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Theses/Dissertations

Electronic Theses and Dissertations

Feminist, Gender, and Sexuality Studies

College of Arts Humanities and Social Sciences

2016

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Jotería-Historias: Theories From The Fringes, Robert Mitchell Gutierrez Jan 2016

Jotería-Historias: Theories From The Fringes, Robert Mitchell Gutierrez

Electronic Theses and Dissertations

By collecting the cultural/historical narratives of gay, bisexual, transgender, queer, and questioning (GBTQ) Chicanos of Colorado, this research project locates theories in the flesh, or theories of resistance and agency, in the forms of cuentos, pláticas, chismé, mitos, testimonios, and consejos to explicate a queer of color performance of intersectional and decolonial politics. To set the context, several historical and political snapshots of GBTQ Chicano experience over the last 500 years are reviewed to demonstrate how communication about, for, and between GBTQ Chicanos operate in a liminal state (nepantla) where violence, marginalization, and oppression are …


Flinging The Apron And Tearing The Kerchief: Janie Crawford's Gestures In Zora Neale Hurston's Their Eyes Were Watching God, Madeline Elizabeth Celley Jan 2016

Flinging The Apron And Tearing The Kerchief: Janie Crawford's Gestures In Zora Neale Hurston's Their Eyes Were Watching God, Madeline Elizabeth Celley

Electronic Theses and Dissertations

In this thesis, I argue that in her 1937 novel Their Eyes Were Watching God, Zora Neale Hurston demonstrates protagonist Janie Crawford's development through her use of gesture. As the narrative moves throughout Janie's life, she becomes progressively able to communicate her feelings and desires through the use of her body's movements. By depicting Janie's subjectivity as fundamentally embodied, Hurston indicates an awareness of the cultural oppression Janie suffers, linking her body to those of women in the past that suffered as slaves. She draws attention to Janie's body by relying on her gestures in order to emphasize the …