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An Annotated Critical Edition Of Wild Mike And His Victim By Florence Montgomery, Kristen Evans

Student Works

This paper is a critical edition of Wild Mike and His Victim by Florence Montgomery, a novel first published in 1875. This critical edition includes a critical introduction, footnotes, and appendices, as well as the original text.

A Tapestry Of Eyes In The Literacy/Literature Class, Gregory Shafer

Language Arts Journal of Michigan

It is essential that language arts classes make room for different voices, different cultures, and new settings for writing. This paper examines ideas and methods for expanding the discourse and refers to Morrison's Bluest Eye as a way to appreciate the dilemma our students face.

“Only A Sufficient Cause:" Bram Stoker's Dracula As A Tale Of Mad Science And Faustian Redemption, Leah Christiana Davydov

ETD Archive

While present Dracula scholarship has made an extensive examination of the ways in which the novel reflects apprehensions about late Victorian scientific advances, little work to date has been done to link these anxieties to fin de siecle fiction involving mad scientists or to Bram Stoker’s lifelong interest in the story of Dr. Faustus. In this work, I argue that the primary menace within Dracula is not actually the threat posed by the novel’s vampires but rather the threat posed by the biologically determined, materialist, and potentially “mad” science practiced by the characters of Dr. John Seward and his patient, …

I Hate It, But I Can't Stop: The Romanticization Of Intimate Partner Abuse In Young Adult Retellings Of Wuthering Heights, Brianna R. Zgodinski

ETD Archive

In recent years, there has been a trend in young adult adaptations of Wuthering Heights to amend the plot so that Catherine Earnshaw chooses to have a romantic relationship with Heathcliff, when in Bronte’s novel she decides against it. In the following study, I trace the factors that contribute to Catherine’s rejection of Heathcliff as a romantic partner in the original text. Many critics have argued that her motives are primarily Machiavellian since she chooses a suitor with more wealth and familial connections than Heathcliff. These are indeed factors; however, by engaging with contemporary research on adolescent development, I show …

Shakespeare And Classical Cosmology, Jean E. Feerick

Jean Feerick