Digital Commons Network^™

Dancing With Gender: A Reception Analysis Of Chinese Women's Viewing Experiences Of Ann Hui's The Golden Era, Li Chen

Dissertations - ALL

The issue that this study addressed was the unprivileged status of women audience members and women directors in the male dominated Chinese film industry. To investigate this problem, the purpose of this study was to explore how Chinese women audience members produce different meanings in terms of gender identity and gender relations through viewing The Golden Era (2014), directed by a female filmmaker Ann Hui. To deeply understand the viewing experiences of Chinese women audience members, this qualitative research project was designed as a reception analysis. To gather data, interviews with 18 Chinese women with viewing experiences of this film …

Navigating The Urban-Rural Divide: The Agency Of Rural Chinese Female Higher Education Students In China, Lifang Wang

Dissertations - ALL

This dissertation explores how rural Chinese female students at urban Chinese higher education institutions conceptualize and negotiate the urban-rural divide that often interplays with gender and the discourse of quality (suzhi) to shape their lives. A substantial body of literature discusses the profound inequalities that rural Chinese people encounter due to the urban-rural divide and household registration system (Chan & Zhang, 1999; Wang & Zuo, 1999; Loong-Yu & Shan, 2007; Tang & Yang, 2008; Whyte, 2010; Han, 2010). An increasing amount of literature also addresses the experiences of rural Chinese migrant women working in urban China (Gaetano & Jacka, 2004; …

Exposing Narrative Ideologies Of Victimhood In Emma Donaghue’S Room And Gillian Flynn’S Gone Girl, Meredith Jeffers

Honors Capstone Projects - All

Stories about abducted women and murdered wives are sadly common on cable and network news programs, from Nancy Grace to Dateline. These at the center of Emma Donaghue’s Room (2010) and Gillian Flynn’s Gone Girl (2012). These contemporary novels manipulate the narrative conventions of popular true-crime stories to expose the

In the each chapter, I examine the interesting narrative perspectives of Room and Gone Girl to understand the ways that these novels deconstruct mass media narratives of violence to reveal ideas about gender. In Room, Donaghue dislocates the narration by narrating the novel not from the perspective of …