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Repeat After Me, Bonnie Morano
Repeat After Me, Bonnie Morano
Theses and Dissertations
Bonnie Morano’s devotional abstract oil paintings are an offering of conviction reconciled with joy. Balancing spiritual zeal with geometric space, she creates mirrored compositions filled with gravitas and play. The sacred and domestic join together in maximal harmony, examining alternative arrangements of transcendental experience.
Pan Shot!, Samuel Robert Gaston Mattax
Pan Shot!, Samuel Robert Gaston Mattax
Theses and Dissertations
Sam Mattax's practice is aimed at working through what he has lived and what he is living. They are self-involved diaristic building blocks of marking time and release. The layered drawings negotiate Sam's history and his day to day, distorting one another into a place of unrecognizable space and condensed energy. It is a process of attaining a loose understanding of his life and forgetting it all at once. Sam's work is survival.
Affectionate Facsimiles, Julio C. Williams
Affectionate Facsimiles, Julio C. Williams
Theses and Dissertations
The paintings in Affectionate Facsimiles are journeys into the expansiveness of color and memory via the accumulation of gestural action. Sporadic freneticism is used to archive desire and time and their relationship to identity. Thin and translucent layers are built up in bursts of intensity as palimpsests of intentioned labor.
Place-Conscious Vs. Place-Bound, Julie Avetisyan
Place-Conscious Vs. Place-Bound, Julie Avetisyan
Theses and Dissertations
Julie Avetisyan’s installation of sculptures, paintings and printmaking works are driven by an exploration of constructed identity that is not place-bound, but place-conscious. In this paper, she explores how her art practice generates world building under the context of the Armenian Diaspora – considering histories of indigeneity, migration, and assimilation.
This Life Is A Constant Rehearsal, Alex Schmidt
This Life Is A Constant Rehearsal, Alex Schmidt
Theses and Dissertations
Alex Schmidt’s conceptual practice explores the artist’s precarious condition as an affective freelance worker; a utopian parasite. Schmidt employs paintings as props, performance as muse, and writing on transactional care as a metaphor for this cobbled life.
A Grid And A Shadow, Henry Glavin
A Grid And A Shadow, Henry Glavin
Theses and Dissertations
Henry Glavin's acrylic paintings on panel of architectural interiors and facades use repetition, contrived light, unreliable shadows, photographic posture, and compressed detail to create uncanny spaces that generate an air of silence.
Art In The Age Of Algorithmic Automation And Artificial Intelligence, Milly Skellington
Art In The Age Of Algorithmic Automation And Artificial Intelligence, Milly Skellington
Theses and Dissertations
The 21st century is examined in order to understand how the artists tools have gained unprecedented autonomy.
The Invisible Box, Rafael Yaluff
The Invisible Box, Rafael Yaluff
Theses and Dissertations
A work of art is something so simple that it puts you in front of it. And through its simplicity it makes you aware of yourself in front of it, it gives you yourself. This paper explores the creative process from a structural perspective
Blueprints, Lauryn E. Welch
Blueprints, Lauryn E. Welch
Theses and Dissertations
“Blueprints” is an open letter on chronic illness and its shaping of the artist’s partnership and painting practice. Through the framework of a house—foyer, kitchen, library, bedroom, garden—put in relation to the body, this paper examines the vibrant matter inside, as an alliance of parts including people, objects, and spaces.
Someone Will Remember Us / I Say / Even In Another Time, Paul Anagnostopoulos
Someone Will Remember Us / I Say / Even In Another Time, Paul Anagnostopoulos
Theses and Dissertations
Paul Anagnostopoulos’s paintings and vases use mythological melodrama in a contemporary context to portray vivid images of queer life in the wake of homophobic erasure and tragic loss. “someone will remember us / I say / even in another time” traces his aggregate interests in Greco-Roman cultures and art history.
Leonora Carrington’S "Down Below": Transgressive Renderings Of The Grotesque Female Body, Kelsey King
Leonora Carrington’S "Down Below": Transgressive Renderings Of The Grotesque Female Body, Kelsey King
Theses and Dissertations
The classification of the bodily grotesque relies on the transgression of boundaries, marked by an openness to the world. Leonora Carrington’s memoir (1944) and painting (1940) that share the same name, Down Below, illustrate the grotesque body as a revisionist self-configuration, destabilizing traditional representations and eroticization of the female form.
"Those Common Everyday Things We All Know": Roger Brown's American Art, Jake Brodsky
"Those Common Everyday Things We All Know": Roger Brown's American Art, Jake Brodsky
Theses and Dissertations
Roger Brown (1941–1997) was an American artist associated with the Chicago Imagists. Borrowing elements from American visual culture to construct an idiosyncratic language of motifs, Brown’s paintings demand a mode of attention—of looking, searching, recognizing, identifying—that parallels the structures of feeling that constitute being in America.
Ernesto Deira, Rogelio Polesello, And The Esso Salons Of 1964–65, Jonas Albro
Ernesto Deira, Rogelio Polesello, And The Esso Salons Of 1964–65, Jonas Albro
Theses and Dissertations
This investigation analyzes artworks by Argentinian painters Rogelio Polesello and Ernesto Deira shown in the Argentinian Esso Salon of 1964 and the International Esso Salon the following year in Washington D.C. at the Museum of the Pan American Union (PAU), and the complex networks of internationalization represented therein.
El Cuerpo Armónico (The Body Harmonic), Luis Emilio Romero
El Cuerpo Armónico (The Body Harmonic), Luis Emilio Romero
Theses and Dissertations
L R’s process-oriented oil paintings explore tactility within harmonious and complex structures rooted in Guatemalan and Mesoamerican weaving techniques. Employing comprehensive rituals and mindfulness through an array of delicate linearity, his works reference his ancestry through a focus on progressing color, form, and space into a liminal, light-based aura.
Emotional Landscapes, Jin Young Jeong
Emotional Landscapes, Jin Young Jeong
Theses and Dissertations
“Emotional Landscape” delivers a sense of gravity, openness, and breathing space through oil paintings on linen of abstracted bodily forms. The imagery in the works generates an atmosphere where one can feel rooted and anxiety-free. The paintings invite a close read of the complexities of compounded affects.
Decorated Sheds, Greg Wall
Decorated Sheds, Greg Wall
Theses and Dissertations
Industrialization changed domestic material culture and established collage as a mode of sociological critique. My practice hijacks consumer habits and design histories to better understand the space between consumption and production. Assembling contemporary readymades with play and humor points to the ridiculous pastiches our homes have become.
Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman
Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman
Theses and Dissertations
Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …
Scene By Scene, Katita Miller
Scene By Scene, Katita Miller
Theses and Dissertations
Katita Miller’s paintings and drawings depict quotidian scenes through the filter of an overactive mind. Populated by spectral figures and swirling portals, her interiors and landscapes fluctuate between the mundane and the fantastical. This paper explores the parallels between painting and theater and the context and process behind five paintings.
I Crawled Out From The Palimpsest Crater, Jessica Willittes
I Crawled Out From The Palimpsest Crater, Jessica Willittes
Theses and Dissertations
This paper is a dissection and examination of my art-making practice through the analogy of the palimpsest landscape found in Arizona’s Meteor Crater. I attempt to elucidate the process by which a “palimpsest artwork” is made through an unfixed cycle of scavenging, rupturing, joining and offering.
Dust, Mist, Haze, Michael C. Tracy
Dust, Mist, Haze, Michael C. Tracy
Theses and Dissertations
This paper explores painting through the ideas of dust, mist, and haze as specific atmospheric metaphors that could be used to describe ontologies of space, time, memory, and history.
The Screen To Desire, Joseph Parra
The Screen To Desire, Joseph Parra
Theses and Dissertations
Joseph Parra reflects on our often embellished online personas and their effect on our desires. Through luscious 3-dimensional painting Parra translates the seductive desire of the hypermasculine male-presenting figure through glorification and criticality. The tactile painting also acts as a rebellion to accurately represent “real” life on the digital screen.
Buzz Buzz, Sarah Heinemann
Buzz Buzz, Sarah Heinemann
Theses and Dissertations
Taking the form of a series of notes and notations, this document serves as an account of color in my painting practice as it intersects through personal memory, research, and my studio and professional practices.
Head, Shoulders, Knees, And Toes, Pol Morton
Head, Shoulders, Knees, And Toes, Pol Morton
Theses and Dissertations
My work explores ideas of transness, chronic illness, and injury. Through assemblage and repetition, my larger-than-life paintings address the dissociation and fragility of a body that is unmapped by society. These autobiographical works attempt to locate the self when it is trapped, whether in a bed, in the home, or within the body itself.
Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe
Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe
Theses and Dissertations
This thesis reexamines the work of Antoine Watteau through a social-art historical lens. Traditionally, Watteau's fêtes galantes have been closely aligned to the culture of the French nobility. However, a closer look into the artist's background, training, social milieu, and the class identity of his primary buyers reveals an alternative class alignment, inviting new interpretations for Watteau's most elusive work. This thesis challenges the close association between Watteau and the French nobility and aims to broaden the socio-visual landscape from which Watteau was drawing, namely that of a burgeoning bourgeois consumer culture. In particular, the culture of emulation, with its …
Driftbone, Noémie Jennifer Bonnet
Driftbone, Noémie Jennifer Bonnet
Theses and Dissertations
My multidisciplinary work is premised on the idea that the contemplation of mortality can foster life-affirming redirections beyond the self. My explorations include ethereal abstract paintings, sculptural works hybridizing human and nonhuman forms, and meditative sound pieces. The works seek to inspire a heightened awareness of corporeal and ecological dependency.
“Paint What You Hate”: Philip Guston’S Hooded Figures And The Postponement Of The Exhibition Philip Guston Now, Thomas Baldwin
“Paint What You Hate”: Philip Guston’S Hooded Figures And The Postponement Of The Exhibition Philip Guston Now, Thomas Baldwin
Theses and Dissertations
This thesis interrogates the postponement of the Philip Guston Now exhibition, examining the justification for the postponement, the actions taken by the National Gallery of Art, and the effects of the postponement. My research examines the museum’s choice to cite social justice as the main context for understanding Philip Guston.
I Just Work Here, Carrie Rudd
I Just Work Here, Carrie Rudd
Theses and Dissertations
Via an in-depth analysis of the artist’s works and the material, social, and historical possibilities of Painting, the following paper investigates the myriad approaches for Painting to communicate complex ideas both physically and psychologically.
A Liquid Line, Sofía Del Mar Collins
A Liquid Line, Sofía Del Mar Collins
Theses and Dissertations
My practice searches for fertility amidst cultural and material detritus. This paper outlines flows embedded in becomingness. My thesis exhibition included Liquidscapes, a series of suspended and wall hung paintings on plastic, Nursery of the Brave, a group of hanging vessels shaped from waste textiles, and Glass City, a video.
Dream/Reality, Mercedes Llanos
Dream/Reality, Mercedes Llanos
Theses and Dissertations
Mercedes llanos explores the surreal aspect of dreams as they concern with waking life issues, mainly focusing on power-roles in domestic partnerships embedded in a South American patriarchal upbringing. In her dreams, she subconsciously navigates the repression of freedom firsthand experienced, and that of the transgenerational woman collective.
Saturated Skies, Childhood Trophies, And Colorful Plants, Nicholas Norris
Saturated Skies, Childhood Trophies, And Colorful Plants, Nicholas Norris
Theses and Dissertations
My work presents interiors through the guise of memory while focusing on the sentimental objects within them. Through metaphors and signs I give form to certain events, sensations and out-of-perspective observations. Saturated skies, childhood trophies, and colorful plants find their place alongside decorated walls, floors, chairs, tables, rugs and beds.