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Articles 1 - 23 of 23
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Arrival Of Spring, Ryan Johnson
Arrival Of Spring, Ryan Johnson
Theses and Dissertations
Ryan Johnson’s plein air paintings address a season of personal longing by relying on the empathetic power of observational painting. His current series of oil on linen panels, painted on site, track the transition from winter to spring in and around New York City. In “Arrival of Spring”, he reflects on the decisions made on site, art historical influences, and the hope of anticipation.
The Fuller The Bucket Is, The Harder It Is To Fly, Jacob Littlejohn
The Fuller The Bucket Is, The Harder It Is To Fly, Jacob Littlejohn
Theses and Dissertations
My abstract paintings are informed by the momentary sublime rooted in the vastness of the natural world. Based on imagined and real landscapes, the work evokes minutia and phenomena that affect our perceptions of reality, and signifies a longing to reconnect with the natural world.
Past And Future Winds, Alicia Ehni
Past And Future Winds, Alicia Ehni
Theses and Dissertations
Ehni’s thesis reflects on the role of wind to connect and transform. Looking at science and invisible forces like Earth’s magnetic field, her "Oculus" sculptures evoke old tools for orientation & migration. Birds, insects, plants, roads and sand, appear in a video and an experimental 16mm pinhole film of her bike journey along the Hudson River, NY. “Coordinates”, a magnetic drawing installation, addresses impermanence, attraction to land and fragility. Tracing memories of the Paracas desert in Peru, this thesis follows her interest in alchemy, ecology and the cosmos.
Affectionate Facsimiles, Julio C. Williams
Affectionate Facsimiles, Julio C. Williams
Theses and Dissertations
The paintings in Affectionate Facsimiles are journeys into the expansiveness of color and memory via the accumulation of gestural action. Sporadic freneticism is used to archive desire and time and their relationship to identity. Thin and translucent layers are built up in bursts of intensity as palimpsests of intentioned labor.
Place-Conscious Vs. Place-Bound, Julie Avetisyan
Place-Conscious Vs. Place-Bound, Julie Avetisyan
Theses and Dissertations
Julie Avetisyan’s installation of sculptures, paintings and printmaking works are driven by an exploration of constructed identity that is not place-bound, but place-conscious. In this paper, she explores how her art practice generates world building under the context of the Armenian Diaspora – considering histories of indigeneity, migration, and assimilation.
Landscape As Vanitas, C'Naan Hamburger
Landscape As Vanitas, C'Naan Hamburger
Theses and Dissertations
Life in New York has led me to investigate the multi-generational endeavor of building the Vatican. Although the Renaissance is often appreciated for idealized bodies, a flourishing Christianity, and a revival of the past, none of these are my focus. Instead, what moves me is that much of the construction at the Vatican was born out of experience with destruction. The fear of destruction was dominant in their psyche as they approached their designs. Life in New York rhymes with this multi-generational endeavor--but through an inversion of sorts, because the fear of destruction is within us. This led me to …
“This Little Patch Of Earth Is Inexhaustible”: Ernst Ludwig Kirchner And The Outdoors Movements, Erica Evans
“This Little Patch Of Earth Is Inexhaustible”: Ernst Ludwig Kirchner And The Outdoors Movements, Erica Evans
Theses and Dissertations
This thesis focuses on the influence of reform movements and hiking and mountaineering organizations on the life and work of Ernst Ludwig Kirchner. I explore how principles of these outdoors movements, including a healthy mind/body connection and rustic lifestyle, inform Kirchner’s works created while living in Davos, Switzerland.
Emotional Landscapes, Jin Young Jeong
Emotional Landscapes, Jin Young Jeong
Theses and Dissertations
“Emotional Landscape” delivers a sense of gravity, openness, and breathing space through oil paintings on linen of abstracted bodily forms. The imagery in the works generates an atmosphere where one can feel rooted and anxiety-free. The paintings invite a close read of the complexities of compounded affects.
The “Muddle” Of Landscape And Machinery In E.M. Forster’S Howard’S End And A Passage To India: An Ecocritical Reading, Ryan Ignatius Vera
The “Muddle” Of Landscape And Machinery In E.M. Forster’S Howard’S End And A Passage To India: An Ecocritical Reading, Ryan Ignatius Vera
Theses and Dissertations
This is an ecocritical reading of E.M. Forster's A Passage to India and Howard's End. I argue that Forster is concerned with imperial power structures that damaged the environment, as well as the looming aftereffects of the Industrial Revolution on both landscape and the people that reside in it.
An Infinite Horizon: Space, Time, & Mind In The American Imaginary From Thomas Cole To Agnes Pelton, 1825-1961, Jason Friedman
An Infinite Horizon: Space, Time, & Mind In The American Imaginary From Thomas Cole To Agnes Pelton, 1825-1961, Jason Friedman
Theses and Dissertations
This thesis examines how artists, intellectuals, spiritual seekers, and industrialists represented the American horizon across the nineteenth and twentieth centuries. The purpose of this inquiry is to show how art transmuted ideological and religious beliefs across time and to demonstrate the interdependence of esoteric self-perceptions and American hegemonic power.
Painting The City In Flux, Simon S. Smith
Painting The City In Flux, Simon S. Smith
Theses and Dissertations
In this paper, Simon Smith describes the way in which the cityscapes of New York serve as a source of inspiration for his painting process. The paper focuses on New York City's warping of time and space, and lays out how Smith sees abstract painting, grounded in a kind of not knowing, as an apt extension of or response to the experience of the city.
Tomtom Oracle, Grant B. Wells
Tomtom Oracle, Grant B. Wells
Theses and Dissertations
TomTom Oracle explores the conceptual and material processes throughout my body of work as an expression of a psychological tethering to a digital visual experience that removes us from the physical world.
“There Are Bulls And Almost Wild Horses There”: Vincent Van Gogh And The Landscape Of Saintes-Maries-De-La-Mer, Lisa E. Smith
“There Are Bulls And Almost Wild Horses There”: Vincent Van Gogh And The Landscape Of Saintes-Maries-De-La-Mer, Lisa E. Smith
Theses and Dissertations
In May 1888, Vincent van Gogh visited the Mediterranean village of Saintes-Maries-de-la-Mer, a site with a unique environment and history. This thesis examines how the specific cultural, social, and physical space of Saintes-Maries is represented in the landscapes Van Gogh produced depicting the town.
The Dream Of Being Totally Open, Frederick Greis
The Dream Of Being Totally Open, Frederick Greis
Theses and Dissertations
This essay details four major themes in the paintings of Frederick Greis: spiritual experience, nature, pleasure, and humor. These themes are described within the context of the artist's main goal, which is to create an experience of profound unburdening.
In Present Past: Sun Tunnels And The Historic Reconstruction Of Vision, Patrice M. Capobianchi
In Present Past: Sun Tunnels And The Historic Reconstruction Of Vision, Patrice M. Capobianchi
Theses and Dissertations
The following study investigates how Nancy Holt’s Sun Tunnels makes effective use of time and land to reprogram the modern viewer’s eye. By utilizing sculpture that is reminiscent of pre-historic observatories as an observational framing device against the landscape topography, the artwork succeeds in presenting a historic reconstruction of vision.
Carving Out A Space In Time: Sandra Swan And Her Block Island Oeuvre, Kylie S. Knee
Carving Out A Space In Time: Sandra Swan And Her Block Island Oeuvre, Kylie S. Knee
Theses and Dissertations
This thesis focuses on the Contemporary artist Sandra Swan, and how she peels back the layers of false identity and history created around Block Island, RI in her woodcuts. These woodcuts document the seafaring, landscape and architectural elements of the island, which are proven to be more contemporary than Block Island claims them to be. Through her pure observation and documentation, Swan reveals the falsities behind the early history of the island, as well as the maintained narrative of Block Island as a “place lost in time.” Her woodcutting technique links her to traditional nineteenth-century lithography, yet also places her …
Words Are A Pipe, Kyle Michael Utter
Words Are A Pipe, Kyle Michael Utter
Theses and Dissertations
A painter retraces the steps he took in making one of his paintings from beginning to end. Rather than explicitly ascribing a series of concerns or goals to his studio practice in general, he recounts the material choices he made over an 8 month period of making a specific painting of an interior landscape. The essay begins with a consideration of the written word and its potential shortcomings in describing the creative process. Warned of writing’s pitfalls, the reader proceeds onto a meandering path of written introspection as the painter reflects on his art-historical references, his sources of imagery, his …
Tailoring Landscapes: Multivalent Terrain And The Politics Of Black Geography In Nineteenth-Century African American Literature, Cara Fitzgerald
Tailoring Landscapes: Multivalent Terrain And The Politics Of Black Geography In Nineteenth-Century African American Literature, Cara Fitzgerald
Theses and Dissertations
This thesis foregrounds the import of national geography in nineteenth-century African American literature. Authors like Elizabeth Keckley and Martin Delany confront problems of national geography by interrogating illusion, rewriting geographic space, and constructing themselves within both the physical and conceptual geography of the nation. In so doing, they challenge the fallacy of a uniform national geography and attend to the myriad historical conditions that exist within geographic spaces.
Southern Grotesque, Maggie Ellis
Southern Grotesque, Maggie Ellis
Theses and Dissertations
The scenes I paint are submerged in specific landscapes I have encountered in Georgia. Honoring my experiences from this vantage point, I depict the rough and tumble attitude of my upbringing that is at odds with a rarefied New York art world I currently live in.
A Chair In The Woods, Victoria Dolloff
A Chair In The Woods, Victoria Dolloff
Theses and Dissertations
Victoria Dolloff's MFA Thesis considers traces of play and perception in the development of her artwork, exploring the idea of reorientation through subtleties of the absurd. Her installation Untitled (Landscape) questions object as place and place as memory utilizing fragmentation as reconstruction.
Invisible Forces, Sarah E. Mullin
Invisible Forces, Sarah E. Mullin
Theses and Dissertations
I seek abstract forms evocative of the underlying structures in nature. I paint sensations of vibrating light, deep space, and vast scale in an imagined image. These paintings combine an inner abstract dimension with landscape imagery to communicate to the viewer that we are a part of what we sense in nature.
Between Rock And Breeze, Lena Schmid
Between Rock And Breeze, Lena Schmid
Theses and Dissertations
My thesis project consists of a series of works on paper and songs about the collusion of the body and nature. I use a lens that both distorts and makes clearer the ineffable ways our bodies shake their boundaries, moving without us and within us.
Light And Space, Lindsay M. Burke
Light And Space, Lindsay M. Burke
Theses and Dissertations
I make visceral images that are simultaneously elusive and confrontational. They are in dialogue with the historical tradition of figurative painting and drawing, but also aim to subvert those conventions. I want to catch and retain, as long as possible, the attention of my viewer by creating a familiar space that is slowly undermined. In my works the human body is dispersed in space; plants and tree parts are stand-ins for human desires, and gender is assigned to fragments of the body and to objects, then withdrawn.