Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

PDF

Theses/Dissertations

Electronic Theses and Dissertations

Feminist, Gender, and Sexuality Studies

2013

Femininity

Articles 1 - 2 of 2

Full-Text Articles in Entire DC Network

The New Man: Evolving Masculinity In F. Scott Fitzgerald's This Side Of Paradise, "Winter Dreams," And "The Swimmers", Adrian Nicole Coursey Apr 2013

The New Man: Evolving Masculinity In F. Scott Fitzgerald's This Side Of Paradise, "Winter Dreams," And "The Swimmers", Adrian Nicole Coursey

Electronic Theses and Dissertations

The evolving culture and ethos of American capitalist modernity in the late nineteenth and early twentieth centuries was marked by a nervousness, or neurasthenia. Strongly gendered, it was characterized among men by effeminacy and an anxiety about masculinity. Confronted by the eroding ideals of Victorian American self-reliance and independence, a stout-hearted willingness to labor to establish one's masculinity seemed an increasingly doubtful prospect for men in the new modern age. Under the twin influences of industrial capitalism and a market economy and a fledgling women's movement, affecting, especially, the work place, the American male felt nervous, anxious, and emasculated. In …


The Caustic Pen Is Mightiest: A Tradition Of Female Satire In The Novels Of Jane Austen, Ivy Compton-Burnett, And Muriel Spark, Jaclyn Andrea Reed Jan 2013

The Caustic Pen Is Mightiest: A Tradition Of Female Satire In The Novels Of Jane Austen, Ivy Compton-Burnett, And Muriel Spark, Jaclyn Andrea Reed

Electronic Theses and Dissertations

Female satirists have long been treated by critics as anomalies within an androcentric genre because of the reticence to acknowledge women's right to express aggression through their writing. In Pride and Prejudice (1813), A House and Its Head (1935), and The Girls of Slender Means (1963), Jane Austen (1775-1817), Ivy Compton-Burnett (1884-1969), and Muriel Spark (1918-2006) all combine elements of realism and satire within the vehicle of the domestic novel to target institutions of their patriarchal societies, including marriage and family dynamics, as well as the evolving conceptions of domesticity and femininity, with a subtle feminism. These female satirists illuminate …