies. Three Poems is the consciousness that gives possibility to the text, while Blanchot, Nietzsche, and other thinkers ground its exploration in philosophical analysis.
To See Again: Vision And Revelation In American Poetics, Emily C. Raabe
To See Again: Vision And Revelation In American Poetics, Emily C. Raabe
Dissertations, Theses, and Capstone Projects
With this project, I am arguing for a particularly American visual poetics that dwells in the state of suspension implied by attention, quivering between wonder and contemplation, immobility and unfixity as it seeks to reveal, as Maurice Merleau-Ponty writes in his 1945 The Phenomenology of Perception, the world which is “always ‘already there’ before reflection begins — as an inalienable presence.”[1] Grounded in visual theory, the project pairs poets and artists, searching not for similitude, but rather examining resemblance, difference, and most important, relation. Susan Howe, one of my guides for this project, writes that, “immense perspectives …
A Series Of Acts That Disappear: The Valparaíso School’S Ephemeral Architectures, 1952–1982, Elizabeth Rose Donato
A Series Of Acts That Disappear: The Valparaíso School’S Ephemeral Architectures, 1952–1982, Elizabeth Rose Donato
Dissertations, Theses, and Capstone Projects
In 1952, Chilean architect Alberto Cruz (1917–2013) and Argentine poet Godofredo Iommi (1917–2001) launched one of the most idiosyncratic experiments in postwar art and architectural pedagogy in the industrial port of Valparaíso, Chile. Founded on the premise that architecture must be “co-generada” with poetry, the so-called Valparaíso School developed an expanded conception of the discipline that encompassed ephemeral forms, from urban drifting to performative and ludic actions. This dissertation examines four specific “acts” in the Valparaíso School’s corpus: the exhibition, the poetic act, the journey, and the game. Across these different forms, I identify a tendency toward openness, improvisation, indeterminacy, …
Shakespeare And Chaucer: Dream Visions And Dramatic Designs, Michael Plunkett
Shakespeare And Chaucer: Dream Visions And Dramatic Designs, Michael Plunkett
Dissertations, Theses, and Capstone Projects
This dissertation explores echoes of Chaucer's dream visions in two of Shakespeare's late plays, Cymbeline and The Tempest, and in the induction to The Taming of the Shrew. Shakespeare turns to Chaucer's dream visions, particularly The Book of the Duchess and The House of Fame, not to use them as narrative sources, but to appropriate conventional elements of artistic self-exploration and self-definition in them. Chaucer's dreamers, who are also writers, read classic stories in bed, dream dreams that react to those stories, and then wake up and write new poems that report on what they have read …
Symbols Purely Mechanical: Language, Modernity, And The Rise Of The Algorithm, 1605–1862, Jeffrey M. Binder
Symbols Purely Mechanical: Language, Modernity, And The Rise Of The Algorithm, 1605–1862, Jeffrey M. Binder
Dissertations, Theses, and Capstone Projects
In recent decades, scholars in both Digital Humanities and Critical Media Studies have encountered a disconnect between algorithms and what are typically thought of as “cultural” concerns. In Digital Humanities, researchers employing algorithmic methods in the study of literature have faced what Alan Liu has called a “meaning problem”—a difficulty in reconciling computational results with traditional forms of interpretation. Conversely, in Critical Media Studies, some thinkers have questioned the adequacy of interpretive methods as means of understanding computational systems. This dissertation offers a historical account of how this disconnect came into being by examining the attitudes toward algorithms that existed …
Descent: American Individualism, American Blackness And The Trouble With Invention, Simone White
Descent: American Individualism, American Blackness And The Trouble With Invention, Simone White
Dissertations, Theses, and Capstone Projects
Descent is metacritical, ranging across disciplines to take up – as flash points or instances – failed attempts to revolutionize knowledge, considering these as descents, or movements into the deep, that remain stiff or un-poetic in their attitudes toward the American truisms “individualism,” “blackness” and “invention.” Beginning with William Carlos Williams’ formulation of descent (as a practice necessary for establishing national literary identity) in In the American Grain, the project resolves around the question, How can the critic make peace with her desire to dominate the object of critique by proposing its perpetual sameness in relation to the critic? …
On The Raised-Ness Of People, Places & Things, Miatta Kawinzi
On The Raised-Ness Of People, Places & Things, Miatta Kawinzi
Theses and Dissertations
My thesis project - comprised of writing, images, and a gallery installation with sound, video, and sculpture - is an exploration of softness as a response to hardness. I am working with the notion of elevation as it manifests conceptually, materially, and spatially.
Imagining A "Poethical" Classroom, Erica Kaufman
Imagining A "Poethical" Classroom, Erica Kaufman
Dissertations, Theses, and Capstone Projects
This dissertation begins at the crossroads of three fields—creative writing, contemporary poetics, and composition studies—and attempts to unite what is normally kept separate: the teaching of freshman composition and contemporary poetry. It is rooted, then, in the following anomalies: few students (unless they are English majors) encounter contemporary poetry; and few living poets (who often earn their livings as adjuncts, teaching composition) ever engage in a conversation about composition pedagogy. Fewer still teach the kind of poetry they write. Through a qualitative study of student writing in composition courses, this project investigates how encouraging students to engage with this form …
"For The Voices": The Letters Of John Wieners, Michael Seth Stewart
"For The Voices": The Letters Of John Wieners, Michael Seth Stewart
Dissertations, Theses, and Capstone Projects
American poet John Wieners is thoroughly disenfranchised from the modern poetic establishments because he is, to those institutions, practically illegible. He was a queer self-styled poete maudit in the fifties; a protege of political-historical poet Charles Olson who wrote audaciously personal verse; a lyric poet who eschewed the egoism of the confessional mode in order to pursue the Olsonian project of Projective (outward-looking) poetics; a Boston poet who was institutionalized at state hospitals. Wieners lived on the "other side" of Beacon Hill, not the Brahmin south slope, but the north side with its working-class apartments and underground gay bars. Though …