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Exploration Of Phenomenological Geospatial Analysis For The Late Archaic In The Esopus Drainage Of The Hudson Valley, Glenn Kolyer
Exploration Of Phenomenological Geospatial Analysis For The Late Archaic In The Esopus Drainage Of The Hudson Valley, Glenn Kolyer
Dissertations, Theses, and Capstone Projects
The Esopus Drainage of the Hudson Valley, New York, has been utilized by the Indigenous population for its vast resources embedded within the landscape. Consequently, the changing climate and warming trends of the Holocene transformed the landscape, shifting rivers, fauna, and floral resources. Relevantly, due to the prehistoric nature of these populations, the archaeological record is pointedly incomplete. The landscape’s geographical features are still within reach of archaeological and phenomenological study to fill in some of the interruptions.
This dissertation focuses on the Late Archaic hunter-gatherer population of the Snook Kill phase of the Esopus Drainage running west of the …
Affectionate Facsimiles, Julio C. Williams
Affectionate Facsimiles, Julio C. Williams
Theses and Dissertations
The paintings in Affectionate Facsimiles are journeys into the expansiveness of color and memory via the accumulation of gestural action. Sporadic freneticism is used to archive desire and time and their relationship to identity. Thin and translucent layers are built up in bursts of intensity as palimpsests of intentioned labor.
Place-Conscious Vs. Place-Bound, Julie Avetisyan
Place-Conscious Vs. Place-Bound, Julie Avetisyan
Theses and Dissertations
Julie Avetisyan’s installation of sculptures, paintings and printmaking works are driven by an exploration of constructed identity that is not place-bound, but place-conscious. In this paper, she explores how her art practice generates world building under the context of the Armenian Diaspora – considering histories of indigeneity, migration, and assimilation.
Landscape As Vanitas, C'Naan Hamburger
Landscape As Vanitas, C'Naan Hamburger
Theses and Dissertations
Life in New York has led me to investigate the multi-generational endeavor of building the Vatican. Although the Renaissance is often appreciated for idealized bodies, a flourishing Christianity, and a revival of the past, none of these are my focus. Instead, what moves me is that much of the construction at the Vatican was born out of experience with destruction. The fear of destruction was dominant in their psyche as they approached their designs. Life in New York rhymes with this multi-generational endeavor--but through an inversion of sorts, because the fear of destruction is within us. This led me to …