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Baird, Nancy Disher, B. 1935 (Sc 3705), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 3705. “Enid Yandell: Kentucky Sculptor,” a speech delivered at the Filson Historical Society, December 1983, by Nancy Baird [also the author of an article subsequently published as “Enid Yandell: Kentucky Sculptor,” Filson History Quarterly v. 62 (1988)].

One Man’S Trash, Jordan Tavan

Theses

This thesis explores perception through ambiguous mixed-media sculpture in order to create the potential for people to question their assumptions of what “is.” Judgments, categorization, and assumptions are big parts of the ways we make sense of our world. Often, we’re wrong about them. This artwork is created in response to the lifelong experience of existing outside the lines – the experience of breaking social rules and the desire for others to realize the potential for multiple truths.

How I Came To Jam With The Angels Of The Dirty South: A Journey Into Art And Art Education, Miki Skak

Graduate Theses and Dissertations

This paper dives into my personal journey from a far-left activist youth into becoming an artist. It explains how a poet saw artistic potential within me, introduced me to the world of art and eventually art education. I reflect on the art education I have received from several different art schools and how they try to adapt to the demands of the contemporary art world that has been in a constant condition of reshaping itself since Marcel Duchamp’s readymade. As an artist who is less focused on the techniques of traditional artistic mediums, I investigate how the state of art …

The Space Between, Alexander Dixon

Electronic Theses, Projects, and Dissertations

The Space Between investigates the intricate relationship between perception and reality. By integrating graphic design principles with the optical qualities of glass, the exhibition creates visual distortions that challenge and redefine our understanding of the world. The pervasive use of black throughout the exhibition signifies the vectorized image, a vital element of graphic design and the technological abyss prevalent within our society. The fundamental geometric shapes, coupled with minimalist sculptural forms, employ a graphic approach to highlight visual communication's influence on perception.

Graphic design has a history of shaping public perception. The basis of graphic design is the act of …

Burning Through The Shell, Ethan Harmon

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

“Burning Through the Shell” embodies the process of freeing myself from my inner turmoil. By pouring molten iron into a wooden trough, the iron burns and scorches its way through the wooden exterior, leaving behind only the remnants as it cools and frees itself from its temporary shell. This destructive yet creative act represents shedding my shell of social anxiety and insecurity, emerging stronger and more resilient. Throughout my life, I have always struggled with “coming out of my shell” and dealing with my mental health in a positive way. However, once I discovered my passion for sculpture …

Forgotten Encounters: The Legacy Of Sculptresses And Female Muses, Laura Engel

ABO: Interactive Journal for Women in the Arts, 1640-1830

Sculpture as a medium is inherently connected to legacy making. In producing three- dimensional monuments designed to withstand the test of time, women artists provided evidence of the lasting quality and permanence of their creative acts. This article examines the actress, sculptress and novelist Anne Damer’s sculpture of the famous actress turned Countess Eliza Farren (c. 1788), paying particular attention to the relationship between sculpture as a static art form that captures tactile embodied presence and the ephemerality of performance. Farren’s involvement in Damer’s staging of the private theatricals at Richmond House (Farren directed and Damer starred) suggests that their …

Out In Thin Air, Daiqing Zhang

Masters Theses

My work often takes form in experience-charged installations underscored by phenomenology. The whys and hows behind the work mostly remain unspoken, since I would rather my work speak for itself. This writing project offered me the opportunity to comb through and tell the stories and thoughts that informed the work.

I have built a collection of documentation about the experience of having a sensitivity to moments of wonder in everyday life. These archives recorded sensuous imprints in life composed of mundane phenomena. In the collection there are images/footage of a glimpse of light leaking through cloud crevices; a brush of …

Hearts And Minds, Steven Knapp

Masters Theses

This thesis is an exploration of how lived experiences, a sense of dark humor, and creativity translate into my studio practice. Through images, material exploration and pointed interactions with the audience I encourage people to embrace nuanced views of difficult topics that exist in our world.

Dear Sycamore, Anna Schenker

MFA in Visual Art

I create paintings, sculptures, and rubbings to pay tribute to the earthly beings found within my immediate surroundings. I use indexical processes that stain, trace, and record to preserve a moment in time. The process of rubbing is a tactile and meticulous activity of excavation. It is an imprint of what was once there, a mapping of attentive contact. The works are dependent upon the physicality of the host as I engage directly with the plants, seeds, weather, and trees that surround me. The rubbing’s flatness actively constructs a new reality; a liminal space hovers between the impression and the …

Every Rock Has A Soul, Karen Yung

MFA in Visual Art

My studio practice focuses on the Asian American diaspora and the feelings of displacement that arise from being away from one’s homeland. This paper traces the beginning of my journey to find a way to make art that observes and applies Buddhist philosophies, practices and acknowledges the intrinsic energy found in all things. I create sculptures inspired by the qi of rocks to explore my ongoing struggles with my bicultural identity. Through the continuous pouring of wax and plaster that create stalagmites on to domestic objects, I imbue positive qi into my artworks to pass on to whoever seeks it. …

The Great Unlearning, Catherine Mccrory Pears

Electronic Theses and Dissertations

The Great Unlearning is a conceptual exploration: sifting through experiences and objects to overcome psychological pain, expectations of society, individual upbringing, and outside influences in an ongoing quest for authenticity. To both embrace personal history and honor loved ones while letting go of lingering negativity is challenging. Using objects culled from my life, examining the past, and incorporating items gathered along my path through nature, the work seeks personal healing while promoting the power of all people to break from indoctrination, group think, and mob mentality to make better choices to live a satisfying and peaceful existence…hopefully in a democratic …

Homo Ludens, Kengel Maysonet

Art and Design Theses

Play and desire are intrinsically linked for the adult queer individual. Our desire to play and our attraction to each other are aspects of our identities that we are trained to repress. In Homo Ludens, I challenge the normative constraints that restrict us from participating in fun by creating a space where we can be free to play and be sexual beings without having to cordon off parts of our identities. I facilitate play in a queer sexual context by creating games that represent different kinds of sexual and relationship dynamics. Through constructing an alternate reality filled with color …

Inner Portraits, Bethany Salisbury

Graduate Theses

This paper investigates the many interconnected layers of women’s mental health through portraiture and how animal and plant symbolism can represent the way women's hormones and bodily health affect their mental health. I reveal how the artwork created presents these connections and inner mental health narratives to the viewer, creating a space of empathy, destigmatization, and self-reflection. This body of portraiture art connects five women through a series of both two-and three-dimensional portraits based on interviews using my own adaptation of Sara Lawrence-Lightfoots’ (1983) portrait methodology.

Women and non-binary individuals have always dealt with difficult interactions of bodily and mental …

On Autonomy: Personal Agency Under Late Stage Capitalism, Levi Gentry

Bachelor of Fine Arts Senior Papers

Personal agency is the feeling of control over one’s actions. Capitalism is deeply etched into the fabric of America and the world at large. In this paper, I propose that late stage capitalism has forever altered the means by which personal agency manifests, that it has left no room for alternatives on account of its far-reaching scope. My work, through its subject matter and medium, refers to the lack of autonomy under escape or embrace. Failure and futility are both key ideas, as complacency is intrinsic to our current moment, which is evocative of the ongoing metamodern art movement.

Three Tries, Getsay

Art and Design Theses

Three Tries is an interdisciplinary exhibition featuring installation, sculpture, and performance that explores the experiences of a Queer nonbinary individual growing up in the Baptist Christian South. The exhibition centers around the reclamation of the body, identity, and space, drawing parallels between the baptist christian holy trinity of father, son, and the holy ghost and Sigmund Freud's Trinity of id, ego, and superego. By returning to the developmental stages of one's life, the exhibition serves as a revolutionary attempt to isolate the id and disentangle the workings of the id, ego, and superego. Three Tries represents a visual framework for …

Existentialism And Creative Practice, Catherine Hudgens

School of Art Undergraduate Honors Theses

The creative process mimics the existentialist philosophy of human freedom and the responsibility to create one’s own meaning in life through an emphasis on invention, experimentation, and ceaseless becoming. Through my body of work, I examine the meaning-giving capacities of the viewer and creator as agents involved in a work of art. The sculptures, as well as found objects, have the power to illuminate the human circumstances they emerged from, while the process of making is also the process of learning, where objects can be used to understand ourselves and the world. Philosophical concepts can be accessed through art in …

Other Bodies: Deconstructing Visual Binaries By Subverting Visual Representations Of The Other., Amaiya L. Crawford

College of Arts & Sciences Senior Honors Theses

The goal of creating my sculptural work, The Avian, is both to broaden the visual categorization of sentient bodies, as well as to deconstruct binary thinking regarding the way that bodies display racialized, gendered, and sexualized characteristics. The Avian does this by subverting visual and aesthetic tropes that construct labels like human, monster, and animal. Subversion acts as the main design influence that illustrates how the display how othered bodies can be used to highlight the constructed nature of how we construct humanity. This paper posits that by acknowledging an expansion in visual categorization, in addition to further pushing opportunities …

Állo (Neutral - “Other”), Alex Jarus

Theses

In a balancing act between fear and curiosity, I have created a series of wood-based artifacts to serve as vessels in which I may pose questions to myself. At the core of each artifact is a sphere primarily produced from a log allowed to dry and fracture naturally, capturing a snapshot of change in motion. Through the creation of these vessels, I attempted to better understand how I define what it means for me to be queer and non-binary. Although these artifacts are contemporary works, I have removed them from a particular known visual time in hopes of providing a …

When It Clicks, Mitch Goldstein

Theses

“When It Clicks” examines my relationship to the chaos, discomfort, and anxiety of traveling through life, and the moments of calm, understanding, and clarity that intersect and juxtapose with my journey — those moments when things seem to click together and allow me to see a path through the complexities and ambiguity of life.

Bound By Matter, Carlie Antes

School of Art, Art History, and Design: Theses and Student Creative Work

I view most aspects of life as being made up of tiny particles of matter that come together and synthesize to shape both our individual and collective human existence. Delicate threads are intricately woven together forming textiles and fabric. Tiny cellular particles shape all living species. Devices of human invention are mapped and constructed to aid in making sense of situations and surroundings. An accumulation of day-to-day moments coalesce to form complex memories and emotions. Each of these compositions are comprised of physical and/or emotional matter. This body of work utilizes the physical matter of my own lived experiences to …

Why Sweep The Cinders…, Gretchen Larsen

School of Art, Art History, and Design: Theses and Student Creative Work

In my creative practice I climb down the ladder, put the glass slipper on my own foot, and build the ball for myself (and everyone I know, of course). What I mean is, instead of waiting for the prince and his kingdom to come, I have learned to pursue my own dreams. I do this by dreaming up and building objects using a mixture of traditional and new media. I work with wood, acrylic, LEDs, microcontrollers, lamp parts, and other materials including fabric and projectors. I create, live with, and create again, objects of my own design. The objects I …

Creativity, Craftsmanship, And Connection: Large-Format Sculpture Design, Jacqueline L. Puga, Gordon Hoople

The STEAM Journal

Artistry is a concept that is not usually explored in engineering yet is an invaluable skill that touches everything from product design to systems thinking. This past summer I developed conceptual designs for a large format sculpture that required connecting engineering knowledge with artistic vision. The initial phase required constant inspiration and creativity. The first step was to look at previous sculptures showcased throughout the world, such as at venues like “Burning Man,” to understand the possibilities or limitations of the space provided. Sketching varied and numerous ideas was essential in our design process. Next, we took our favorite ideas …

Every Force Evolves A Form, Nicholas Fusaro

Theses and Dissertations

Every Force Evolves A Form is a process-orientated, sculptural body of work that incorporates Shaker-inspired design as an all-encompassing system of display. Historical and contemporary methods of production are merged with the personal, the American past, and folklore, emphasizing scale, movement, play, and iteration.

Bloody Show, Leonie Weber

Theses and Dissertations

Leonie Weber reflects on how reproductive, domestic, and emotional labor is addressed in her artwork, and her experience as an artist-parent in the art world. Moreover, she specifically discusses mothers who are navigating their own artistic paths. Her practice encompasses sculpture, printmaking, performance, and installation.

Subject To Change, Shauna Steinbach

Theses and Dissertations

Making visible what is often unseen, muted, or ignored, Shauna Steinbach discusses the unscientific models that make up their sculpture and installation practice. Steinbach’s work explores philosophical thoughts and inquiries surrounding imprints, impermanence, and interdependence. The deaths are small until they are big.

Sammi Digman: Senior Art Exhibition Portfolio, Sammi Digman

Senior Art Portfolios

This is Sammi Digman's senior art exhibition portfolio created in 2023.

For Everyone's Eyes Only: Digital Art As Public Art (Agency, Accessibility, And Aura), Linda Dai

Pomona Senior Theses

Should digital art qualify as public art? This thesis aims to explore the significance of this question in a contemporary context by cross-examining the two genres in terms of creative agency, accessibility, and aura. Through various interviews and case studies with global artists, I examine similarities and differences in materiality and engagement in public and digital art and the implications of my findings under broader, theoretical frameworks. I further seek to understand how the relationship between technology, art, and society has shifted over time. Ultimately, I argue that the fluidity of digital art allows to exist in public and private …

Chromaticity, Whitney Anne Hagen

Senior Projects Spring 2023

Chromaticity is an objective specification of the quality of a color regardless of its luminance consisting of two independent parameters. These are often specified as hue and colorfulness, where the latter is alternatively called saturation, chroma, intensity, or excitation purity. These parameters follow how the human eye perceives color, giving us visual cues when navigating the world. In abstract art, where form is not bound by the constraints of representation, color becomes the primary tool for communication. Creating harmony, tension, emotion, and balance, the color relationships in this collection of work communicates to the viewer in a visual language that …

Endure, James C. Toomey

Senior Projects Spring 2023

The work is tubular: fistulous, circulatory.

It starts out as a body and obscures into something sprawling and replicating, perhaps cancerous.

Some parts are handmade paper. I begin with a pulp and strip it in water, then pour it into thin sheets— it dries practically weightless. It shrivels and shrinks and clings to itself, tenderly. It leaves caverns inside.

The work withers how I might expect skin to act when it is no longer living. I was sixteen when I held my father while he died. When I peel away my paper sheets, it is how I imagine it might …

Realm Of Remembrance, Brandon Vanbach

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

In September of 2021, I turned 21 years old. During that time I also discovered a 8mm video tape in my childhood home. Unbeknownst to me, this tape, which hadn’t seen the light of day since its conception, would end up consuming my life.

The tape was a home movie filmed by my mother and her partner at the time during an outing to Vietnam in 2005. The footage consisted mostly of landscapes and claustrophobic close-ups of distant relatives. Rarely would I enter the frame. But I wasn't interested …