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Articles 1 - 12 of 12
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Modernism Contested: Gego's Grids And The Aesthetics Of Temporality, Victoria L. Fedrigotti
Modernism Contested: Gego's Grids And The Aesthetics Of Temporality, Victoria L. Fedrigotti
Theses and Dissertations
This thesis traces Gego’s contestation of art historical modernism through examining her relationship to the modernist grid and to her modernist genealogy of Constructivism, Geometric Abstraction, and Kineticism. These two nonlinear developments subvert the teleological conception of progress presumed by Greenbergian modernism, and bring forth Gego’s own aesthetic conception of temporality.
The Politics And Aesthetics Of American Art During The Cold War: Commissions For Philip Johnson’S New York State Pavilion At The 1964-1965 World’S Fair, Alexandria Valera
The Politics And Aesthetics Of American Art During The Cold War: Commissions For Philip Johnson’S New York State Pavilion At The 1964-1965 World’S Fair, Alexandria Valera
Theses and Dissertations
This thesis explores the social and cultural climate surrounding the art commissions for Philip Johnson's New York State Pavilion at the 1964-65 World's Fair. The research presented herein examines how the economic and cultural climate of 1960's America affected the architectural landscape at the World's Fair and how Johnson's Pavilion was integrated into it. Finally, this thesis examines how artworks by John Chamberlain, Ellsworth Kelly, Roy Lichtenstein, Andy Warhol and others responded to the commercial premise of the fair itself. This thesis argues that ultimately the artworks presented used the language of commercial art to critique the Fair and the …
How To Look At Monsters: Staging Female Bodies From The Periphery Of The Seventeenth-Century Spanish World In Baroque Portraiture And Hapsburg Collections, Risa A. Puleo
Theses and Dissertations
This inquiry examines portraits of “monsters”—an early modern term describing those whose bodies challenged socially-constructed categories by deviating from the social norm through differences of race, gender and physical or mental capacity, painted for Hapsburg royals across Europe, who collected specimens, including people, representing the scope of their territories.
Claudio Perna, Ca. 1970: The Impossibility Of Wholeness, Silvia Benedetti
Claudio Perna, Ca. 1970: The Impossibility Of Wholeness, Silvia Benedetti
Theses and Dissertations
This thesis identifies two main themes in Claudio Perna’s (1938–1997) work: his use of technology to explore self-representation and his interrogation of mapping as means of knowledge. This study also situates Perna’s conceptual work in relation to his field of human geography, in the specific Venezuelan context.
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse
Theses and Dissertations
"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.
Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek
Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek
Theses and Dissertations
This thesis examines the ways in which Potosí's two most influential colonial artists represented the urban dynamics of race, class and labor in their depictions of the Andean 'City of Silver' during the eighteenth century, when silver production, profits and population were dramatically declining.
Please Read, Joseph W. Anthony-Brown
Please Read, Joseph W. Anthony-Brown
Theses and Dissertations
This is a semi-fictional story told through a series of fake found documents. It describes my work and thoughts through metaphor. Machines have the potential to gain self-consciousness through accumulation of errors. Creativity can be confused with randomly generated variety. The acceptance of chaos and loss of control can provide a path to enlightenment.
Deposition, Conjecture, And The Word Of Nod, Victor Vaughn
Deposition, Conjecture, And The Word Of Nod, Victor Vaughn
Theses and Dissertations
My thesis involved mixed medium drawings based on written colonial papers regarding the beginning of a border war between the colonies of Maryland and Pennsylvania. To fill in the fragmented historical information, the project incorporated period artifacts as merged and manipulated by contemporary technology and the internet’s ethos.
Elaborations On Thought Process And Practice, George A. Schwab
Elaborations On Thought Process And Practice, George A. Schwab
Theses and Dissertations
An extended statement describing the thought process and practice behind the sculptural work of artist George A. Schwab. Includes short descriptions and documentation of work installed during the Fall 2015 Thesis exhibition at CUNY Hunter's 205 Hudson Street Gallery.
A Statement, Cein Watson
A Statement, Cein Watson
Theses and Dissertations
The thesis paper is a map of my studio practice. It is meant to be a resource to help the viewer read my artwork. By laying out the tools of my practice the paper gives the reader a context on how I digest and synthesis works of art. These tools range from references to art history, architecture, and a grounding in traditional craftsmanship. The result is a culmination of influences that situate the work and give the reader an intimate understanding of the final art exhibition. With this map, the viewer can navigate the processes and contexts of the artwork.
Transportation And Sanitation Drivers Of Land Use/Land Cover Change: Loss Of The Jamaica Bay Wetlands, Margaret Joy Cytryn
Transportation And Sanitation Drivers Of Land Use/Land Cover Change: Loss Of The Jamaica Bay Wetlands, Margaret Joy Cytryn
Theses and Dissertations
This thesis presents an analysis (1830-2014) of the historical events of land use/land cover change in the Jamaica Bay estuary, identification of the agents of change, and a perspective on the potential drivers of transportation and sanitation in land use/land cover change.
Oh, Lazarus…Whom God Has Helped, Wala Ka Bang Hiya!, Lazaro Juan
Oh, Lazarus…Whom God Has Helped, Wala Ka Bang Hiya!, Lazaro Juan
Theses and Dissertations
Art as a means and a vehicle towards a higher form of consciousness, and state of awareness to communicate complex issues and a way of healing. Within the context of the decolonization process.