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Articles 1 - 30 of 54
Full-Text Articles in Entire DC Network
Prodigal, Jonathan R. White
Prodigal, Jonathan R. White
University of New Orleans Theses and Dissertations
Following a similar pattern of the classic Biblical story of “The Prodigal Son”, the play allows for a modernization of the characters and setting. Set in 1968, the playwright takes a look at what happened after the “Prodigal Son” returned home as well as the effect the return had upon the Son that stayed as well as the Father. How can family relationships survive in the midst of lies and turmoil of a time of great change in America’s history.
Dance Usm! Poster [2011], University Of Southern Maine Department Of Theatre
Dance Usm! Poster [2011], University Of Southern Maine Department Of Theatre
Posters 2011-2012 Season
Directed by Maria Tzianabos
Associate director: Janette Hough
Dimensions: 8" x 13"
Postcard included, dimensions 4" x 6"
Dance Usm! Program [2011], University Of Southern Maine Department Of Theatre
Dance Usm! Program [2011], University Of Southern Maine Department Of Theatre
Programs 2011-2012 Season
Directed by Maria Tzianabos
Associate Director: Janette Hough-Fertig
The Policy Of Constantinian And Theodosian Emperors Towards The Public Spectacles: Secularization Or Christianization?, Abdelaziz M. A. Ramadan
The Policy Of Constantinian And Theodosian Emperors Towards The Public Spectacles: Secularization Or Christianization?, Abdelaziz M. A. Ramadan
Abdelaziz M. A. Ramadan
Most scholars incline to discuss the late antique imperial attitudes toward public spectacles within the context of Secularization. This study goes to re-examine this theory suggesting that the imperial policy may cannot be treated aside from the process of Christianization. it focuses on the period from 325 to 426 A.D.
Don't Ask, Don't Tell Program [2011], University Of Southern Maine Department Of Theatre
Don't Ask, Don't Tell Program [2011], University Of Southern Maine Department Of Theatre
Programs 2011-2012 Season
Written and Directed by Wil Kilroy
Devised with the Cast
This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).
Don't Ask, Don't Tell Poster [2011], University Of Southern Maine Department Of Theatre
Don't Ask, Don't Tell Poster [2011], University Of Southern Maine Department Of Theatre
Posters 2011-2012 Season
An original production devised and directed by Wil Kilroy
Dimensions: 8" x 13"
Postcard included, dimensions 4" x 6"
Batboy: The Musical (October 27-29, November 2-4, 2011), Keythe Farley, Brian Flemming
Batboy: The Musical (October 27-29, November 2-4, 2011), Keythe Farley, Brian Flemming
Student Theatre Programs
Program for Batboy: The Musical (October 27-29, November 2-4, 2011).
El Gracioso En El Teatro De Calderón: Un Análisis Desde Las Humanidades Digitales, Miriam A. Peña-Pimentel
El Gracioso En El Teatro De Calderón: Un Análisis Desde Las Humanidades Digitales, Miriam A. Peña-Pimentel
Electronic Thesis and Dissertation Repository
This study has two equally important objectives: firstly, the design of a new methodology for analyzing literary texts that make use of new technologies to facilitate the task of the researcher. Secondly, the application of the methodology to a selection of Calderón de la Barca´s comedies to analyze the central role that the character of the gracioso plays in defining the essential characteristics of such plays.
The methodology presented here helps to manage large amounts of information while maintaining the semantic structure inherent in the dramatic text. It is divided into five distinct phases: manual annotation of the works following …
A View From The Bridge Program [2011], University Of Southern Maine Department Of Theatre
A View From The Bridge Program [2011], University Of Southern Maine Department Of Theatre
Programs 2011-2012 Season
Written by Arthur Miller
Directed by Thomas Power
El Teatre Català: Drames Públics I Privats, Sharon G. Feldman
El Teatre Català: Drames Públics I Privats, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
Amb l'arribada dels anys 1990, dues sales de teatre públic ostensiblement sumptuoses, el Teatre Nacional de Catalunya (TNC) i el nou Teatre Lliure, van alçar-se en el paisatge teatral barceloni com a Hoes decisius de disputa. Cadascuna va esdevenir un camp de bataHa artistic i polític, un tema destacat de debat i discussió, i de vegades un lloc d'espectacle públic. Potser el drama públic més carnavalesc que va tenir lloc durant aquest període és el protagonitzat per la indeleble presencia de l’actor/ director Josep M. Flotats, l'infructuós periode del qual al timó del TNC, que va acabar amb la seva …
A View From The Bridge Poster [2011], University Of Southern Maine Department Of Theatre
A View From The Bridge Poster [2011], University Of Southern Maine Department Of Theatre
Posters 2011-2012 Season
By Arthur Miller
Directed by Thomas Power
Dimensions: 8" x 13"
Postcard included, dimensions 4" x 6"
Class Notes, Georgia Southern University
Class Notes, Georgia Southern University
CLASS Notes (2009-2017)
No abstract provided.
The Folks Next Door (September 29-30, October 1, 2011), John R. Caroll
The Folks Next Door (September 29-30, October 1, 2011), John R. Caroll
Student Theatre Programs
Program for The Folks Next Door (September 29-30, October 1, 2011).
To view the photos from this production of The Folks Next Door , please click here.
And Then There Were None, Robert Clements, Tim Phipps, Rebecca M. Baker
And Then There Were None, Robert Clements, Tim Phipps, Rebecca M. Baker
Theatre Productions
Adapted from Agatha Christie’s best-selling novel, the play tells the tale of a group of strangers, all with questionable pasts, isolated on an island off the coast of Devon. And Then There Were None will captivate you not only by the skillful twists and turns of a “Who done it?” but also by the suspense of “Who’s next?” This is Agatha Christie at her best!
Class Notes, Georgia Southern University
Class Notes, Georgia Southern University
CLASS Notes (2009-2017)
No abstract provided.
Zach's News, Georgia Southern University, Zach S. Henderson Library
Zach's News, Georgia Southern University, Zach S. Henderson Library
University Libraries News Online (2008-2023)
- Database trial and evaluation: Theater in Video
Projection Design For A Contemporary Dance Work By Iván Angelus In Hungary, Tennessee Dixon
Projection Design For A Contemporary Dance Work By Iván Angelus In Hungary, Tennessee Dixon
Theses and Dissertations
The purpose of this thesis is to document and analyze my projection design for a new dance piece, "VŰ", directed by Angelus Iván and staged at Trafó in Budapest, Hungary. Included is an account of the design process, the concept and projection development described scene by scene, execution, performance and evaluation. The paper ends with reflections on the relatively new field of image projections, and my professional goals in scenic design.
“To Kill A Mockingbird”: A Production Analysis, Richard D. Edmonson
“To Kill A Mockingbird”: A Production Analysis, Richard D. Edmonson
Theses and Dissertations - UTB/UTPA
The purpose of this academic thesis is to study and analyze a production of To Kill a Mockingbird (novel by Harper Lee, stage adaptation by Christopher Sergel). This study includes pre-production research that explores the similarities and differences in plot, timeline, characters, and themes between the novel and play, as well as the historical significance and contemporary relevance of the story. Notes and evaluation from the production at the University of Texas-Pan American are included.
Lighting The World Of Urinetown: The Musical By Greg Kotis And Mark Hollman, Justin Brett Ashley
Lighting The World Of Urinetown: The Musical By Greg Kotis And Mark Hollman, Justin Brett Ashley
Graduate Theses and Dissertations
This thesis will describe the lighting design process for the production of Urinetown: the musical produced at the University of Arkansas, University Theatre, October 2010. The thesis will detail the process that was followed to create and produce the lighting design from original idea to completed production. The process covers visual and textual research, artistic process, technical process, development of light plot and associated paperwork.
Diary Of A Dream, Donnell Walsh
Diary Of A Dream, Donnell Walsh
Faculty Scholarship
LIndenwood University academic dean's description of the process of building a new performing arts center.
Paralinguistic And Kinesic Codes Of Performance: An Intercultural Gilgamesh, Patrick Michael Finelli
Paralinguistic And Kinesic Codes Of Performance: An Intercultural Gilgamesh, Patrick Michael Finelli
Theatre and Dance Faculty Publications
This paper examines the directing, acting and rehearsal process in transforming the ancient Babylonian epic Gilgamesh for the stage using performers’ journals as a means of determining the effect of corporeal non-western styles on actors whose prior experience was almost exclusively in naturalistic and text-based theatre. The introduction of theatrical elements from multiple cultures including puppetry and the masks and techniques of Noh drama created a multi-tiered field for intercultural exchange. While Patrice Pavis’s hourglass model for the transfer of theatrical material from a source to a target culture may hold true for productions that use linear modes of transmission, …
Lady Libertines, Female Fops, And Lady Julia Fulbank: Aphra Behn's Extraordinary Female Characters., Sarah Audine Amundsen
Lady Libertines, Female Fops, And Lady Julia Fulbank: Aphra Behn's Extraordinary Female Characters., Sarah Audine Amundsen
Theses and Dissertations
Aphra Behn has, throughout her life and subsequent years, been both demonized as a writer of bawdy and licentious plays and poetry as well as being hailed as the forerunner of female writers. She was a woman writing in a man's world, and not only survived the experience, but was exceptionally successful in her efforts. While so little is known about her background, the numerous plays she has left behind demonstrate a skilled author in many forms, as well as a creative and innovative storyteller. This thesis will examine how Behn used the traditional theatrical forms of the time and …
Between Scenic Designer And Director: The Collaborative Process Of Four Productions, Elizabeth R. Muller
Between Scenic Designer And Director: The Collaborative Process Of Four Productions, Elizabeth R. Muller
Theses and Dissertations
This thesis presents the unique designs for four productions: Ain’t Misbehavin’, Is He Dead?, Dead Man’s Cell Phone, and Legacy of Light. Presented here are the research images, conversations, situations and their resulting designs represented in my renderings and photographs of the fully realized production. Throughout, I will state my objectives in bettering the quality of interaction with each director and my reflections on the ongoing process of creating a trusting and balanced collaborative process, one that expertly serves the production.
Medea And Lady Macbeth: Control In Madness And Strength, Grace Beckett
Medea And Lady Macbeth: Control In Madness And Strength, Grace Beckett
Humanities and Creative Projects
Ideals on women are constantly fluctuating throughout society, theatre and literature. In classical time periods, women were often expected to be meek and powerless. Two salient exceptions to this rule are Shakespeare’s Lady Macbeth and Euripedes’ Medea. This paper applies feminist ideals and a psychological perspective to examine how these two women are presented as frighteningly mad in their strength. In defining herself purely through the love of her husband, Medea harnesses her madness when he scorns her, thus regaining control over herself through the violence that ensues from her psychopathy. Lady Macbeth defines herself as the power behind …
Audition Technique: A Survival Guide (For College Undergraduate Students), Meghan Kelleher
Audition Technique: A Survival Guide (For College Undergraduate Students), Meghan Kelleher
Theses and Dissertations
Many great actors don’t work and many mediocre actors do. Why? The perfect monologue and great song isn’t enough to get you hired. Sadly, students are not prepared and equipped with the necessary skill set to take control of their careers. In this economic climate, the ability to audition could not be more imperative. In this thesis, readers will be introduced to the basics of audition technique as developed for Theatre majors at Virginia Commonwealth University as a precursor to their senior year. It will guide them through the first stage of their career. Furthermore, there are unspoken rules, etiquette, …
Video Game Theatre, A Willoughby
Video Game Theatre, A Willoughby
Theses and Dissertations
Video games are becoming the fastest growing and most lucrative form of entertainment across the globe. The goal of this project was to take gaming to the next level; to the theatre. I have devised an original piece of theatre using the CIC’s of video gaming: Creativity, Interaction, and Community and put on a production from members of the VCU community. Aside from the project, I have detailed why video games are growing in popularity at an alarming rate and why they belong in the category of ‘Art.’ With new technology and new stories being told, the gaming industry is …
Movement For The Actor: A Practical Approach To The Application Of Movement Training, Elizabeth Ressegger-Slone
Movement For The Actor: A Practical Approach To The Application Of Movement Training, Elizabeth Ressegger-Slone
Theses and Dissertations
An essential tool in actor education, movement training is often viewed as esoteric and difficult to apply directly to an actor’s craft. It varies widely from institution to institution, and covers anything from stage combat to Alexander Technique. One never knows what they will encounter upon entering a movement class, and students frequently have difficulty connecting work done in the movement studio to work done in the acting studio. In order for movement training to become better integrated and more easily identifiable as a necessary part of actor training, it is important to get to the essential qualities that all …
Completing The Circle: The Actor's Cool Down, Anna Kurtz
Completing The Circle: The Actor's Cool Down, Anna Kurtz
Theses and Dissertations
Physically, vocally, and physiologically something happens to the actor in rehearsal and performance that can impact the actor’s everyday life. Practitioners have described this as boundary blurring, emotional hangover, and post-dramatic stress. Even acting as a profession can breed stressful situations for the actor. Actors can combat the blurring, the hangover, and the stress through awareness and process. As a part of process, actors warm-up to prepare their bodies and voices and to transition from real life to stage life. An often ignored aspect of process, but no less significant than the warm-up, is the cool down. After researching the …
Ensemble Rehearsal Practices: The Evolution And Application Of Rehearsal Technique As Explored In Harold Pinter’S Betrayal, Wilson Kerry Mcgee
Ensemble Rehearsal Practices: The Evolution And Application Of Rehearsal Technique As Explored In Harold Pinter’S Betrayal, Wilson Kerry Mcgee
Theses and Dissertations
Three years ago, Bonnie Gabel and I started an ensemble theatre company called Night Light Collective (NLC). Our company was inspired by the work of Anne Bogart and the Dah Theatre in Belgrade, Serbia. We used many of their techniques and exercises to develop a rehearsal process that would help our ensemble connect to each other as well as contribute to the artistic direction of our productions. In the fall of 2010, I directed Harold Pinter’s Betrayal. I used the rehearsal practices that we developed with NLC and created a few of my own. This thesis documents the evolution of …
The Konami Code: An Experiment In Dialect Pedagogy, Thomas Cunningham
The Konami Code: An Experiment In Dialect Pedagogy, Thomas Cunningham
Theses and Dissertations
The Konami Code is a tool for teaching stage dialects that I have been developing for the past three years. I wanted a method that didn’t rely on students’ having a keen ear for phonetics; rather one that offered context for each dialect, and presented individual sound-changes as small parts of an easy way to digest the whole. Most importantly, I wanted a process that was portable: a set series of applications that my students could incorporate easily into their actor’s tool-kit and carry with them into the professional world. The Konami Code incorporates kinesthetic and imaginative elements into the …