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City University of New York (CUNY)

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Women's Studies

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Guardians Of Virtue, Tamsen Maloy, Tasia Jensen Dec 2018

Guardians Of Virtue, Tamsen Maloy, Tasia Jensen

Capstones

Guardians of Virtue is a short documentary following Tamsen Maloy as she explores how the church of her upbringing--the Church of Jesus Christ of Latter-Day Saints (Mormon church)--handles sexual assault. It is quickly revealed that the church does not have adequate resources for sexual assault survivors. On the contrary, the culture and system of the church enables assault and encourages survivors to feel they are to blame.

Link to capstone: https://tantproductions.wordpress.com/


Dark Matter: Susan Howe, Muriel Rukeyser, And The Scholar's Art, Stefania Heim Feb 2015

Dark Matter: Susan Howe, Muriel Rukeyser, And The Scholar's Art, Stefania Heim

Dissertations, Theses, and Capstone Projects

Instead of describing poetry as a set of constraints or history of practices, Muriel Rukeyser calls it "one kind of knowledge." Dark Matter heeds Rukeyser's call, theorizing a poetics of the "scholar's art," in which documentary investigation, autobiographical exploration, and formal innovation are mutual, interwoven concerns. The dissertation pairs American poets Susan Howe (b. 1937) and Muriel Rukeyser (1913-1980), reading their hybrid works not through the received categories of American poetry, or through common generic and disciplinary divisions, but using an inductive methodology that takes its lead from the poets. Understanding Howe and Rukeyser's literary experiments as serious interventions in …


Straight Record And The Paper Trail: From Depression Reporters To Foreign Correspondents, Magdalena Bogacka-Rode Oct 2014

Straight Record And The Paper Trail: From Depression Reporters To Foreign Correspondents, Magdalena Bogacka-Rode

Dissertations, Theses, and Capstone Projects

Straight Record and the Paper Trail: From Depression Reporters to Foreign Correspondents engages with Martha Gellhorn's The Face of War (1959), Virginia Cowles' Looking for Trouble (1941) and Josephine Herbst's The Starched Blue Sky of Spain and Other Memoirs (1991) as documentaries of struggle. Documentary as a mode of writing and image making reveals dissonance, contradictions and varied perspectives which undermine the official historical record. The three writers, I argue, by republishing their Spanish Civil War (SCW) journalism in book form intended to set their record straight. This was motivated by their commitment to the 1930s struggle and the need …