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Brigham Young University

BYU English Symposium

2016

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Riot Grrrl’S Legacy: The Medium Is The Message, Rosemary Larkin Mar 2016

Riot Grrrl’S Legacy: The Medium Is The Message, Rosemary Larkin

BYU English Symposium

Riot Grrrl appropriated traditional, even “feminine,” media platforms to encourage third wave feminism. They ignored a central message on purpose in lieu of loud mediums meant to disrupt the status quo instead of assert a new one.


Eve's Feminist Wave, Heather S. Higgs Mar 2016

Eve's Feminist Wave, Heather S. Higgs

BYU English Symposium

Paradise Lost has been around since the seventeenth century, and yet there is still something readers cannot agree on: what is up with Eve? I propose that Eve’s role in Paradise Lost can be understood through the lens of third-wave feminism, the United States’ current feminist wave. Eve matches well with third-wave feminists in her independence and complexity of character, but what distinguishes her from feminists today is more potent in understanding her role in Paradise Lost. When faced with decisions of the self, Eve ultimately looks outward to Adam and her future posterity and chooses selflessly, exercising restraint …


The Scandal Of Sources Of Henriette-Julie De Murat’S Histoires Sublimes Et Allégoriques, Jared Willden Mar 2016

The Scandal Of Sources Of Henriette-Julie De Murat’S Histoires Sublimes Et Allégoriques, Jared Willden

BYU English Symposium

Henriette-Julie de Murat claims in the foreword of Histoires sublimes et allégoriques (1699) that the only source for her tales is Straparola’s Facetious Nights, yet this claim seems to be misleading. Taking “The Savage” as an example, this essay first assesses the reasons we should doubt Murat’s claim. It then explores other possible literary sources for “The Savage,” such as Shakespeare’s As You Like It, Straparola’s “Guerrino and the Savage Man,” and the Breton folktale “Georgic and Merlin,” as well as biographical elements, both from details surrounding her exile by Louis XIV in 1702 and from her fictional …


Who Wears The Pants: The Unraveling Of Gender In "The Things They Carried", Zoe Meyer Mar 2016

Who Wears The Pants: The Unraveling Of Gender In "The Things They Carried", Zoe Meyer

BYU English Symposium

In this paper, I analyze gender roles in Tim O’Brien’s The Things They Carried arguing that war causes American society to shift, and as a result, expected gender roles and the understanding of expected behavior change. Correlating the soldiers’ understanding of what it means to be American directly to their understanding of gender, I explain that changing what it means to be men alters their idea of what it means to be citizens of the United States. Because the soldiers can no longer be identified by their gender, nor can they identify themselves as Americans, they lose their understanding of …


Katniss Everdeen: Feminist Fighter Or Teen Bride?, Baylee S. Vasquez Mar 2016

Katniss Everdeen: Feminist Fighter Or Teen Bride?, Baylee S. Vasquez

BYU English Symposium

Katniss Everdeen of The Hunger Games, can be read as a strong female character that represents the Third Wave of Feminism. She has become a measuring stick for strong female characters that have appeared after her. It is even argued that she has taken the place of the stereotypical male hero while her cohort, Peeta Mellark, plays the stereotypical female role. However, in spite of all of the things that she accomplishes during her time within the dueling ring, the main debate amongst teenagers—for whom the book was written—is who will Katniss Everdeen, goddess of the hunt and champion …


Ya Cover Art: Changes And Social Impact In The Last Twenty-Five Years, Jodie Bender Mar 2016

Ya Cover Art: Changes And Social Impact In The Last Twenty-Five Years, Jodie Bender

BYU English Symposium

This paper discusses changes to the cover art of young adult literature in the last twenty-five years, and how those changes have affected the success of YA novels and society’s perceptions of YA literature. These changes lead to the genderization of novels as well as misrepresentation of a novel’s content. This is particularly a problem among books by female authors. Genderization has a major impact on the type and gender of audience a book attracts, and it often limits, rather than expands, the type of readers attracted. Furthermore, the books that receive the highest awards, including the Michael L. Printz …


Hair, Voice, And Agency: Transformation, Growing Up, And Love In Fairy Tales, Denya I. Palmer Mar 2016

Hair, Voice, And Agency: Transformation, Growing Up, And Love In Fairy Tales, Denya I. Palmer

BYU English Symposium

Fairy tales are fraught with magical transformations. However, the most important transformation is not a magical one. Characters experience a true transformation of self when they use their agency to make decisions and act, making the shift from childhood to adulthood. The deepest transformations occur when the characters determine their own destiny. Part of this shift to adulthood also includes forming and maintaining relationships with others. The tales of Rapunzel (Grimm’s 1812) and Little Mermaid (Hans Christian Andersen, 1837) include characters who transform both physically but also emotionally. Their agency and transformation of character is manifest through their voices and …