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New Music For A New World: Robert Ashley’S Television Operas, Nicole Kaack
New Music For A New World: Robert Ashley’S Television Operas, Nicole Kaack
Theses and Dissertations
Robert Ashley defined the majority of his works as “television operas”—spoken narrative music for television broadcast. Analyzing Ashley’s works through their cross-disciplinarity, this thesis addresses the development of Ashley’s chosen medium; assesses his use of visual, linguistic, and musical structures; and interprets their basis in American cultural identity.
Appropriation Of The Highest Order: A Study Of Harry Smith’S Master Work, Film No. 18 Mahagonny In Relation To The Brecht-Weill Opera The Rise And Fall Of The City Of Mahagonny And Duchamp’S The Large Glass, Rose V. Marcus
Theses and Dissertations
Harry Smith’s Film No. 18, Mahagonny, 1970 – 1980, is a transmutation of the original Brecht-Weill opera, The Rise and Fall of the City of Mahagonny, a 1930, into a feature-length experimental film. This paper shows how the original opera and Duchamp's The Large Glass prove inherent to Smith’s double-pronged homage to both original works of art. The failure in the opera narrative and the chance shattering of The Large Glass inform Smith’s complex methodology to approach and spatialize cinema. Harry Smith’s use of the tools of the screening apparatus are traced in order to study Mahagonny in detail. The …