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Voodoo Love, Aaron Walker May 2006

Voodoo Love, Aaron Walker

University of New Orleans Theses and Dissertations

"Voodoo Love" is a music video for jazz saxophonist, Lance Ellis. Set at The Turning Point Lounge in New Orleans, as well as the countrysides of Madisonville and Bush, Louisiana, the video takes us into a world where classic Motown style meets the world of campy horror films. Voodoo Love is also the first local jazz video to be produced in high-definition video. It includes appearances by Lischelle Brown, Mardi Gras Indian Big Chief Alfred Doucette, blues player Big Al Carson and the singing trio Mahogany Blue. The video was authored to DVD and includes extras features on the making …


Structural Elegance And Harmonic Disparity In Selected Solos By Jazz Trumpeters Freddie Hubbard And Woody Shaw, Edward Rex Richardson Jan 2006

Structural Elegance And Harmonic Disparity In Selected Solos By Jazz Trumpeters Freddie Hubbard And Woody Shaw, Edward Rex Richardson

LSU Major Papers

Freddie Hubbard and Woody Shaw were two of the greatest figures in the jazz trumpet pantheon from their emergence in the 1960s until the 1980s. They were both unusual personalities; almost as well known for their volatility as for their instrumental virtuosity and creativity. Their association was characterized by competition and a certain degree of discomfort: Shaw, born nearly seven years after Hubbard, was often compared to his elder in a fashion that seemed to denigrate the younger trumpeter’s originality; he in turn often denied that he’d ever been directly influenced by Hubbard, in what appears to have been an …


John Coltrane: Jazz Improvisation, Performance, And Transcription, Garry J. Bertholf Jan 2006

John Coltrane: Jazz Improvisation, Performance, And Transcription, Garry J. Bertholf

Honors Theses

John William Coltrane (1926-1967) was a prominent African-American jazz saxophonist and prolific composer. The evolution of his mature career seems, from my perspective, to fall roughly into the following periods: (1) “Vertical” (ca.1955-59), (2) “Modal” (ca.1960-63) and (3) “Avant-garde” (ca. 1964-67). During this entire 12-year interlude, the artist was moving in several different directions.

Unfortunately, his working band was not well documented. However, a recording of this group in concert at Carnegie Hall in 1957 was discovered and issued in 2005 by Blue Note Records. The Blue Note compilation is the first and only full-length high-quality recording of the group. …


Transforming Messiaen : The Application Of Elements Of The Musical Language Of Olivier Messiaen To The Contemporary Jazz Orchestra, Johannes Luebbers Jan 2006

Transforming Messiaen : The Application Of Elements Of The Musical Language Of Olivier Messiaen To The Contemporary Jazz Orchestra, Johannes Luebbers

Theses : Honours

The music of Olivier Messiaen is a unique and interesting contribution to the canon of 20th Century art music, but one that has received little attention from the jazz world. Through a detailed study of his music, this dissertation aims to gain a deeper understanding of Messiaen's musical language and investigate the possibilities of applying that language within the jazz idiom. In addition to a discussion of Messiaen and his music, a detailed analysis of the author's own composition for pipe organ and jazz orchestra, Auguries of Innocence, will explore the results of this application. The complete scores and …


Bob Brookmeyer: Composer, Performer, Pedagogue, Mace Francis Jan 2006

Bob Brookmeyer: Composer, Performer, Pedagogue, Mace Francis

Theses : Honours

Before my California stay (1968-1978) I considered myself a player first and a writer second, although I did a lot of writing, from Ray Charles to Thad [Jones] and Mel [Lewis].1 Since 1979 I have come to view myself as a composer who also plays trombone; add conducting and teaching and that gives me 4 hats to wear. I do not have a swollen head, so they all fit nicely. (Brookmeyer, 1997, n.p.)

Although acknowledged as one of the pivotal figures in twentieth-century jazz, the career and the music of Bob Brookmeyer has received scant attention in secondary literature. This …