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Doc/U/Ment: Affinities In 20th And 21st-Century Documental Poetics, Katherine Payne Sep 2023

Doc/U/Ment: Affinities In 20th And 21st-Century Documental Poetics, Katherine Payne

Dissertations, Theses, and Capstone Projects

This dissertation presents, analyzes, and builds on the existing literary genealogy of documental poetry. In 2020 Michael Leong proposed the term documental poetry to describe the turn toward source materials in 21st-century North American poetry, seen in longform research-based poems that explicitly incorporate documentation and seek to intervene in cultural memory. Using Ludwig Wittgenstein’s concept of family resemblance, I argue that there are clear affinities between 21st-century poets and their 20th-century literary forerunners, also that an expansion of the scope of documental poetics is needed. The three nodes of connection I examine are works …


Lawn Story Short, Sarah Johnsrude May 2023

Lawn Story Short, Sarah Johnsrude

Theses and Dissertations

Lawn Story Short is a short essay film on lawn culture in a subdivision development outside of Louisville, Kentucky. The film is presented from the point of view of a first person narrator who guides the audience through an inquiry: why are lawns a pervasive icon in the US today?


Shocking, Heartbreaking, Transformative, Jess Shane May 2023

Shocking, Heartbreaking, Transformative, Jess Shane

Theses and Dissertations

Shocking, Heartbreaking, Transformative is a 4-part creative non-fiction podcast that problematizes the use of personal stories in the documentary industry and examines the power dynamics between documentary-makers and their subjects. The series features a story within a story: it follows me, documentarian Jess Shane, as I craft short documentaries about four individuals’ lives— individuals who have applied to participate in my project by responding to an online ad. It also dives into the behind-the-scenes decisions required to tailor individuals’ life experiences to conform to industry standards of what makes a “good story.” In tandem, these two narratives— of me producing …