Digital Commons Network^™

Always Wednesday, Danielle Roberts

Theses and Dissertations

Danielle Roberts’ work explores personal narratives. The spaces she paints radiate, simultaneously dark and luminescent. Resembling the kind of archetypes of place used in film her cinematic compositions invite the viewer into the frame. Her figures capture feelings of alienation illuminated by the unnatural existential glow of constructed contemporary light.

Song From A Chamber, Miguel A. Martinez

Theses and Dissertations

My work weaves a biomythography through figurative reimagining of syncretist religious iconographies. This thesis installation is composed of a mural reliquary in which a collection of twenty works on paper is displayed. The project exposes abstract dimensions of body and spirit in relation to my experience as a gay immigrant.

Clean Fields, Lindsey E. Creel

Electronic Theses and Dissertations

Clean Fields is an exhibition consisting of 3 anthotypes and 11 drawings on paper mounted to panels. The work is part homage and part documentation of the emotionally restorative properties found in gardening. It is a contemporary view of a timeless activity. While the work references realistic content, the artistic outcomes are non-objective. Modifications in composition and scale provide variation throughout the series. The large-scale of the works and the use of economy and movement in the composition move the viewer into a meditative state.

In-Between The Wind, Victoria L. Vontz

LSU Master's Theses

In-between the Wind is a compilation of poems, short stories, theories, photographs, and drawings that reveal my relationship and connection with nature. Through prose, I expose and question my place in the world, how I see it and how I am connected to it, while photographic images and drawings leave space for thoughtful and reflective meditation. The work draws upon memories, discusses theories of connection, and aims to record ephemeral moments that often seem to be too easily forgotten.

Objects And Images, Jack Lovell

Masters Theses

My work often involves photographic source material as well as surrealistic forms. Two primary influences, René Magritte and Gerhard Richter, can be seen as at odds with each other in many respects. Drawing parallels and distinctions, I explore relationships in the work of Magritte, Richter and myself.

The Broken Thought Machine [Broh-Kuhn Thawt Muh-Sheen], Michael Dispensa

Masters Theses

A bulky, inflamed, excess volume of overactive targeted neuron choking nonsense that profits off creating fear-induced high-speed bowel movements.

My current work seeks to create space for intrusive thoughts and images that repeat, disturb, distress, and contaminate. The source of these intrusions is called the Broken Thought Machine(BTM). I use multimedia practices of drawing, sculpture, performance, and video to unearth the origins and properties of the BTM to then perpetuate its product to an absurd degree. This obsessive reiteration brings negativity to a threshold where horror and detachment can spontaneously metamorphose into humor and compassion.

The BTM can be an …

It's Messy, Polina Tereshina

Theses and Dissertations

My work is a way of thinking through things. Each painting, or object is usually a boiled down vision of something I’m learning, observing or remembering, as I make it. Everything becomes a compression of several ideas with a unique mood and temperature.

Optimistic And A Little Flawed, Christian Schultz

Graduate Theses and Dissertations

The accompanying exhibition to this paper, Optimistic and Flawed is a body of drawings and objects that explores the liminal space between playful and intended actions. Inspired by the landscape of the yard and the actions that take place within, the goalless play of a child and the laborious maintenance of an adult. The value of play exists within labor and labor exists within play. The drawings observe this through the theoretical framework of telic and paratelic motivational states as they relate to drawing. Abstracted yards and landscapes provide a space for the labor of the hand. A history of …

Heartwork, Lance Taylor Loftin

Graduate Theses and Dissertations

Heartwork is a collection of paintings, drawings, and sculptures that explore the many ways identity is shaped by familial histories and personal memory. Focusing on my time growing up on a pine tree farm in Jackson, Mississippi in the early 90s, Heartwork explores gender, religion, regional traditions, family, and art. Through conversations and collaborations with my family, painting acts as an impetus for strengthening relationships. By reevaluating the past, I am able to create a web of interconnected narratives that inform and shift my understanding of the present.

The Efficiency Of Using Three-Dimensional Models To Teach Lifting And Rigging Concepts To Learners Of Varying Spatial Ability, Matthew Atherton

Electronic Theses, Projects, and Dissertations

In the literature on instructional media and its effects on learning, there is debate regarding whether a particular choice of media is essential for any given learning task. However, most studies that show conflicting results have not accounted for a differentiating learner characteristic known as spatial ability and its impact on the learner’s cognitive load when visualization is required. In this study, the interaction between instructional media and the learner’s spatial ability (specifically, their spatial visualization ability) was examined when the learner was required to work out a rigging problem in one of three ways: by manipulating a physical 3D …

How To, Christina M. Kang

Student Projects

How To is a one-person exhibition of mixed media drawings and prints. The exhibited work is meant to convey my personal explorations and representations of my identity crisis as a Taiwanese-American woman in the forms of deconstructed instruction panels. Additionally, How To is my representation of how Asians and Asian Americans are perceived in the United States through the model minority myth. Identity is nuanced and evolves over time. When I first acknowledged my identity crisis, I wanted a concrete solution, a set of instructions that others had followed to resolve their own crises. Follow a list of steps; learn …

Garden Of The Mind, Jessica Wolinski

Theses

Garden of the Mind documents my investigation of exploring drawing processes in, on, and with clay to recreate the place of my imagination. The artwork translates my perceptions as they are transcribed by drawing and transform into a ceramic object. This thesis looks into how the human spirit finds tranquility, solace, and purpose in the natural world, and ponders what it means to be truly alive. The act of drawing paired with the ceramic art object create an intersection between the places we imagine and the reality we share.

I Wasn't There, Lily Wong

Theses and Dissertations

My work reimagines personhood at the moment it becomes undone and investigates how an amplification of visibility can also function as a severing of humanity. A personal navigation of fracture and the forging of self through artificial extensions and distensions of the body.

Replicant, John Grabko

All Graduate Theses, Dissertations, and Other Capstone Projects

Artist Statement

This body of work explores technology throughout modern history into today, and how it affects society and the people within. There are many sides to technological innovation, and as time goes on it also changes our own priorities; even how we choose to either reject reality or intensify the effects of mass consumerism. Technology can also change the way we look at currency itself, surprise us with an unexpected reality or change what we view as beauty. Within this work I utilize drawing, printmaking, and collage to visualize our observed reality, the implications of the decisions we make, …

Mythology Of Uncertainty, Connor Johanson

All Graduate Theses, Dissertations, and Other Capstone Projects

I think of my work as a mythology under constant revision that reevaluates our human perceptions of the natural world. The root of mythology comes to us from ancient Greek mythos. The original meaning of mythos was simply an account from memory–your mythos could be what your day was like, what happened and how you felt. We are all in the continuous process of building narratives of our individual lives, our cultures, and the world around us.

Human stories and values–mythos–underlie metaphors and analogies, meaning that no discussion of scientific ideas can be free of cultural bias. Discussion of symbiotic …

Reclaim, Harris Benjamin Deno

All Graduate Theses, Dissertations, and Other Capstone Projects

I make ceramic and mixed media objects that embody interaction with material. Translated from the simple utterance of the hand the material articulates the labor. As in any relationship there are miscommunications and disagreements; Desperation, struggle, and honest interaction are apparent on the surface of the labored forms. Objects are created in an immediate fashion, the intimacy of the moment folded into the material. Each interaction an embodiment of the human experience. I think of these works as entries in a journal; The gravity of a moment is captured, relieving the mind by bearing that weight.

Whenever approaching a work, …