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Representing Byron De La Beckwith In Film And Journalism: Popular Memories Of Mississippi And The Murder Of Medgar Evers, Kristen Hoerl
Representing Byron De La Beckwith In Film And Journalism: Popular Memories Of Mississippi And The Murder Of Medgar Evers, Kristen Hoerl
Kristen Hoerl
On June 12 1963, NAACP field secretary Medgar Evers was shot to death in front of his home in Jackson, Mississippi. Nine days later, police arrested avowed white supremacist Byron de la Beckwith for Evers's murder.
Mississippi’S Social Transformation In Public Memories Of The Trial Against Byron De La Beckwith For The Murder Of Medgar Evers, Kristen Hoerl
Mississippi’S Social Transformation In Public Memories Of The Trial Against Byron De La Beckwith For The Murder Of Medgar Evers, Kristen Hoerl
Kristen Hoerl
In 1994, Byron de la Beckwith was convicted for the 1963 murder of civil rights activist Medgar Evers. Journalism coverage of the trial and the 1996 docudrama Ghosts of Mississippi crafted a social values transformation myth that depicted Beckwith as the primary villain of civil rights past and cast his conviction as a sign that racism had been cleansed from Mississippi. Popular media naturalized this myth intertextually though narrative repetition and through symbolic cues that established the film as a source of historic understanding. These cues deflected critical attention from contemporary social conditions that have maintained racial inequity and continue …
Troubled Waters: Mid-Twentieth Century American Society On "Trial" In The Films Of John Waters, Taunya Lovell Banks
Troubled Waters: Mid-Twentieth Century American Society On "Trial" In The Films Of John Waters, Taunya Lovell Banks
Taunya Lovell Banks
In this Article Professor Banks argues that what makes many of filmmaker John Waters early films so subversive is his use of the “white-trash” body—people marginalized by and excluded from conventional white America—as countercultural heroes. He uses the white trash body as a surrogate for talk about race and sexuality in the early 1960s. I argue that in many ways Waters’ critiques of mid-twentieth century American society reflect the societal changes that occurred in the last forty years of that century. These societal changes resulted from the civil rights, gay pride, student, anti-war and women’s movements, all of which used …