Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 11 of 11
Full-Text Articles in Entire DC Network
Inspirational Journey: People And Places, Leigh Ann Withrow
Inspirational Journey: People And Places, Leigh Ann Withrow
Theses and Dissertations
My paintings are inspired by the places I have seen, as well as the people God has placed in my path. The individuals in my portraits are some of the people with whom I have shared a special bond. Upon reflection, they have been instrumental in deepening my faith. Their love, prayers, support, and deep questioning of my beliefs have enhanced my understanding of God and helped to strengthen my relationship with Him. 1 am very thankful for the ability to paint their portraits as an expression of my gratitude and love. God has also blessed me with opportunities to …
Everyday Haunting, Thomas John Condon Jr.
Everyday Haunting, Thomas John Condon Jr.
Theses and Dissertations
This document outlines a journey of self-exploration, discovery, construction and destruction. It is a story of learning, a testament to impermanence, and a proposal for possibility. The words and work contained in this document are exclusive to the thoughts and actions of one man that hopes to share with others.
From The Edge, Leslie Corder Rousseau
From The Edge, Leslie Corder Rousseau
Theses and Dissertations
Paintings and drawings are the physical representations of my dialogue with the world around me. Art is how I connect to what is too large, or too vague, or too personally meaningful to express in any other way. Space and its transformation by light and color have always been central to this dialogue. I am particularly intrigued by spatial ambiguity. Space exists for us only in how it relates to us and so, space changes. One viewpoint or state of mind might make space seem freeing, while another makes the same space feel confining. Barriers are sometimes delineated, sometimes obscured. …
Natural Flow, Holly Armstrong
Natural Flow, Holly Armstrong
Theses and Dissertations
Nature never ceases to amaze me with momentary observations of fluid energy: the purposeful curvature of a blue heron's neck; the pattern of water as it sweeps across a rock sculpted by that very motion; the changing light and shadows created as wind blows through tall grasses. The spark of beauty in these moments lies in the energy that causes this constant change. To capture this energy, either potential or kinetic, and embody it through textures and flow of mass, is my essential goal as an artist.
Kick Me, Jennifer Stackpole
Kick Me, Jennifer Stackpole
Theses and Dissertations
Human experience, particularly the trials and tribulations of growing up, is the foundation on which I build. In this body of work, I represent these somewhat unsettling times. I use flattened space, strong diagonals, and vibrant color to add energy to the compositions. An underlying structure of fragmented shapes suggests the incomplete nature of adolescence.
Light Of Life, Sabina I. Henry
Light Of Life, Sabina I. Henry
Theses and Dissertations
The path through life is filled with light and darkness but light casts shadows and can darken one's life. With this metaphor, I use light to symbolize the positive and shadows to represent the negative things that every one of us encounters. In my landscape paintings, the combination of light and darkness symbolizes my journey through life. There is a predominance of light in my paintings. Therefore, my intention is to portray the positive over the negative. In other words, I want to portray the light at the end of the tunnel.
Trees, Kara M. Drinkwater
Trees, Kara M. Drinkwater
Theses and Dissertations
The intention behind my work is to draw the viewer's attention to the intimate, beautiful details found in nature. For example, I am awed and inspired by the unique qualities found in every tree whose varieties are seemingly infinite. The basic concept of my work is to portray the images of trees close to the viewer's eye to instill a sense of nature's grandness.
The Un-Still Life, Joyce A. Beiermann
The Un-Still Life, Joyce A. Beiermann
Theses and Dissertations
Contrary to the common definition of still life painting as a grouping of inanimate objects, I want my still life paintings to be full of life. I have always been intrigued by the numerous approaches and different mediums used by artists for still life arrangements. I want the objects I paint to appear three dimensional. I strive to effectively create the illusion of actual senses: smell, taste, and touch. To accomplish this, I carefully arrange objects in my composition so color, line, and form work to enhance a rhythmic flow. Contrasting warm and cool colors help add to this flow. …
Opening The Heart, Gail Z. Carlin
Opening The Heart, Gail Z. Carlin
Theses and Dissertations
It is my discovery of the mandala that has had the most significant influence on me as an artist. The mandala, Sanskrit word for circle or center, is found in a majority of my pieces, either literally or symbolically. My interest in and subsequent use of the mandala began twenty years ago and continues to this day. The mandala is a primordial image found in the macrocosm of the universe, the microcosm of nature, and in the psyche of man. The circle has been used throughout the world in image and architecture as a sacred symbol since the beginning of …
Cooking With Paint, Jody Lynn Schwab
Cooking With Paint, Jody Lynn Schwab
Theses and Dissertations
Graduate school has been a time of travel through experimentation. The journey has almost always been a search for materials and sources that match my need for working with the self-referential narrative within the framework of a process. Repeatedly, I would venture out and turn back, only to venture out again, packed with new materials and image sources, in search of a complete process. In retrospect, there have been no dead ends, only quenched curiosities that sometimes cleanly, often clumsily, lead one to the other. What is left is a series of explorations from which I can pluck similarities, clues …
Forging Space, Chance Burdick Liscomb
Forging Space, Chance Burdick Liscomb
Theses and Dissertations
I naturally like sculpture. My artistic medium of choice is sculpture because it occupies physical space commands attention and thought. The expressive qualities found in steel are numerous as they are in manipulation of found materials. Both materials involve a process of discovery on an evolving road towards any sculpture's ultimate conclusion. My primary goal is that my sculpture should be personal and capture the viewer's eye, stir his or her subconscious, and serve as a form of communication.