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The Ties That Bind: The Meaning Of Attachment In State Constitutional Revision, 1820-1845, Allison J. Morvant
The Ties That Bind: The Meaning Of Attachment In State Constitutional Revision, 1820-1845, Allison J. Morvant
LSU Master's Theses
This thesis examines the changing conception of attachment in state constitutional conventions from 1820 – 1845. During the colonial and early national periods, attachment was defined primarily through property ownership. Accordingly, early state constitutions limited the rights of citizenship, namely suffrage, to free white men who possessed a freehold. Over time, in response to pressure from upwardly mobile white males, state constitutional conventions began to create a new political order based on an expanded definition of attachment: non-propertied white males could exhibit attachment and be granted citizenship through affection, civic virtue, and public duty.
The Creation Of "Behind The Vote," A One-Person Play, Jennifer E. Ballard
The Creation Of "Behind The Vote," A One-Person Play, Jennifer E. Ballard
LSU Master's Theses
This thesis discusses the inspiration, creation and performance of Jenny Ballard’s one-woman show, Behind the Vote, which was the other half of the thesis requirement in order to complete the Master of Fine Arts program in Theatre Performance. Behind the Vote examines the importance and meaning of voting, both during the women’s suffrage movement and in the present, as seen through the eyes of three contemporary women, Susan B. Anthony and Elizabeth Cady Stanton. This thesis contains Ballard’s inspirations for the project; her research materials about Stanton and Anthony and her source materials for her contemporary characters, including Facebook messages …