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The Future Of Music: Exploring Noise And Pop With Cienfuegos, Reed Dunlea Dec 2016

The Future Of Music: Exploring Noise And Pop With Cienfuegos, Reed Dunlea

Capstones

Pop music today has become increasingly filled with sonic elements that are much more abrasive than traditionally acceptable. This piece explores how pop music got to this point, the underground subcultures that it draws influence from, and what's next.


The Blurred Lines Of Cultural Appropriation, Jaja Grays Dec 2016

The Blurred Lines Of Cultural Appropriation, Jaja Grays

Capstones

For centuries, fashion designers, music artists and other celebrities alike have borrowed elements or styles from other cultures for personal gain. In my piece, "The Blurred Lines of Cultural Appropriation," I demonstrate the countless ways celebrities have appropriated different cultures whether at high-end fashion shows or live music performances. Cultural appropriation refers to a privileged culture borrowing or stealing from a marginalized culture-- striping elements of the culture to use it as a prop or for profit. I also discuss how to avoid cultural appropriation and engage in respectful cultural appreciation.


Art Beyond The Object? Art Beyond Grad School? (A Kickstarter Fundraiser): Help Me Complete My Mfa And Kickstart My Life As An Artist., Hsini D. Leary Dec 2016

Art Beyond The Object? Art Beyond Grad School? (A Kickstarter Fundraiser): Help Me Complete My Mfa And Kickstart My Life As An Artist., Hsini D. Leary

Theses and Dissertations

The goal of this paper and Kickstarter project is to enable the production of my last semester’s work and thesis exhibition, and also to aid in the post-graduation transition to a sustainable art practice that does not rely on the current gallery structure.


Moving From The Gray Area : What Is (My) Art [{At Hunter} Right Now]?, Rachel Schragis May 2016

Moving From The Gray Area : What Is (My) Art [{At Hunter} Right Now]?, Rachel Schragis

Theses and Dissertations

My thesis at Hunter College is a culmination of three years of investigation of the potential to create an artistic practice in service of popular organizing in NYC. In my thesis paper, I trace the history, and challenges of this work during my time in the Hunter MFA program. I lay out goals and core questions of my thesis exhibition in relationship to both my political life and my studio practice.


Sawft.Servindat... [V1.7], Ray Ferreira Apr 2016

Sawft.Servindat... [V1.7], Ray Ferreira

Theses and Dissertations

A descriptor of my artistic practice, a text piece, a series of linguistic musings, and more, Sawft.servindat… [v1.7] attempts to explore the dance between language, embodiment, and performativity. More specifically, the text moves through metaphor and metonym, Englishes, Spanishes, and Images, the performativity of representation and the representation of performativity —my body. My body moving across spaces and times. As part of the Sawft.servindat… series, Sawft.servindat… [v1.7] uses the scroll down format of most PDF reading software to activate the inherently embodied experience of intra-acting with technologies, resisting the dichotomy between the virtual and analog. Englishes juxtaposed with Spanishes juxtaposed …


Response And Responsibility: The War Veterans’ Art Center At The Museum Of Modern Art (1944–48), Laurel Humble Feb 2016

Response And Responsibility: The War Veterans’ Art Center At The Museum Of Modern Art (1944–48), Laurel Humble

Dissertations, Theses, and Capstone Projects

From 1944–48 the Museum of Modern Art, New York (MoMA) offered free art classes to World War II veterans through an experimental educational initiative called the War Veterans’ Art Center. This project was run by Victor D’Amico, who served as the museum’s first Director of Education from 1937–69. Building on an existing institutional ethos of experimentation and civil service, D’Amico and his colleagues explored the role of creative engagement in facilitating the transition from military service to civilian life. As they experimented with new pedagogical approaches, they also worked to articulate and share their innovative methods with other professionals and …


Transitors, Sarah B. Crofts Jan 2016

Transitors, Sarah B. Crofts

Theses and Dissertations

As an expression of integrated languages and an extension of my art practice, Transitors operates at the intersection of data, photography and language to explore the fragmentation and disintegration of the human psyche and bodily awareness through the effects of digital technology and contemporary social dissociation. Elements of the text simultaneously function as formulas, facts, and data interspersed with expository and narrative writing, all relating mimetically to various registers of this dissociation. The text moves amongst these levels, shifting from the personal to hints of a technological sublime to exemplify the predicament of the individual in relation to systems of …


A Portrait Of The Artist As Sisyphus, Jared N. Crane Jan 2016

A Portrait Of The Artist As Sisyphus, Jared N. Crane

Theses and Dissertations

In this thesis statement, contemporary artist Jared Nathan Crane uses the French philosopher Albert Camus’ essay The Myth of Sisyphus as a framework for discussing meaningfulness in art and life, and reflects on how his own experimental creative process evolved during his graduate studies.


The Objects Of A Catastrophe, Roman Cochet Jan 2016

The Objects Of A Catastrophe, Roman Cochet

Theses and Dissertations

Roman Cochet painting art