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From Caricature To Character: The Intellectually Disabled In Dickens's Novels (Part 3), Paul Marchbanks
From Caricature To Character: The Intellectually Disabled In Dickens's Novels (Part 3), Paul Marchbanks
English
No abstract provided.
Review Of Break, Blow, Burn, Kevin Clark
From Caricature To Character: The Intellectually Disabled In Dickens's Novels (Part 2), Paul Marchbanks
From Caricature To Character: The Intellectually Disabled In Dickens's Novels (Part 2), Paul Marchbanks
English
No abstract provided.
From Caricature To Character: The Intellectually Disabled In Dickens's Novels (Part 1), Paul Marchbanks
From Caricature To Character: The Intellectually Disabled In Dickens's Novels (Part 1), Paul Marchbanks
English
No abstract provided.
Jane Air: The Heroine As Caged Bird In Charlotte Brontë’S Jane Eyre And Alfred Hitchcock’S Rebecca, Paul Marchbanks
Jane Air: The Heroine As Caged Bird In Charlotte Brontë’S Jane Eyre And Alfred Hitchcock’S Rebecca, Paul Marchbanks
English
No abstract provided.
A Reconciled Maid: A Lover's Complaint And Confessional Practices In Early Modern England, Paul Dustin Stegner
A Reconciled Maid: A Lover's Complaint And Confessional Practices In Early Modern England, Paul Dustin Stegner
English
In A Lover's Complaint, Shakespeare registers concerns about a penitent's inability to overcome the effects of sin and emphasizes the importance of private or auricular confession. By representing what amounts to be the confession ofa 'fickle maid' (5) to a 'reverend man' (57), Shakespeare underscores the paradox of the Protestant confessional model: if a penitent can be forgiven of sins without priestly intervention, what happens when he or she does not experience consolation?' By modeling the poem on the conventional rite of penance, Shakespeare creates a poetic space in which to explore the intense effects of seduction and desire (as …
Critical Gps: Toward A New Politics Of Location, Amy D. Propen
Critical Gps: Toward A New Politics Of Location, Amy D. Propen
English
This paper aims to extend the purview of critical GIS to also account for what would be akin to a critical GPS by examining two cases where GPS technology is used as a similar means to two decidedly different ends. I look at Acme-Rent-a-Car’s use of GPS technology to track the driving speed of their customers and then fine their customers for speeding, and the Amsterdam Real-Time Project’s recent use of GPS technology to create, for aesthetic purposes, maps of the real-time movements of individual Amsterdam citizens. I examine the social implications of a consenting or nonconsenting subject who is …