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Interrogating History Or Making History? Vonnegut's Slaughterhouse-Five, Delillo's Libra, And The Shaping Of Collective Memory, Mark Spencer Mills
Interrogating History Or Making History? Vonnegut's Slaughterhouse-Five, Delillo's Libra, And The Shaping Of Collective Memory, Mark Spencer Mills
Theses and Dissertations
In the wake of the post-structuralist skepticism of language and language's ability to represent reality, the philosophy of history has likewise been questioned, since we gain our knowledge and understanding of the past primarily through language—through written and spoken testimony, and through subsequent historiography. Various post-structuralist critics have pointed out that history is never entirely recoverable, but accessible only indirectly through what is written and documented about it. What is written and documented is in turn determined by the contents and the nature of the archive. What we know about history is largely mediated and limited by the problems inherent …
The Familiar Foreign Country: Reading Mexico In Cormac Mccarthy, Jack Kerouac, And Katherine Anne Porter, Rachel Mae Ligairi
The Familiar Foreign Country: Reading Mexico In Cormac Mccarthy, Jack Kerouac, And Katherine Anne Porter, Rachel Mae Ligairi
Theses and Dissertations
My thesis examines the discourse of Mexico in the works of three twentieth-century American authors-Cormac McCarthy, Jack Kerouac, and Katherine Anne Porter-in order to analyze representations of Otherness in modernism and postmodernism. I seek to destabilize the dividing line between these periods as well as to show how representation in postmodernity has become more problematic due in large part to the proliferation of consumer culture. Though the Mexico that McCarthy employs in Blood Meridian and the Border Trilogy (All the Pretty Horses, The Crossing, and Cities of the Plain) escapes many stereotypes, his Mexico is merely a staging ground that …