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Emerging Media In 18th Century Literature: How Jane Austen Invented Facebook, Rebecca Shaver
Emerging Media In 18th Century Literature: How Jane Austen Invented Facebook, Rebecca Shaver
Honors Theses
The focus on the downfalls and misunderstandings of the Austen anthology has allowed critics to ignore her incredible ability to scientifically dissect the intricate workings of social circles and networks comprised of psychologically accurate characters and interactions. For instance, her portrayals of gender roles (heterosocial/sexual and homosocial/sexual) within those circles were so apt that they often still true today. The transcendental human nature of individuals like Emma's Emma Woodhouse and Mansfield Park's Fanny Price causes us to question how Austen amplifies and enlightens our understanding of how modern social networks, like Facebook or Twitter, stem directly from historically complex affective …
The Past And Its Impact On The Present: The Development Of Gender And Ethnic Identity In Kingston's "Woman Warrior", Mukherjee's "Jasmine" And Kincaid's "Lucy", Rachel M. Puckett
The Past And Its Impact On The Present: The Development Of Gender And Ethnic Identity In Kingston's "Woman Warrior", Mukherjee's "Jasmine" And Kincaid's "Lucy", Rachel M. Puckett
Theses and Dissertations - UTB/UTPA
This thesis analyzes three immigrant narratives and exemplifies the impact that the past has on the main character’s cultural and gender development. During the course of each narrative reflections of the past intrude on the present immigrant experience and remind the characters of who they are and where they came from. Kingston’s Woman Warrior revolves around her cultural past and the psychological impression that her mother’s immigrant experience has left on her. In Jasmine Mukherjee’s main character embarks on a self-reflecting journey that highlights the past that influences her ever changing identity. Finally, in Lucy a young woman is determined …
“Bury Your Head Between My Knees And Seek Pardon”: Gender, Sexuality, And National Conflict In John Okada’S No-No Boy, Patricia A. Thomas
“Bury Your Head Between My Knees And Seek Pardon”: Gender, Sexuality, And National Conflict In John Okada’S No-No Boy, Patricia A. Thomas
University of New Orleans Theses and Dissertations
In “‘Bury Your Head Between My Knees and Seek Pardon’: Gender, Sexuality, and National Conflict in John Okada’s 1957 novel, No-No Boy,” I analyze the ways in which the complexities of gendered sexuality expressed by protagonist Ichiro Yamada intersect with post-World War II and Internment-era national identifications for American nisei. I demonstrate that this apparent story of one man’s pursuit to resolve his conflict over national identity is, in reality, a tour de force of literary subversion that not only destabilizes the subterfuge that surrounded internment but also—in its deliberate failure to resolve questions of national conflict on the …
The Virgin's Kiss: Gender, Leprosy, And Romance In The Life Of St. Frideswide, Gary Stephen Fuller
The Virgin's Kiss: Gender, Leprosy, And Romance In The Life Of St. Frideswide, Gary Stephen Fuller
Theses and Dissertations
The longer thirteenth-century Middle English verse life of Saint Frideswide found in the collection of saints' lives known as the South English Legendary (SEL) narrates an event unique to medieval hagiography. In the poem, a leper asks the virgin saint to kiss him with her "sweet mouth," which she does in spite of her feelings of considerable shame, and the leper is healed. The erotic nature of the leper's request, Frideswide's reluctance to grant it, and her shame throughout the incident represent a significant departure from the twelfth-century Latin texts on which the SEL version of the saint's …
Gender Politics In The Novels Of Eliza Haywood, Susan Muse
Gender Politics In The Novels Of Eliza Haywood, Susan Muse
Dissertations (1934 -)
This study investigates how Eliza Haywood addressed ideological conflicts about gender produced by modernization in early eighteenth-century England. Expanding Michael McKeon's theory of the novel to include "questions of gender," I address a wide sample of novels in order to show how Haywood's writing developed during her long career. Her first preoccupation was the sexual double standard that defined "fallen women" as society's exiles. Influenced by the "she-tragedy" of the late seventeenth and early eighteenth century, Haywood wrote novels that elicited pity for fallen women and searched for reasons to explain their condition. Haywood's writing became overtly political with her …
The Machine, The Victim, And The Third Thing: Navigating The Gender Spectrum In Margaret Atwood's Oryx And Crake And The Year Of The Flood, Lindsay Mccoy Anderson
The Machine, The Victim, And The Third Thing: Navigating The Gender Spectrum In Margaret Atwood's Oryx And Crake And The Year Of The Flood, Lindsay Mccoy Anderson
Electronic Theses and Dissertations
This thesis explores Atwood's depiction of gender in Oryx and Crake and The Year of the Flood. In an interview from 1972, Margaret Atwood spoke on survival: "People see two alternatives. You can be part of the machine or you can be something that gets run over by it. And I think there has to be a third thing." I assert that Atwood depicts this "third thing" through her characters who navigate between the binaries of "masculine" and "feminine" in a third realm of gender. As the female characters—regardless of their passive or aggressive behavior—engage in a quest for agency, …
"I Is An Other": An Exploration Of The Development Of Childhood And Adolescent Self-Concept, Jessica Lebovits
"I Is An Other": An Exploration Of The Development Of Childhood And Adolescent Self-Concept, Jessica Lebovits
Senior Projects Spring 2012
A multidisciplinary project that combines original empirical research with an analysis of two Modernist novels, The Waves by Virginia Woolf and A Portrait of the Artist as a Young Man by James Joyce.
Subversive Liminality And Ideological Warfare: The Zombie Mash-Up As Resistance To Hypermasculine Revenge Narratives Post-9/11, Veronica L. Cooper
Subversive Liminality And Ideological Warfare: The Zombie Mash-Up As Resistance To Hypermasculine Revenge Narratives Post-9/11, Veronica L. Cooper
Online Theses and Dissertations
This project plots the coincidence of the "zombie renaissance" and system-justifying nationalist rhetoric post-9/11. The project discusses this cultural cross-section with zombie mash-up fiction, using masculinity and trauma theories, in an attempt to illuminate the motives of "us vs. them" rhetoric and hypermasculine revenge narratives in the post-9/11 decade. First, I use Adventures of Huckleberry Finn and Zombie Jim (2009) to examine liminality as subversive counter-discourse to the masculine hegemony post-9/11. Second, I use Pride and Prejudice and Zombies (2009) to look at the effects of revenge culture and how non-emphasized femininity and hegemonic (hyper)masculinity co-construct each other.
"What Shall We Use To Fill The Empty Spaces?": Displacement In Frank Norris's Mcteague, Jennifer Bugna Lambeth
"What Shall We Use To Fill The Empty Spaces?": Displacement In Frank Norris's Mcteague, Jennifer Bugna Lambeth
Electronic Theses and Dissertations
Author's abstract: McTeague, Frank Norris's Naturalistc text written in 1899, depicts the corruption of a California couple due to influences outside of their control. In positioning Trina McTeague as a woman unable to identify with either of the two major feminine ideologies of the day, the Angel in the House and the New Woman, this paper examines her identity as conflicted because of this lack of autonomy. Her failure to identify herself leads to a mental break that is reflected in the domestic spaces she inhabits. The places she lives each become smaller and dirtier reflecting her diminished mental capacity. …