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A Voice For Sophie's Daughters, Lisa Ann Jackson Thomson
A Voice For Sophie's Daughters, Lisa Ann Jackson Thomson
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In European libraries, students and professors discover works by largely forgotten German women. Then they give the works an audience the authors never imagined. The story and background of Sophie: A Digital library of Works by German-Speaking Women.
‘Die Seele Sehnte Sich Hinaus In Den Schnee’: The Meaning And Function Of Outside Space In Bettine Von Arnim’S Die Günderode, Catherine Grimm
‘Die Seele Sehnte Sich Hinaus In Den Schnee’: The Meaning And Function Of Outside Space In Bettine Von Arnim’S Die Günderode, Catherine Grimm
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Bettine von Arnim’s Die Günderode is the second of her autobiographically inspired works of epistolary fiction, based on correspondences and memories of key figures from von Arnim’s youth.i Published in 1840 the text is usually read as an idealized depiction of 19th century female friendship and companionship. Lorely French states, for example, that “recent studies have recognized Die Günderode as the most communicational of Arnim’s four epistolary books”, while Edith Waldstein observes that “such cooperation, mutual respect, reciprocal enrichment and love are characteristic of the relationship between these two women and distinguish it from all other friendships portrayed in Bettine …
Not Another Grim(M) Tale: The Rights Of Passage In Marie Von Olfers’ “Little Princess”, Bernadette H. Hyner
Not Another Grim(M) Tale: The Rights Of Passage In Marie Von Olfers’ “Little Princess”, Bernadette H. Hyner
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If we accept, as Edward Said suggests, that the terms authorship and authority both emphasize a writer’s capacity to establish an alternative discourse, control, and preserve it, then Marie von Olfers is best remembered as a tale spinner who redrafts conventional gender designations in her fairy tales. Specifically, her narrative “Little Princess,” published in 1862, presents alternative interpretations of female agency and sisterhood, while it also debases traditional concepts of family. Von Olfers’ unusual reading of these topics suggests that she construes family and rites of passage in response, perhaps even in opposition, to her male predecessors’ more traditional approach …
Doppelganger, Dreams, And Delusions: A Freudian Reading Of Marie Eugenie Delle Grazie’S Der Schatten, Jared Löhrmann
Doppelganger, Dreams, And Delusions: A Freudian Reading Of Marie Eugenie Delle Grazie’S Der Schatten, Jared Löhrmann
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Marie Eugenie delle Grazie’s drama Der Schattenpremiered in 1902 in the Hofburgtheater, Vienna’s most prestigious stage at the time. The play deals with the poet Ernst Werner and his encounter with a character called “Der Schatten”. The Shadow is Werner’s double, meaning that it looks like the poet, but it does not have all of the abilities of a human. Although the idea of a double or “Doppelgänger” is ubiquitous in the literature and art of Fin-de-Siècle Vienna, delle Grazie approaches the topic from a different angle. Many contemporary columnists, however, criticized her drama; to them it lacked depth …