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Theses/Dissertations

2008

Art

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Dancescape: A Work In Thetranslation Of Bodies And Movement, Julia Allisson Cost Dec 2008

Dancescape: A Work In Thetranslation Of Bodies And Movement, Julia Allisson Cost

Scripps Senior Theses

Translation is inevitably challenging work. When the human body and its movement are the subjects translated, the work may be particularly difficult, as questions both technical and ethical may arise about the representation in the second medium. Yet the exercise can also be very illuminating, creating space for insights that may not have been possible without the translation. For my Scripps College art thesis, I have created a series of paintings of Western dancers and researched four artists whose work involves bodies, movement, or dance and whose approaches differ tremendously. These artists are Edgar Degas (1834-1917), an impressionist painter known …


Bridging Aesthetics And Community : A Story Of A Successful School, Julie Marie Sessions Dec 2008

Bridging Aesthetics And Community : A Story Of A Successful School, Julie Marie Sessions

Electronic Theses and Dissertations

This study begins with the construction of a bridge that symbolizes the philosophers that impact this study: John Dewey, Elliot Eisner, Maxine Greene, and Delores Liston. The bridge is the beginning of a journey where I analyze the concepts of aesthetics and community. This in-depth analysis culminates with the study of a school that successfully incorporates aesthetics and community into its curriculum. The study is based on a methodology known as portraiture (Lawrence-Lightfoot, 1997) where relationships and community involvement are important elements in telling the story of a school. In order to fully paint this portraiture, interviews were conducted, observations …


An Egyptian Royal Portrait Head In The Collection Of The Michael C. Carlos Museum At Emory University, Karen Margaret Bryson Jul 2008

An Egyptian Royal Portrait Head In The Collection Of The Michael C. Carlos Museum At Emory University, Karen Margaret Bryson

Art and Design Theses

This thesis discusses a small, red granite, Egyptian royal portrait head in the collection of the Michael C. Carlos Museum in Atlanta, Georgia. The head is determined to be a fragment from a group depicting the king in front of the monumental figure of a divine animal, probably a ram or baboon. Scholars have attributed the head to the reigns of various New Kingdom pharaohs, including Horemheb and Seti I, but on more careful examination its style demonstrates that it dates to the reign of Ramesses II (1304-1237 B.C.).


The Theatre As An Examination Of Power: Combining Political Theory And Theatre History, Richard A. Leahy Jun 2008

The Theatre As An Examination Of Power: Combining Political Theory And Theatre History, Richard A. Leahy

Honors Theses

Theatre and politics are intrinsically connected. The art of politics is extremely theatrical and the art of theatre has always been infused with political relationships. This congruity stems from the fact that both fields of practice originate from the same fundamental source: power. Both arts are different expressions of the same concept. This can be seen in the shared theatrical/political focus on argument; both theatre and politics have the same goal - convincing people by leading them to certain conclusions. Both politics and theatre necessitate getting others to believe what one is saying. The performer requires his audience to believe …


Two-Dimensional Computer-Generated Ornamentation Using A User-Driven Global Planning Strategy, Dustin Robert Anderson Jun 2008

Two-Dimensional Computer-Generated Ornamentation Using A User-Driven Global Planning Strategy, Dustin Robert Anderson

Master's Theses

Hand drawn ornamentation, such as floral or geometric patterns, is a tedious and time consuming task that requires much skill and training in ornamental design principles and aesthetics. Ornamental drawings both historically and presently play critical roles in all things from art to architecture; however, little work has been done in exploring their algorithmic and interactive generation. The field of computer graphics offers many algorithmic possibilities for assisting an artist in creating two-dimensional ornamental art. When computers handle the repetition and overall structure of ornament, considerable savings in time and money can result. Today, the few existing computer algorithms used …


Digital Democracy, Kathryn Larsen May 2008

Digital Democracy, Kathryn Larsen

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Examines if the accessibility of more affordable digital production equipment and desktop video editing systems has democratized the quantity and quality of independent documentaries submitted to PBS (Public Broadcasting Service) stations for broadcast. Includes data gathered from surveys and interviews with PBS program and production personnel, independent filmmakers, and public television program distributors. Explores the relationship between the concept of radical democracy and public broadcasting of local productions.


Representaciones De Figuras Feministas En La Muestra Despierta!, Kathryn Lane May 2008

Representaciones De Figuras Feministas En La Muestra Despierta!, Kathryn Lane

Pitzer Senior Theses

Elizabeth Waltenburg es una artista contemporánea argentina. En su muestra, despierta!, las obras en óleo sobre tela representan a mujeres, niños y animales en fondos extraños y deprimidos. Ella utilize simbolismo de animales y figuras femeninas para discutir el feminismo actual. Ella trabaja en un tiempo complicado por el feminismo, el postfeminismo, la critica de ambos, y un sistema de comunicación global. Su trabajo marca una tendencia hecho por la confusión de todos estos movimientos. Esta tesis discute su trabajo en el contexto de la historia de representaciones de mujeres, de niños y de animales para llegar a una mejor …


Not Directly Evident, James Thomas Kennedy Apr 2008

Not Directly Evident, James Thomas Kennedy

Art and Design Theses

This thesis paper gives the reader the opportunity to glimpse the dramatic artistic changes that took place in my work. It will provide insights into my development as an artist and my experiences in graduate school. I will share how the process of making art became my main interest and how art changed me spiritually, mentally, physically, and personally.


Art Speaks! Connecting Visual Arts And Language Arts A Program For Fourth-Grade Students In The School District Of Philadelphia, James Stein Apr 2008

Art Speaks! Connecting Visual Arts And Language Arts A Program For Fourth-Grade Students In The School District Of Philadelphia, James Stein

Graduate Student Independent Studies

The Philadelphia Museum of Art (PMA) received a National Leadership Grant from the Institute of Museum and Library Services to support a partnership among PMA, Pennsylyania Academy of the Fine Arts, The Barnes Foundation, The Fabric Workshop and Museum, and Institute of Contemporary Art at the University of Pennsylvania. These five art institutions collaborated with each other, and with the School District of Philadelphia (SDP), to develop a literacy-based museum visit program called Art Speaks! that is open to all 13,500 fourth-grade students in SDP public schools. The program features a museum visit to one of the five collaborating institutions …


A Call For Liberation: Aleijadinho's 'Prophets' As Capoeiristas, Monica Jayne Bowen Mar 2008

A Call For Liberation: Aleijadinho's 'Prophets' As Capoeiristas, Monica Jayne Bowen

Theses and Dissertations

Throughout the late eighteenth century, many Brazilians became inspired by the political revolutions of the French and American colonies and sought for a similar type of revolution, hoping to gain independence from the Portuguese. One nationalistic group, the "Inconfidência Mineira," probably influenced the art of the sculptor Aleijadinho (1738-1814). Aleijadinho's work has been examined as a political message previously, but never as propaganda through the representation of capoeira, an Afro-Brazilian martial art. Capoeira probably formed as a means for Afro-Brazilian slaves to fight their way out of captivity. While training to fight, slaves would disguise capoeira to look like a …


Teaching Washington State History Through The Arts: A Curricular Guide, Rebekah Norgard Jan 2008

Teaching Washington State History Through The Arts: A Curricular Guide, Rebekah Norgard

All Graduate Projects

Students benefit both academically and nonacademically when a core subject is taught through the arts. The arts allow students to develop cognitively, extend their research skills, define their ability to problem solve, and strengthen their self-image. Personal connections and student attentiveness is increased when classes incorporate the study of the arts. The purpose of this project was to encourage the integration of arts into core subjects and provide a framework and examples of effective arts content infusion as an instructional strategy for use by Washington State History teachers.


Moses Kushite Connection, Ibrahim Omer Jan 2008

Moses Kushite Connection, Ibrahim Omer

Capstone Projects and Master's Theses

My Capstone is a multimedia exhibition scheme, which strives to portray historical themes in an art gallery showcasing set in museum standards. The information presented may be seen as a source of information and concepts for those studying the diverse areas of the social studies and, particularly, history and theology and those studying Biblical and/or Islamic history. The content may be of special relevance to those interested in understanding the cultural setting of the modern Northern Sudan.


Portraiture: An Interactive Experience, Juan Lopez Jan 2008

Portraiture: An Interactive Experience, Juan Lopez

Electronic Theses and Dissertations

Linking his thematic inspiration (the strange, the bizarre, the weird and the odd) to his artistic reflection, Lopez conceives of his work as based on his fascination with human facial expressions. "It is there where it is born", he says. Like Leonardo, he believes that the eye is the superior organ. Lopez's use of form and color represents his main objective: to show emotion, humanity and elegance. For that, it is necessary for him to reveal character as well as beauty. It is again, the approach used by the great masters such as Leonardo, Velazquez, Gericault and Goya in representing …


The Laboratory On 53rd Street : Victor D' Amico And The Museum Of Modern Art 1937-1969, Briley Rasmussen Jan 2008

The Laboratory On 53rd Street : Victor D' Amico And The Museum Of Modern Art 1937-1969, Briley Rasmussen

Graduate Student Independent Studies

This project addresses previously unexplored areas of Victor D'Amico's career as Director of the Education Department at the Museum of Modern Art (MoMA) from 1937-69, during which time he developed and implemented his philosophy on creative teaching that developed creativity, innovation and appreciation for modern art through a focus on individual aesthetic experience. Beginning with MoMA's early role and mission and the founding of the Education Project, the education programs as a laboratory for experimental art education are studied, specifically the Museum's television series Through the Enchanted Gate and the Children's Art Carnival as exemplars of D'Amico's experimental programming. This …


Open Your Eyes...On Impressing The Important Things., Heidi Dawn Ortega Jan 2008

Open Your Eyes...On Impressing The Important Things., Heidi Dawn Ortega

Theses and Dissertations

Open Your Eyes… On Impressing the Important Things is the documentation of my first semester as a Graduate Teaching Assistant. The purpose of this thesis is to document that journey to gain greater understanding of myself and my teaching. I embrace teaching as an artist. It is an opportunity to inspire and empower. As a teacher, I am attentive to the fact that learning is a complex process. It is individual, content and context specific. I believe that the goal of teaching is to empower students to take responsibility for their learning. Teaching is an art form that can be …


Bounded Surface, Emilie Sayward Brown Jan 2008

Bounded Surface, Emilie Sayward Brown

Theses and Dissertations

The relationship between surface, perception, and structure has occupied my graduate studies. Locating, transforming, and transcending the surface requires play with perceptive abilities not only of vision, but of touch, hearing, and the other senses as well. How do the interactions of sense with the qualities of a surface determine our perception of the world? What role does the extension of the senses play in one's ability to perceive surface and structure? Using sense information gleaned from surfaces, the tectonics of our world are made visible. Might this relationship be played backwards as well? Composed structures produce surfaces upon which …


The Montage Of Gestures, Brian Earl Longfield Jan 2008

The Montage Of Gestures, Brian Earl Longfield

Digitized Theses

Proceeding from Giorgio Agamben’s observation that gesture rather than image is the cinematic element, this paper attempts to outline the various ways gesture can operate in art. In particular, this paper examines the role of gesture in mime and cinema with respect to the writings of Bertolt Brecht, Etienne Décroux, Eugenio Barba and Jerzy Grotowski in relation to various interpretations of the role, in art, of Charles Saunders Peirce’s concept of the index, especially those of Rosalind Krauss, Michael Fried, Roland Barthes and Gilles Deleuze. From this exploration, a three-tiered approach to the use of gesture in the arts is …


Confrontation Cinema In The Age Of Neoliberalism; Where Brazil And The United States Meet, Rachel F. Rosenfeld Jan 2008

Confrontation Cinema In The Age Of Neoliberalism; Where Brazil And The United States Meet, Rachel F. Rosenfeld

CMC Senior Theses

Contents: Introduction; The Smell of Revolution and Popcorn; Filling the Gaps: Historical Context; Brazilian Cinema in the Age of Neoliberalism and Political Discourse of the New Brazilian Left; US Films and the Iraq War: This isn’t my America; Epilogue


Land Alive!, Or Metamorphosis In The Sportsman's Paradise, Adam Tourek Jan 2008

Land Alive!, Or Metamorphosis In The Sportsman's Paradise, Adam Tourek

LSU Master's Theses

"Land Alive!" is best described a multimedia work. The produce of travels to the area of the Mississippi River delta, along with text-based research, formed the materials from which two evenings of participative performance were crafted. Personal narratives were used alongside evaluations of administrative programs, and the space in the Backyard Gallery was transformed using shovels, buckets, and teamwork. Found chairs, rope, and other objects, through ritualized interaction, became an aesthetic formation; everyone present worked together in the assembly of a boat, which contained the results of these interactions between myself, six volunteers, and an audience turned participants. The evenings …


We Believe In The Systems That Keep Us Alive, Ezra Kellerman Jan 2008

We Believe In The Systems That Keep Us Alive, Ezra Kellerman

LSU Master's Theses

ABSTRACT We Believe In the Systems That Keep Us Alive is a body of work that uses parallels identified between writing and media critique of contemporary events. The parallels are labeled as four specific systems: nutritional, administrative, life-support, and nurturing. Through a combination of interactive and object based sculpture, each system is represented with visual metaphor and allegory to place the viewer in a direct and specialized paradox. Paradoxes audience members encounter are intended to illustrate to the audience what conflicts can arise by being included in a system where governing agency of any sort does not meet with individual …


The Extravaganza Awaits, Kathryn Lorraine Rodriguez Jan 2008

The Extravaganza Awaits, Kathryn Lorraine Rodriguez

Graduate Student Theses, Dissertations, & Professional Papers

Abstract The Extravaganza Awaits This paper addresses ideas in my thesis work, consisting of a series of paintings which evolved into installation. My ideas concern notions of spectacle, consumption of information, and self-gratifying selection. I lighten these ideas with humor and treat them with a carnivalesque aesthetic, appropriate to the absurdity that I see characteristic of them. Painting places the issues in a narrative context, but the story remains open- ended to allow the viewer to bring personal associations to the work. I specifically selected images of friends and family unfamiliar to the viewer and a lexicon of personal symbols …