Digital Commons Network^™

The Process Of Loss, Isidro Pentzke Jr.

MFA in Visual Arts Theses

This paper proposes that digital media has changed the way art is viewed and experienced. This investigation into technology unpacks the effect that technology has on our society. Through the process of photography and digital media, the exploration of social interactions with technology is observed. The observation that is highlighted in this artwork is multilayered, which includes the digital rituals and the acceptance of new digital social norms. In addition, an argument is made that due to this change in social acceptance to the new digital world, there seems to be a disconnect between those who are engrossed in the …

The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore

Master's Theses

This thesis examines Fred Chappell’s virtually overlooked collection of poetry Family Gathering (2000), and how the poems operate within the mode of the grotesque. I argue that the poems illuminate both the southern grotesque and Roland Barthes’s theory of photography’s Operator, Spectator, and Spectrum. I address Family Gathering as a family photo album full of still shots, snapshots, and even selfies, which illumines how Chappell’s use of the grotesque in this collection derives more from its original association with visual arts rather than only depicting the grotesque typically associated with characteristics deemed explicitly shocking or terrifying. I argue that …

Mirror Images: Penelope Umbrico’S Mirrors (From Home Décor Catalogs And Websites), Jeanie Ambrosio

USF Tampa Graduate Theses and Dissertations

As the artwork’s title suggests, Penelope Umbrico’s "Mirrors (from Home Décor Catalogs and Websites)" (2001-2011), are photographs of mirrors that Umbrico has appropriated from print and web based home décor advertisements like those from Pottery Barn or West Elm. The mirrors in these advertisements reflect the photo shoot constructed for the ad, often showing plants or light filled windows empty of people. To print the "Mirrors," Umbrico first applies a layer of white-out to everything in the advertisement except for the mirror and then scans the home décor catalog. In the case of the web-based portion of the series, she …

Writing With Light: Cameraless Photography And Its Narrative In The 1920s, Karen K. Barber

Dissertations, Theses, and Capstone Projects

Cameraless photography’s resurgence in the 1920s has long been discussed by art historians and critics as either a facet of modernist “new photography,” or as a specialized practice associated with prominent figures of the interwar avant-garde. In their discussions of the medium, scholars have aligned cameraless photography with specific movements, groups, schools, or individuals, as a means of situating its emergence and subsequent popularity in the 1920s. This dissertation broadens the understanding of cameraless photography (also referred to as photograms) and its narrative by shifting the focus to the publications responsible for the medium’s articulation and dissemination in the years …

Pretend Power, Rosemary Engstrom

Masters Theses

This is an anti-thesis about being a tender and tuff queer femme bitch with mental illness trying to exist in this shitty world by creating worlds of their own. With bright colors, video performance, dress up, collage, and a lot of feelings, I turn power structures on their upside. They become a game of pretend where queers run the show. It’s ok to be sick. It’s ok to be vulnerable. It’s ok to be queer. You’re not alone.

Between Gods And Animals : Deconstructing Heteronormative Masculines Pursuit To Sustain Power, Shawn Bush

Masters Theses

Between Gods and Animals is a multi-angle exploration of the Caucasian heteronormative male’s endless pursuit to sustain power and inability to live by their own set of codes. Using the Grecco Roman period as an origin point, this work examines the forces that have historically perpetuated the myth of masculinity. Relating past ideals of maleness to contemporary standards this thesis illuminates patriarchal structures that are systematizing masculinity while providing a space to normalize a gamut of masculines. The visual works included act as an introspective approach in accepting the complacency of my existence as a man who has operated within …

Film Stills, Kevin Jordan

Honors Theses

Film cinematography has always fascinated me, particularly the way composition, color, and lighting augment the subject's mood and can evoke an emotion out of viewers. I want to emulate this in my portraits, with the goal of transporting the viewers into another world.

“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales

Theses and Dissertations

After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.

A Document That Transcends Itself: Between Abstraction And Reality, Seth Lewis

Bachelor of Fine Arts Senior Papers

In A Document that Transcends Itself: Between Abstraction and Reality, I first present a historical analysis of photography that complicates traditional assumptions of how photographs operate in the world. Rather than functioning as merely an objective record, the photograph takes on a dual status as both a document and an abstraction from reality. The photograph’s ability to selectively decontextualize the origins from which it came from and present itself as something other than what it simply records becomes the core of my artistic practice. This paper will also discuss my conceptual investigations into how we perceive photographs when they …

Exhibiting Human Rights: Making The Means Of Dignity Visible, Amy J. Freier

Electronic Thesis and Dissertation Repository

This dissertation examines the visual communication of human dignity. With the opening of human rights museums, such as the Canadian Museum for Human Rights, human dignity’s visual communication has been exposed to new issues of corporeal and mediated expression. In response to photographic mediation and theory, which often poses individuals as central claimants or possessors of human dignity, human rights museums openly suggest that communities and relationships between individuals are central to human dignity’s visibility outside of the law. As such, I propose that curatorial mediation is important to the contemporary apprehension of human dignity because its notable forms – …

Picturing Buffalo: The Howard D. Beach Photography Studio Collection, A Master’S Project To Prepare And Exhibit Images And Artifacts From The Howard D. Beach Photography Studio Collection, Kimberly A. Bruckman

Museum Studies Projects

The purpose of this Master’s Thesis Project is to implement essential practices in the museum profession in relation to the stabilization, digitization, and exhibition of the Howard D. Beach Photography Studio Collection. Through skills learned in the Museum Studies MA program, negatives from the Beach Collection were systematically chosen, digitized, and researched. This process resulted in an exhibition titled Picturing Buffalo: The Howard D. Beach Photography Studio Collection, which was on display from February 4-27, 2018 at the Karpeles Manuscript Library Museum, in Buffalo, New York.

Modified Landscapes, Esther Nooner

Graduate Theses and Dissertations

Modified Landscapes is a body of work that reflects serious thought regarding Nature and its future. My personal experience and beliefs are at the core of why I believe this subject to be of great importance and why it will sustain many artists’ investigations for the time to come. The influences that informed this process are explored through experiences I had traveling, reading and exploring the photograph as a material object. The manipulation of the photograph is meant to question the beautiful, untouched scene and break the Romantic gaze that is historically tied to representations of Nature and insist upon …

Hearing Through Walls, Bradley Marshall

Electronic Theses and Dissertations

The photographer discusses work in “Hearing Through Walls”, a Masters of Fine Arts thesis exhibit held at downtown Tipton Gallery from February 19th through March 2nd, 2018. The exhibition consists of 15 archival inkjet prints and one two-channel video piece, representing the artists three-year exploration into narrative forms in image making. Using non-traditional approaches to photographic portraiture and experimental exhibition layout, the artist forms questions around themes of domesticity, lost youth, and American masculinity. Among these themes is an investigation into photographic issues, including the cultural role that photographs play in perpetuating, miming, and disrupting the facades of everyday life. …

Paradise Entertainment's Feature Of The Week: Splint, Brittney Callahan

MFA in Photography and Integrated Media Theses

Watching television has been part of my daily ritual since childhood. Every time it was turned on, I was able to enter into new worlds that were exotic compared to my house. Each story on the screen filled me with hope, inspired me with passion, and took me to a place where everything, no matter how terrible, seemed to have a purpose, an arc, and an end. These visual narratives birthed the idea of an equational life, one that seemed simple and mathematical. After I realized that life couldn’t be firmly calculated, I decided to invent my own alternative realities …

Stepfamily, Rebecca Chappelear

MFA in Photography and Integrated Media Theses

A discussion of the photographic imagery used in artist's work and a first-hand account of the experience which lead to it's creation. The work and writing encapsulate the trauma caused by family dysfunction brought on by a stepfather's struggle with depression and alcoholism.

Modernizing Composition With An Online Photography-Themed Course, Sharolyn Richards

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

In this thesis, I argue that it is important for students in a Freshman English Composition class to learn to compose with images and text. This builds on what other research and professors have done in having students turn in multimedia compositions. Since there is opportunity for students to compose with images and text in print as well as online, it is important for them to know how images and text work together. This thesis includes the research I did and lesson modules for an example semester.

The Disjointed Moment : Marking, Mapping, And Making The Real In William Eggleston's Election Eve (1976)., Joel Darland

Electronic Theses and Dissertations

This thesis analyzes the photographic book Election Eve (1976) produced by photographer William Eggleston. Eggleston’s photographs represent a complex network of connections between material objects and the potential truth of depiction. The often-nondescript locations that Eggleston photographed in Sumter County, GA in October 1976 appear specific at the outset, but quickly lose their adherence to the supposed realities that they depict. Since his first major exhibition in the mid 1970s, Eggleston’s photographs have presented difficulty because they from often-disparate material sources. Despite of the complexity of Eggleston’s engagement with both art and non-art photography, scholarship continues describe Eggleston’s “snapshot aesthetic” …

Kleptomaniac, Leslie Frank

CGU MFA Theses

I am a Kleptomaniac of public and private moments. Using my iPhone, I steal images of people and objects in public environments and frame these moments with the addition of my own poetic essence. I feel that Los Angeles is a unique city built on imagination, expectations and disappointments. Another aspect that is satisfying to me is the validation that I feel when I am at the right place at the right time. We don't always get to feel this in everyday life. Whether the experience is similar or foreign, the empathy is significant.

In-Between: The Spaces Of Modernity, Elisa Fabris Valenti

LSU Master's Theses

During the past three years as a graduate student, I have experienced loneliness. Having recently emigrated from Italy, I have often asked myself why I am experiencing such hard times adjusting to a different country. My thesis explores this question. Referring to Marc Augé’s idea of non-place, I have chosen a geographical and spatial starting point to approach my work. Italian cities are built around the central piazza where social, political, and economic life revolves. In my thesis, I depict American spaces that lack specific location and create solitude within the urban corridors. Private feelings, such as loneliness, are paradoxes …

Still Life: Growing Up With Death - A Visual Memoir, Lindsey Roth-Rosen

Dissertations, Theses, and Capstone Projects

This capstone is a multidimensional visual narrative project that incorporates heuristic methodology to illustrate complicated grief that emerged from early childhood loss. The memoir’s intention is to exemplify grief as a complex and mutable composite response to the death of my mother. One objective of this capstone is to understand melancholy, commonly associated with mental illness or symptomatic of depression, as an aesthetic emotion as well as a conduit for philosophical reflection. I use non-verbal approaches to the genre of a memoir by incorporating my photography to epitomize art as a powerful means to comprehend the totality of loss: as …

Contesting Representations Of Gender And Womanhood In Mexico The Photomontages Of Lola Álvarez Bravo, 1935–1958, Alana Hernandez

Theses and Dissertations

Lola Álvarez Bravo (1903–1993), a Mexican photographer, photojournalist, portraitist, and teacher created approximately thirty photomontages during the span of her fifty-year career. This thesis argues that Álvarez Bravo turned to photomontage during targeted periods of her career in order to contest and challenge prevailing discourses on motherhood and femininity. A close analysis of eight photomontages produced between 1935 to the last printed in 1958 make evident the manifold ways Álvarez Bravo represented gender as a contested, political, and personal concern.

The Unveiling Of Us, Alexis Parra

Senior Projects Spring 2018

The Unveiling of Us is an affirmation by, of and for wom^n of color. In this collaboration, we - subject and photographer - seek to reclaim the performance, production and beauty of individual identities that are informed by collective pasts. Everyday acts of performance are emphasized in these images through objects and gestures that reference the day to day practices of black and brown wom^n based on our histories, our cultures and our senses of self. This is our space to claim: the viewer looks, but the subjects hold the gaze as they declare power through a notion of beauty. …

Devorah, Jackson Siegal

Senior Projects Spring 2018

In Devorah, I sought to deliver an image to a text I could only engage with through removal. Unable to read the original Yiddish memoir written by my great grandmother, Devorah Schneider, I relied on a translation. Upon realizing that a photograph of the world couldn’t properly illustrate the experiences I was reading, I decided to expose photographic paper beneath an empty enlarger, one with no negative. As the blank projections bled, grew, shrunk and glowed in my darkroom, I began to build an abstract language in dialogue with Devorah’s words.

The project began when I decided to engage with …

Heaven On A Bun, Eleanor Gibney

Senior Projects Spring 2018

We are told from a young age, how to act, what is polite, what is acceptable; we start living within restrictions, within boundaries. This causes our conversations to become limited and our interactions tense. To escape from these restrictions we escape to our thoughts, our own private haven where judgment is not passed.

In this project, I explore a world of my creation where the space between our physical world and mental world is bent, or in other words, the bending of fantasy and reality. Being placed in the middle of this other world, things and interactions don’t seem quite …

Haunted By Solitude: Isolation And Communal Representation In Zanele Muholi's Archive, Michelle Marie Fikrig

Honors Papers

This paper focuses on contemporary South African photographer Zanele Muholi’s (b. 1972) extensive photographic archival project, Faces and Phases, which documents South Africa’s black queer community. The series exists not only as a book published in 2014, but as an exhibition that has been shown globally. In the introduction to their book of the Faces and Phases series Muholi states their goal as “[articulating] the collective pain [black lesbians] as a community experience” (emphasis mine). Yet the series, composed of over two hundred black and white portraits, is made up of photographs of individual black lesbians. This paper explores the …

Enact In Disappearance, Stephanie Demer

Theses and Dissertations

Enact in Disappearance excavates the unseen through the medium of photography in order to chart a new strategy for knowing and communing with a complicated world.

A Narrative Of Resilience: Margaret Morton's Photographs Of Homelessness In New York City, Sara Rappa

Dissertations and Theses

No abstract provided.

Show And Tell, Samuel Hawk Richard

Senior Projects Fall 2018

Throughout my years studying photography at Bard, I’ve concentrated on the making of each individual photo, capturing the moment, mastering the technical aspects, creating a narrative within each shot, rather than dwelling on the big picture. In creating this project I have come to realize that while each of my photographs must stand on its own, as a whole they also present a coherent feeling. They are fragments of a personal perspective – and together - an extension of the way I interact with the world, moment by moment. When I was growing up, my father used to quote the …

Agency Panic: A Reckoning Of Place, Brock M. Mickelsen

Graduate Student Theses, Dissertations, & Professional Papers

Agency Panic: A Reckoning of Place may be best described as a type of documentation of a conversation between the Gates of the Mountains Wilderness and myself, one where a mutual language is not spoken but one where some understanding can be reached none-the-less. By moving through the landscape without goals or intentions a physical exchange ensues, a push and pull, a call and response, intimacy is gained through tactile experience. Through the use of wet-plate collodion photography I am able to create imagery that engages directly with the place. Its vulnerability records a conversation between two acting powers, artist …

The Photographic Other: Paradox In The Cathexis Of Longing, Alex Cilla Bradley

Theses: Doctorates and Masters

A photographic and written examination of paradox in relation to the photograph

This research aims to illuminate the relationship between paradox and photography, elaborated via Julia Kristeva’s notion of the abject. Paradox is considered in relation to photography in terms of repeated and unresolved debates about the status of the photograph as either an ‘index of reality’ (Bate, 2004, p. 1) or as a sign. The significance of this research lies in its re-motivation of abjection in terms of paradox, not in order to resolve such debates but, rather, to illuminate the importance of such unresolved contradictions in terms of …