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Noisy Transgressions: Gendered Noise, Female Voices, And Noisy Narration In Anne Bronte's The Tenant Of Wildfell Hall, Brianna Phillips
Noisy Transgressions: Gendered Noise, Female Voices, And Noisy Narration In Anne Bronte's The Tenant Of Wildfell Hall, Brianna Phillips
English MA Theses
This thesis re-evaluates Anne Brontë’s critically undervalued novel The Tenant of Wildfell Hall (1848) through its noisy women. By joining the fields of narratology and noise studies, I argue for the subversive noisiness of a novel that has been overwhelmingly dismissed by critics as a text of female silence, subjugation, and subordination. However, by offering a soundscape of gendered noise and proliferating female voices, Brontë privileges the sounds of women’s voices in such a way that female noise “re-voices” the masculine origins of the novel (Gilbert Markham’s frame narrative). Contrary to traditional readings of Brontë’s heroine, Helen Huntingdon proves subversively …
Leaving Neverland For Narnia: Childhood And Gender In Peter Pan, The Secret Garden, And The Lion, The Witch And The Wardrobe, Calabria Turner
Leaving Neverland For Narnia: Childhood And Gender In Peter Pan, The Secret Garden, And The Lion, The Witch And The Wardrobe, Calabria Turner
English MA Theses
British gender expectations are often epitomized in mature adults, either in society or within novels, but in Peter Pan, The Secret Garden, and The Lion, The Witch and The Wardrobe gender roles are interpreted by the child protagonists. J. M. Barrie’s Peter Pan inhabits the world of the Neverland, but the gender roles of Victorian England follow them from London to the home below the tree where Peter, Wendy, her brothers, and the Lost Boys reside in a pseudo-domestic sphere. Peter often engages in literal discussion of what it means to become an English man, while Wendy lives …