Digital Commons Network^™

Privilege Of Being A Christian Artist, James Buswell

Pro Rege

James Buswell developed this paper, at the request of Pro Rege and the faculty of Dordt College, from his presentation at our eighth and final Jubilee Convocation, April 25, 2005.

2006 Forces, Scott Yarbrough

Forces

No abstract provided.

Camas, Spring 2006

Camas

Secret Passages / Teresa Ponikvar -- Beyond the Highway Towns / Heather McKee -- Wildcat’s Revenge / Matthew S. Frank -- Rules for Living at the Urban - Wildland Interface / James McLaughlin -- Moa Hunting / Kim Todd -- Poetry / Jeremy Pataky, Jeff Ross -- First Person / Robin Patten -- Left / Genevieve Jessop Marsh

The Faculty Of Pursuits: Rethinking Benjamin's Aesthetics, Brian Casario

ESSAI

No abstract provided.

Voices Of Women: Telling The Truth Through Art Making, Alice Pennisi

Journal of Social Theory in Art Education

On Wednesdays, when the last period of the school day is finished, the students trickle out of room 412 of Burnham High School and the young women enter who have been waiting outside. They immediately push all the desks to the side or back walls, leaving a large open space. Then each carries a chair toward the front of the room, creating a circle. Someone closes the door, and they begin to talk with one another. Thus begins a weekly meeting of Voices of Women (VOW), a group comprised mainly of high school girls who create collaborative artwork based on …

Reading Objects: Collections As Sites And Systems Of Cultural Order, Alice Wexler

Journal of Social Theory in Art Education

The political nature of making personal and cultural meaning of objects (both ordinary and aesthetic) is the site where transactions between our innate need for order and environmental influences, such as consumerism, are made. Valuing objects leads to the phenomena of collection, a subject that has been of interest in education and psychology since the nineteenth century. I ask how the private collections of children, and later adults, lead to systems of labeling, grouping, and display of art and artifacts in the art and natural history museum. In the age of the meta museum, how do educators question the museum's …

How To Draw A Heart: Teaching Art To Incarcerated Youth, Dennis Earl Fehr

Journal of Social Theory in Art Education

This article traces the progress of a social theory-based university art education program in which undergraduate majors teach art to incarcerated youth. It addresses and goes beyond the editor's question, "What imagery lies 'outside' art educators' accepted sphere?" Not only is the imagery of these populations out of sight, but so are the sites of incarceration themselves, they exist not only outside the purview of the art education field, but of nearly every sector of society except the police. Even their families are often "out of sight." The readable, conversational format is a political choice. I offer an alternative to …

The Permeable Classroom Or The Tilted Arc Revisited, Karen E. Frostig

Journal of Social Theory in Art Education

"The Permeable Classroom or the Tilted Arc Revisited" reviews the author's various roles as artist, community activist, art educator and art therapist, in the design and implementation of a large, sequential community-based ''Tree Memorial" project. Using the Tree Memorial Project as a compelling example of the "permeable classroom," the paper delivers an overview of the project that takes place in and around the public school setting, featuring collaboration between teachers, students, parents, administrators, community residents, and city officials.

Parnassus 2006

Parnassus

The 2006 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Camas, Winter 2006

Camas

First Person / Heather McKee -- A Winter Morning / Genevieve Jessop Marsh -- My Life as a Pantheist / Sharman Apt Russell -- Clarity Can Be Deceptive / Greg Gordon -- Interview / Anna Lappe by Peter Metcalf -- Borderland / Jerry Mathes II -- On the Alaskan Peninsula / Jerry Mathes II -- History / Heather Cahoon -- Embers / Heather Cahoon -- Shed and Redemption #1 / Josh Slotnick -- I never met a farmer / Jessica Babcock -- Coneflower / Jessica Babcock -- Soon / Jessica Babcock -- Beekeeping / Jill Beauchesne

Between Patrons And Populace: Danish-American Sculptor Carl Rohl-Smith And The Iowa Soldiers' And Sailors' Monument In Des Moines, Aase Bak

The Bridge

Carl Rohl-Smith (1848-1900) received one of his most important commissions in America with the "Iowa Soldiers' and Sailors' Monument" (completed 1897). But his position became difficult as he had to navigate between the different interests of patrons and general public.

"A Danish artist cannot imagine the hardships that being an artist in a foreign land entails. Most of the decisions concerning art are made by the populace." Thus wrote Danish journalist Henrik Cavling (1858-1933) in his travel book Fra Amerika (From America) from 1897.1 He was talking about the Danish-American sculptor Carl Rohl-Smith and the problems he encountered when he …

Gunnar Johansen: The Gentlemanly Dane, Solon Pierce

The Bridge

It is about three score and five years ago now since a certain Dane came to Dane County, Wisconsin-a decisive step, he later recounted on many occasions, "that I have never regretted." To this native Midwestern observer, it was a perfect fit. There was something homespun and authentic in the nature of the man -a sense that he was cut from the same cloth.

Christian Petersen: From Denmark To The New Deal To Campus Sculptor, Lea Rosson Delong

The Bridge

Christian Petersen (1885-1961) was a Danish-American sculptor (Figure 1) whose accomplishment and importance in the history of American art is being increasingly understood and recognized.1 The first goal in this presentation is to present a small portion of his work and to discuss why his reputation is growing and, at the same time, weave in aspects of his Danish background.

Preservation Of First Amendment Rights: Finding The Proper Balance Between Expression And Exploitation In Works Of Art, Cecilia Chung

Santa Clara Law Review

No abstract provided.

From The Atlantic To The Pacific: Maruja Mallo In Exile , Shirley Mangini

Studies in 20th & 21st Century Literature

Maruja Mallo's life (1902-1995) and art represent one woman's odyssey from the European vanguards to political commitment during the Spanish Republic (1931-1939) and finally to a unique transcendent art form after her wrenching exile from Spain and her residence in Latin America from 1937 to 1965. In her early career she was a leader among the avant-garde painters when few Spanish women were recognized as creative artists. In Latin America, her work diverged radically from European avant-garde trends and from her ideologically oriented subject matter of the 1930s; Mallo not only reflects the impact of her discovery of the Pacific …