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A Darwinian Feminist Analysis Of Margaret Atwood's The Handmaid's Tale, Morgan N. Petersen

University of New Orleans Theses and Dissertations

Margaret Atwood’s The Handmaid’s Tale presents a dystopian world in which women have lost all individualism and have been reduced to breeding machines. This paper analyzes the patriarchal characteristics of The Handmaid’s Tale by using a Darwinian feminist theory to understand the evolutionary psychological root of male control of women in the narrative. Additionally, this in-depth reading relies on David Geary’s analysis of male and female mating dynamics and Barbara Smuts’ study of the evolution of patriarchy in humans to further give evidence to the evolutionary root of Gilead’s patriarchy. The men of Gilead control women through creating a fundamentalist …

Mise En Place, Amie M. Geistman

University of New Orleans Theses and Dissertations

Mise en Place is a collection of essays that chronicles the author's experiences working as the lone female line cook in the culinary boy's club of professional restaurant kitchens. These essays follow the author's descent into a wild love affair with food, the burnout and gender dynamics associated with the job, and how she navigates the passion and the stress that the kitchen brings out in her.

Contact, Christine M. Stevralia

University of New Orleans Theses and Dissertations

A year after Alyssa Milano’s tweet launched the #MeToo movement, survivors of sexual assault are being called ‘accusers’ in the media, and public opinion is swinging in favor of guilty men. #MeToo raised awareness but not understanding. What is rape? What is consent? As evidenced by the #MeToo movement and the backlash against it, clearly, as a society, we don’t know. Contact is a work of Creative Nonfiction that uses scenes and details from the narrator’s personal experiences to illuminate the micro-negotiations that occur in sex and seduction.

In a world where women are still expected to stay small and …

Complicating The Narrative: Labor, Feminism, And Civil Rights In The United Teachers Of New Orleans Strike Of 1990, Emma Long

University of New Orleans Theses and Dissertations

In 1990, over 3,000 of 4,500 New Orleans public school teachers refused to enter their classrooms over a contract dispute with their employer, the Orleans Parish School Board. For three weeks, teachers picketed while the negotiating team for their union, The United Teachers of New Orleans, worked to reach a contract agreement. Using interviews with striking teachers and union leaders, this paper aims to tell this story from their perspective. The interviews shed light on the ways that minorities and women used UTNO, with the incorporated ideologies and strategies of civil rights and feminism, as a platform to combat economic, …

Discreet Feminism: Neil Gaiman’S Subversion Of The Patriarchal Society In American Gods, Christopher P. Thompson

University of New Orleans Theses and Dissertations

Neil Gaiman’s use of a hyper-masculine American culture in American Gods sheds light upon the multiple issues surrounding a misogynistic society in which women are treated as sexual objects and punished for their independence as sexual beings. Gaiman’s efforts at highlighting these issues are discreet and hidden under layers of patriarchal expectations, but through the use of his protagonist, Shadow, Gaiman is able to provide an alternative to the society he represents. While he successfully illustrates this more “ideal” society, his endeavors fall short and are almost imperceptible throughout his novel. Gaiman’s work in American Gods, while lacking in its …

Toni Morrison’S Depiction Of Beauty Standards In Relation To Class, Politics Of Respectability, And Consumerism In Song Of Solomon, Karen Jensen

University of New Orleans Theses and Dissertations

In Song of Solomon, published during a transitional moment in the history of U.S. feminism, Toni Morrison portrays the destructive forces of hegemonic female beauty standards, materialism, and consumerism in a Midwestern African-American community from the 1930s to the 1960s. She reveals a hierarchy in which men define standards of beauty and respectability that enforce white bourgeois ideals. Focusing on five female characters, this thesis examines this hierarchy; the agents who maintain it; and the ways in which it affects female characters who accept and/or reject it. While one of the characters, Hagar, perishes in her attempt to live …

Hurting The Ones They Love: Character Analysis And Original Screenplay Crimes Of Passion, Staci Tolliver

Senior Honors Theses

The thesis is a ten-page analysis on two films, Fatal Attraction and Lakeview Terrace. The thesis begins with a brief introduction to the horror genre and its subgenre in which the two films and original screenplay are categorized, psychological horror. It covers all the important elements of a film and screenplay: conflict, arc, goal, structure and plot. The thesis also consists of feminists’ reactions to Fatal Attraction, and examines whether the original 60- page screenplay helps or worsens the image of women. The screenplay also raises the question if having the villains need to be insane to prove a …

Transcendence, Holis Hannan

University of New Orleans Theses and Dissertations

This thesis is a description and critical analysis of the processes, concepts and imagery of my artwork. I am interested in creating visual narratives, often figurative, in the form of sculpture, collage, and installation. In my work I attempt to call attention to the human condition, specifically addressing sexuality, mortality, psychological issues and power struggles. I incorporate both cultural and personal references and use traditional and non traditional materials and processes that are intended to conceptually inform the viewer further. My intention is to create distinct embodiments that provoke contemplative emotion and in which the object and the aesthetic experience …

An Enlarging Influence: Women Of New Orleans, Julia Ward Howe, And The Woman's Department At The Cotton Centennial Exposition, 1884-1885, Miki Pfeffer

University of New Orleans Theses and Dissertations

This study investigates the first Woman's Department at a World's Fair in the Deep South. It documents conflicts and reconciliations and the reassessments that post-bellum women made during the World's Industrial and Cotton Centennial Exposition in New Orleans, the region's foremost but atypical city. It traces local women's resistance to the appointment of northern abolitionist and suffragist, Julia Ward Howe, for this “New South” event of 1884-1885. It also notes their increasing receptivity to national causes that Susan B. Anthony, Frances E. Willard, and others brought to the South, sometimes for the first time. This dissertation assesses the historical forces …

Lumensecity: Objects Illuminated In Time, Kourtney Keller

University of New Orleans Theses and Dissertations

This thesis explores the evolution of my work in graduate school. Upon entering into this course of study my artistic expression was polarized into realms of 2 and 3-Dimensional tactile works and experiments in 4-Dimensions (time) in the form of animations and short films. The content and context of these works have interwoven but their presentations remained polarized. In my masterʼs studies I have attempted to synergize the mediums of my artworks in order to achieve more realized and formal presentations. Following this course, I hope for my work to further evolve.

Carved, Amberly Fox

University of New Orleans Theses and Dissertations

The poems in Carved take the reader on a journey of self-discovery and explore the inequalities of human relationships: between being silent and the discovery of one's voice. The collection also addresses humanity's destructive imprint and the resiliency of nature in reclaiming what humanity sought to exploit and conquer. The poems expose the ironies in how we imagine things to be, compared to their reality. Some of the poems also draw parallels between the process of going underground and that of being reborn, as well as the spiritual experience of caving.

Evolution: The Progress Of A Painter, Rachel Jones

University of New Orleans Theses and Dissertations

This analysis explores the progression of my work over the past three years of study. My initial pursuits involved ideas that revolved around contemporary feminism, however, with time I expanded upon those ideas by exploring other subjects. I realized the connection in all of my work lies in the use of manipulated found imagery, and the desire to release this imagery from the confines of traditional pictorial space. With this discovery, I became free to utilize any manner of subjects, as the subject matter relied heavily on the finding and re-interpreting of these disparate images into the language of paint. …

Feminist Perspectives On Liberation And Exploitation: A Phenomenological Study Of Performance, Nicole D. Troxell

University of New Orleans Theses and Dissertations

This paper describes the experiences of exploitation and liberation for neo burlesque performers using feminist theory as the context for analysis. The project had the following goals: to identify using phenomenology, the essence of new burlesque participant experiences, to analyze those experiences using feminist theories of exploitation and liberation regarding sex work, to compare burlesque to stripping, and to compare new burlesque to classic burlesque for understanding how burlesque is different today. To obtain these goals, participant observations were done of neo burlesque shows and neo burlesque performers agreed to an interview in which questions were asked that highlight their …