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A Queer Politics Of Imperceptibility: A Philosophy Of Resistance To Contemporary Sexual Surveillance, Andie Shabbar

Electronic Thesis and Dissertation Repository

This thesis journeys through a series of events to develop a concept of “imperceptibility” as a mode of resistance to contemporary sexual surveillance. The events I examine include biometric recognition of gender and race at airport security checkpoints, the heteropatriarchal colonial surveillance of Indigenous peoples at Standing Rock, various protest actions, and the political potentials of glitch art. Exploring their unexpected points of connection, my goal is to bring into view acts of resistance against sexual surveillance that already operate below and above the threshold of everyday perception.

The project advocates for a philosophy of resistance that underscores the political …

Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen

Electronic Thesis and Dissertation Repository

Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …

And Where Is The Body?, Tyler Durbano

Electronic Thesis and Dissertation Repository

In combination with a Master of Fine Arts thesis exhibition, and where is the body?, this dossier offers the following as accompanying components: an extended artist statement, a transcribed interview with artist Francisco-Fernando Granados, documentation of my artwork and my curriculum vitae. The section containing documented artwork provides a selected overview of my creative research and material exploration made during my time at Western University. These components complement my creative research and expand on ideas of queer identity, performance, vulnerability, assemblage and drag that are explored in my thesis exhibition.