Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Entire DC Network
Undying (And Undead) Modern National Myths: Cannibalism And Racial Mixture In Contemporary Brazilian Vampire Fiction, Jacob C. Brown
Undying (And Undead) Modern National Myths: Cannibalism And Racial Mixture In Contemporary Brazilian Vampire Fiction, Jacob C. Brown
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
Contemporary cultural media illustrates the vampire as an important symbolic figure in the Brazilian imaginary. For example, in twentieth and twenty-first century Brazilian fiction, television, and political discourse, vampires have risen from their supposedly European origins as expressions of urban decay, comic excess, and government corruption in Brazil. Beyond these representations, I focus on three contemporary novels in which the vampire also plays a starring role. O vampiro que descobriu o Brasil (1999) by Ivan Jaf, Aventuras do vampiro de Palmares (2014) by Gerson Lodi-Ribeiro, and Dom Pedro I Vampiro (2015) by Nazarethe Fonseca stand out from other creative reimaginings …
Jane Austen Camp, Devoney Looser
Jane Austen Camp, Devoney Looser
ABO: Interactive Journal for Women in the Arts, 1640-1830
Austen camp has become prevalent, even omnipresent, today, in visions and versions of her and her fiction, using them as a canvas for zombies, porn, or roller derby. Some of it may be kitsch, but it’s arguably camp. Investigating Austen as camp is a valuable way to understand her humor and her social criticism, as we now understand camp as a positive literary and social practice. But rather than asking if and when camp is “there,” for Austen or for her past readers, we might instead investigate what aspects or elements of her reputation or her writing we notice differently …
Weaponizing Ordinary Objects: Women, Masculine Performance, And The Anxieties Of Men In Medieval Iceland, Steven T. Dunn
Weaponizing Ordinary Objects: Women, Masculine Performance, And The Anxieties Of Men In Medieval Iceland, Steven T. Dunn
USF Tampa Graduate Theses and Dissertations
This thesis unravels the deeper meanings attributed to ordinary objects, such as clothing and food, in thirteenth-century Icelandic literature and legal records. I argue that women weaponized these ordinary objects to circumvent their social and legal disadvantages by performing acts that medieval Icelandic society deemed masculine. By comparing various literary sources, however, I show that medieval Icelandic society gradually redefined and questioned the acceptability of that behavior, especially during the thirteenth-century. This is particularly evident in the late thirteenth-century Njal’s Saga, wherein a woman named Hallgerd has been villainized for stealing cheese from a troublesome neighbor. If Hallgerd were a …