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Elaborations On Thought Process And Practice, George A. Schwab

Theses and Dissertations

An extended statement describing the thought process and practice behind the sculptural work of artist George A. Schwab. Includes short descriptions and documentation of work installed during the Fall 2015 Thesis exhibition at CUNY Hunter's 205 Hudson Street Gallery.

Multiple Collections, William Thomas Tighe

Theses

This paper describes my interest in the artist’s multiple and the thesis body of work created in the exploration of them. I was especially interested in the relationship of individual components I could combine to form a singular object and how the resulting object had the ability to change through various methods of production and presentation. Also, in contrast to the idea that multiples are exact copies of each other I was interested in exploring the idea of the multiple being seen as an individual object.

My interest in history and collecting unique objects from the past have heavily influenced …

Open Up, Jacquelyn Marie O'Brien

Theses

Humor in fine art has been considered low-brow. Frequently, “serious” artists have the notion that using humor or humorous materials reduces the validity of the work. Likewise, feminism seems to have similar implications, in that the word is not taken seriously because of stereotyping; straying away from the original meaning. I assert that humor and feminism can offer valid social and cultural critiques in a relatable way. Discussing concepts such as gender repression, contemporary feminism, and the accessibility of art, with the intention of removing the overarching exclusion often associated with these concepts, has required my work to be accessible …

Vascular Access: Inukshuk, Jerry Yee

Nephrology Articles

No abstract provided.

Book Review Of A. Victor Coonin, From Marble To Flesh: The Biography Of Michelangelo’S David, Sandra Cheng

Publications and Research

Beginning of Book Review:
“What makes an icon?” is the underlying question of A. Victor Coonin’s book dedicated to Michelangelo’s statue of David. The larger-than-life-size David has a status akin to Leonardo’s Mona Lisa. Its image, whether whole or fragmented, is instantaneously recognizable, making it difficult to look at it afresh, but Coonin manages to reflect on well-trodden ground in a captivating manner. This study demonstrates how the David is more than an embodiment of masculinity but a statue imbued with multi-faceted symbolism that continues to resonate with viewers today.

Newsroom, Georgia Southern University

Newsroom

• Georgia Southern students’ exhibit, “Ovation,” opens Saturday, Sept. 5

Does Artwork Have To Be Beautiful?, Sister Mary Benedicta Maier Rsm

Aristos

Beauty’s relation to art work is a contentious problem for the philosophy of art. The problem is not new to the history of philosophy. Hume and Kant attempted to tackle the question in the modern era. Contemporary philosophers have broadened the definition of art to include works that stretch modern philosophers’ conceptions. With philosophers shifting their definition from the object to the subject, they have effectively marginalized beauty in place of another good or valued concept.

Considering the status quo, this paper argues that beauty is a necessary condition for art work. It argues that philosophers have a problem …

In Time But Not Of Time: Jessica Eaton And Erin Shirreff's Counterpoints Of View, Ruth Skinner

Electronic Thesis and Dissertation Repository

This study is situated within an ongoing investigation of photography's ontology, objecthood, and materiality. Jessica Eaton, Erin Shirreff and their cohort continue a conceptual tradition of experimentation with photography's singularity, plasticity and referential nature. The contemporary photographic is both the culmination of and contributor to our conceptions of time, space, and subjectivity. In the post-digital era it is the access point for new durational and phenomenological encounters, even as it extends backwards to reinvigorate past aesthetic approaches. Shirreff's Signatures and Monograph series shift the familiar sensory qualities of the sculptural object onto the photographic, opening up its two-dimensional confines. In …

Hand-Eye, Michael S. Pszczonak

Electronic Thesis and Dissertation Repository

This integrated article thesis has two distinct chapters: The first chapter is a case study on a selection of works by German artist Sigmar Polke using Hal Fosters writing on the historical and neo-avant-gardes. The study traces the way Polke revisits the first avant-garde project and comprehends its attempted traumatic rift from dominant ideologies for the first time. The second chapter is a comprehensive artist statement which simultaneously outlines the theoretical underpinnings of my work as well as the process leading to the body of work on display at McIntosh Gallery. The research sets out to answer the following question: …

Guide To The Robert C. Koepnick Papers, Jennifer Brancato, Margaret Zakri

Jennifer Brancato

Papers of Robert C. Koepnick (1907-1995), Dayton sculptor and longtime art instructor at the Dayton Art Institute. Koepnick is well known for his modern perspective on ecclesiastical art, and many of his works appear as architectural elements on churches and professional buildings throughout southwestern Ohio as well as around the United States. This collection includes photographs and sketches of many of his pieces, as well as correspondence related to commissioned work, scrapbooks of related articles, and memorabilia from European travel. The collection spans 1879-1995.

Deconstructing Architecture, Jon Rees

Theses

“I turn to light, the giver of all presences: by will; by law. You can say the light, the giver of all presences, is the maker of a material, and the material was made to cast a shadow, and the shadow belongs to the light.” (Vassella 26)

This body of work is strongly influenced by the light and shadow writings of Louis Kahn. The work explores the way that forms constructed of float glass and steel influence light and shadow and by extension, the surrounding space. The forms of these sculptures are inspired by buildings and architectural philosophies that I …

Dancing In Silence, Moyu Zhang

Theses

I seek to create objects that reveal their essential quality and simplicity as a means to convey my attitudes toward life. I intend to capture the essence of emotion by looking deeply into the spiritual and the invisible through my pieces.

I intend to apply two very different visual logics: minimal simplicity and a richness of color and form. I hope to create contrast, tension, and a sense of discovery. I want to experiment with materials, such as different wood species, stained wood, and acrylic painted wood; I also want to experiment with colors, textures, patterns and graphics. I see …

Multiples In Late Modern Sculpture: Influences Within And Beyond Daniel Spoerri’S 1959 Edition Mat, Leda Cempellin

School of Design Faculty Publications

The first Edition mat was founded by Daniel Spoerri in 1959 and recreated in collaboration with Karl Gerstner in 1964 and 1965, with a special Edition mat mot the same year. Consisting of sculptures that change optically, electrically, or through the audience’s physical interventions, this series brought in an innovative idea of multiplication through movement. The potential of mat sculptures for configuration changes within the continuity of their structure in space sets them apart from serial twodimensional works, where any change in the gestalt requires the production of a new copy. This paper reconstructs the genesis of the Edition mat …

Light Sensitive, Andrew Thompson

Electronic Theses, Projects, and Dissertations

I am an excremental artist. I do not mean an artist who works with feces or is interested in manure but one whose artwork is expelled through the results of process. As a photographer, I am not as interested in indexing a location, a person or a moment as I am dissolving the structure of photography through the manipulation of photographic materials. I typically photograph landscapes that catch my attention for a myriad of reasons. The commonality between these images is anonymity of place. Hints of location are always present but never accentuated, instead their purpose is akin to a …

The Hero's Journey, Alan Van Fleet

Electronic Theses, Projects, and Dissertations

My ongoing series of assemblages are an expression my modern mythology through the juxtaposition of esoteric symbols and my collection of beloved action figures. Though myth is founded in partial truths and allegories, it has the unique capability to speak about our relationships to one another and the universe. My artwork conceives of anime, comics, and videos games as part of our contemporary mythology.

Inspired by a fusion of pop culture and spirituality, I also draw on the magical properties attributed to flowers, gemstones and other materials to create shrines, altars, and other objects. Juxtaposing these properties, found in my …

Forma Naturalis, Patrick Kana

Theses

Mankind’s fascination with natural form is undeniably long-lived. From collecting and preserving specimens for evolutionary research, to documenting and expressing natural form through artistic practice, Mankind continues to embrace for scientific and aesthetic benefit that which surrounds us. I believe that botany, marine biology, and environmental phenomena—all areas of influence and study from my childhood—are sources that illustrate perfection in form and utility. The sheer beauty evident in these scientific forms continues to inspire me, and I will celebrate them and explore my relationship with them through an experimental making process in wood.

Carved objects, form studies, and functional furniture …

Performing Binaries, Humberto Reynoso

Electronic Theses, Projects, and Dissertations

I take a critical view of sociopolitical and cultural issues dealing with homoeroticism andgay politics. I explore gender theories in order to further understand what it means to bemasculine or feminine and how it affects my placement in society. I use art as a tool forexpressing sexual freedom while questioning traditional sexual identity. I'm interested in exploring ideas of the oppressor and the oppressed, and how power becomes an inevitable force (in every society) that creates a hierarchy, consequently establishing control. But what is power? According to various definitions, power is an entity that possesses and or exercises authority or …

[Nos]Otros, Lucia Monge

Masters Theses

Environmental issues are part of our daily conversations but not as common in our everyday considerations. The times call on us to approach things differently. We must find alternative ways to relate to each other and to understand the real issues of our ecology. We cannot perceive the whole through our accustomed senses, so we must open and expand our perception. Art offers that possibility, allowing for points of contact across distance while physically representing that space in between.

How do we relate to other living beings around us, determine what is living, and decide who is part of our …

A Slight Hysterical Tendency, Allison Baker

Masters Theses

Sexuality, sculpture, and sadness as sites of female subversion.

A woman's internalized suffering and sadness is deployed as an act of resistance. Women have a long lineage of historically tragic female figures, particularly authors and artists that disrupt the status quo by relishing and thriving and they wallow in their sorrow. Women's collective and overwhelming sadness is both a singular and unified protest against cultural and social systems of oppression. Sad girls are bad girls.

Prometheus, Kyle Blalock

Theses

This paper describes my thesis body of work as it originates from my personal experiences being brought up in the Mormon Church, or the Church of Jesus Christ of Ladder-day Saints in rural northern Arizona. Descriptions of rituals, religion, and rights of passage as a young Mormon gay man depict a lineage that leads up to forging personal salvation through art making and literature. The narrative of my paper discusses my education and illustrates my growth as an artist who has been intimately informed by sculptural processes and the materials used in creating sculpture.

Pressing: Where The Objective Meets The Subjective, Mariana Parisca

Undergraduate Theses—Unrestricted

Through this essay I describe the theoretical and anthropological ideas that led to the creation of the Cushing Series. An interest in the obsession with photography in popular culture leads to an understanding of the permeation of structured reasoning beyond scientific research and into everyday life. Taking evidence from photography, and philosophy of science I establish the limitations of structured reasoning, both as a way of perceiving the world and as an understanding of identity, and define surface and frame as its physical representation. Using Sartre’s existential theory and phenomenological anthropology I then describe the infinite subjective existence of …

Order Through Chaos, Joshua Woof

Theses

The basis of this thesis is to create a visual body of work that explores the relationship between humans and nature. The imagery for this work is influenced by the nostalgic memories of nature's ephemeral qualities and natural phenomena. I want my work to reference places I have been, seen, and touched- places that had a profound impact on my spirit. By recreating these experiences, I am able to reflect and respond in new ways with my environment. I communicate these experiences using formal sculptural language, rather than recreating nature itself. I create organic, abstracted forms to represent nature through …

The Disinheritance Of Power, Jared Stein

Undergraduate Theses—Unrestricted

Patriarchy as a system of cultural organization is entering a new period of existence where the notion of masculine predominance is challenged and the power of maleness is redressed. This shift is extremely slow and just begun, but felt nonetheless by men. Masculine identity has long been dependent on patriarchy for definition. Modern masculinity, shaped by the tenants of patriarchy, emphasizes the power of the masculine over the feminine and perpetuates the supposedly inherent entitlement of the male condition. As cultural power is rebalanced the inherited power of masculinity will diminish. The inheritance of power that has allowed men to …

Dreamland:, Xiaohe Shen

Theses

I was attracted by the interaction between dream and reality. Not long before I started my thesis, I read Freud’s book, The Interpretation of Dreams, and it quite interested me. In Freud’s theory, the complete personality is composed of id, ego and super-ego. The id is the set of coordinated instinctual trends; the super-ego plays the critical and moralizing role; and the ego is the organized, realistic part that mediates between the desires of the id and the super-ego. The super-ego can stop one from doing certain things that one’s id may want to do. These three parts dominate a …

On Remaining, Lauren Michelle Peterson

Art and Design Theses

on Remaining demonstrates how rational systems of value disrupt pursuit of intrinsic value, and how my work may provide a different way of seeing everyday objects within these systems. The accompanying installation of discrete structures accumulated from used disposables, trash, and residuals (all of which have no discernable worth) function as components of an aesthetic system. Removing the residual object from its depreciated state as garbage into an alternative ontology generates potential value, new relationships, and purposes. In on Remaining, residuals resolve into artifacts of my intuitive processes, revealing play between my own subjectivity and the value of physical materiality …

Critical Mass: An Exhibition Competition, Allison Kirsch

Honors Capstone Projects - All

I organized Critical Mass: An Exhibition Competition for my Honors Capstone Project. This was a juried art exhibition for undergraduate visual artists in the College of Visual and Performing Arts at Syracuse University. Ten artists were selected from student applications to represent a broad range of artistic achievement.

Oh, Lazarus…Whom God Has Helped, Wala Ka Bang Hiya!, Lazaro Juan

Theses and Dissertations

Art as a means and a vehicle towards a higher form of consciousness, and state of awareness to communicate complex issues and a way of healing. Within the context of the decolonization process.

What's Left Over, Bryanna Jaramillo

Graduate Theses and Dissertations

The MFA thesis exhibition titled, What's Left Over, is comprised of a series of drawings as well as a large painted sculptural installation assembled as a child's fantasy world. The work explores the roots of creativity through the lens of childhood play by assembling an invented world named Lola. By exploring the relationship between the real and the imaginary, the work manifests childhood memories into a form that can be studied and better understood. Lola is an elaborate but clearly handmade world that explores an unresolved past.

Noise., Laura Katherine Polaski

Graduate Theses and Dissertations

My research is in the realm of the psychological, the emotional and way these drives manifest physically. The works in Noise. aims to give a physical representation to the non-physical. Research on Affect Theory and the teachings of Silvan Tomkins were paramount to understanding emotional drives and the ways in which they manifest.

The purpose of this research is to understand how emotions are generated and communicated and to ask if specific emotions can be generated upon viewing inanimate objects. I create abstract figurative sculpture, which imitate emotion that has no specific physicality. These works exist with one foot in …

2015 Forces, Scott Yarbrough

Forces

No abstract provided.