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Articles 1 - 8 of 8
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Stations Or There Goes Nothing, Jeremy D. Lawson
Stations Or There Goes Nothing, Jeremy D. Lawson
Theses and Dissertations
Jeremy Lawson uses bright, expressive, abstract painting in conversation with minimalist sculpture to encourage a meditation on the death of the self, the potential for it's transformation, and the struggle to maintain the tools beyond language necessary to experience the sublime.
Song From A Chamber, Miguel A. Martinez
Song From A Chamber, Miguel A. Martinez
Theses and Dissertations
My work weaves a biomythography through figurative reimagining of syncretist religious iconographies. This thesis installation is composed of a mural reliquary in which a collection of twenty works on paper is displayed. The project exposes abstract dimensions of body and spirit in relation to my experience as a gay immigrant.
Interview, Elizabeth Naiden
Interview, Elizabeth Naiden
Theses and Dissertations
An exploration of work by Liz Naiden in the form of a conversation discussing light and dark, attention and proprioception, and design and architectural theories of space in installation works. Addresses the role of voice, speech, and reading and speaking aloud, performing for oneself, and performing for others.
Pepón Osorio And Merián Soto: Multidisciplinary Collaborations, From 1985 To 1995, Zuna Maza
Pepón Osorio And Merián Soto: Multidisciplinary Collaborations, From 1985 To 1995, Zuna Maza
Theses and Dissertations
This paper assesses Pepón Osorio and Merián Soto’s collaborative multidisciplinary works created from 1985 to 1995. Underdiscussed in their individual scholarships, these joint works are reexamined through their collaborative approach, multidisciplinary framework, and their thematic explorations of the nuances of culturally specific subject matter.
Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry
Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry
Theses and Dissertations
Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.
It's Messy, Polina Tereshina
It's Messy, Polina Tereshina
Theses and Dissertations
My work is a way of thinking through things. Each painting, or object is usually a boiled down vision of something I’m learning, observing or remembering, as I make it. Everything becomes a compression of several ideas with a unique mood and temperature.
Yellow, Sisi Chen
Yellow, Sisi Chen
Theses and Dissertations
The following paper is a constellational unpacking of yellow through notes on critical race and feminist theories, myth, science, science fiction, disparate histories, cyborgs, biography, virtuality, materiality, fungi, porcelain, language, internalization, melancholia, smells, sounds, tastes, feels, and more feels.
Be Coming - Transcendence Born From The Concrete, Kathryn Alter
Be Coming - Transcendence Born From The Concrete, Kathryn Alter
Theses and Dissertations
My interactive virtual world, be coming, is a response to the question, “what happens when art that is made to be performed cannot be shared in a live performance?” In answering this question, I also use as theoretical tools certain works of Benjamin, Deleuze, Guattari and Peter Zumthor.