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Narcissuses, Medusas, Ophelias… Water Imagery And Femininity In The Texts By Two Decadent Women Writers, Viola Parente-Capkova
Narcissuses, Medusas, Ophelias… Water Imagery And Femininity In The Texts By Two Decadent Women Writers, Viola Parente-Capkova
Wagadu: A Journal of Transnational Women's & Gender Studies
My concern is the way in which women writers whose work can be characterized as Decadent and/or Symbolist used the figures of Narcissus, Medusa and Ophelia, as well as the imagery of femininity and water. When analyzing this aspect of their work, I am looking at the ways in which these writers created and co-created the Decadent imagery, what strategies they adopted in their representations of woman and the construction of female subjectivity.
The Heart Of Undine: The Im/Possibility To Love Under Water, Ulrike Hugo
The Heart Of Undine: The Im/Possibility To Love Under Water, Ulrike Hugo
Wagadu: A Journal of Transnational Women's & Gender Studies
This short story plays upon the myth of the water nymph, who out of love for a man gives up her previous existence and becomes mortal. Traumatized women, especially, often experience love in this tension of devotion and self-sacrifice. The text plays with a metaphorical language bordering lyricism and kitsch, it plays with exaggerated notions of love and projections and culminates in an ending which is predictable yet deviates from the myth.
The Ladies Of The Water: Iemanjá, Oxum, Oiá And A Living Faith, Cláudia Cerqueira Do Rosario
The Ladies Of The Water: Iemanjá, Oxum, Oiá And A Living Faith, Cláudia Cerqueira Do Rosario
Wagadu: A Journal of Transnational Women's & Gender Studies
The orishas Iemanjá , Oxum and Oiá are related to the forces of salt and fresh waters, and to the storms, and are objects of living worship not only in Brazil but also in parts of Africa - where they came from - and Americas. Based on their archetypal representations, this paper will be a reflection on the archetypes of the relationship woman/water and its symbolic implications, both in “sacred” and “profane” ways, still alive in contemporary culture.
Symbols Of Water And Woman On Selected Examples Of Modern Bengali Literature In The Context Of Mythological Tradition, Blanka Knotkova-Capkova
Symbols Of Water And Woman On Selected Examples Of Modern Bengali Literature In The Context Of Mythological Tradition, Blanka Knotkova-Capkova
Wagadu: A Journal of Transnational Women's & Gender Studies
Woman-water homology appears in modern Bengali literature (namely poetry) in various aspects: as the archetypal symbol of creation and destruction, symbol of the womb as the beginning and end of life and rebirth (connoting both physical womb and eternal womb), and also of the womb as dark mysteriousness; a symbol of the continuation, preservation of life, symbol of transience and elusiveness, traditional male written poetic symbol of charm and beauty. In the demystifying, subversive (not only female) poetic imagination, it may also construct the symbol of eternal unity with the female principle, articulate a specific concept of female identity.