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Gender And Trauma From World War I To The War In Iraq: Narrative In The Aftermath Of Loss, Jenny Young Kijowski

Dissertations, Theses, and Capstone Projects

Trauma Studies is predicated on the idea of unspeakability: events that are experienced as deep psychic wounds break the frameworks for understanding, resulting in an inability to translate the experience into language. Scholars who study the literature of trauma are thus faced with this central paradox: how do writers speak the unspeakable? Trauma literature is generally regarded as texts that not only are thematically centered on a traumatic event or series of traumatic events, but also structurally reflect the symptoms of trauma. Thus the formal qualities of trauma narratives include fragmentation, contradiction, repetition, circularity, and intrusion, such that these texts …

A Man To Preserve Or Reform The Nation: Masculinity As Political Rhetoric In English Novels During The Revolution Controversy, Janne Burger Gillespie

Dissertations, Theses, and Capstone Projects

The English literary responses to the French Revolution have been given thorough critical attention as has the Revolution's impact on women writers and femininity. However, the Revolution's impact on and engagement with standards of manliness have been left relatively unexplored. This dissertation examines how a critique of masculinity is positioned in the space of contemporary political considerations in the quarter-century following the French Revolution. Thus, this dissertation argues that there is a dialectical engagement between masculinity and political views in late eighteenth-century and early nineteenth-century English novels such as Maria Edgeworth's Belinda and Leonora, Charlotte Smith's Emmeline and Desmond …

Theater Matters: Female Theatricality In Hawthorne, Alcott, Brontë, And James, Keiko Miyajima

Dissertations, Theses, and Capstone Projects

This dissertation examines the ways the novelists on both sides of the Atlantic use the figure of the theatrical woman to advance claims about the nature and role of women. Theater is a deeply paradoxical art form: Seen at once as socially constitutive and promoting mass conformity, it is also criticized as denaturalizing, decentering, etiolating, queering, feminizing. These anxieties coalesce around the image of the actress. In nineteenth century fiction, the image of a woman performing on stage is a powerful one, suggestive of ideal femininity, but also of negative traits including deception, artificiality and an unfeminine appetite for public …

Reframing Romantic Nature: Towards A Social Ecocriticism, Matthew Rowney

Dissertations, Theses, and Capstone Projects

Reframing Romantic Nature: Towards a Social Ecocriticism is an attempt to offer a new way of thinking about ecological approaches to literature. Rather than separate ecology from the movement of history, or support an anthropocentric historicism, my approach aims to merge the interests of both environmental and historical criticism in order to provide a more interdisciplinary view of conceptions of the natural and the social. The process of history owes much more to the non-human than has been generally allowed, especially in the face of contemporary ecocrisis.

In the more than two hundred years since the advent of Romanticism in …

The Heterotopia Of Flight: Resisting The Domestic, Sarah Elizabeth Davis

Dissertations, Theses, and Capstone Projects

The familiar image of a woman fleeing danger is a well-worn convention of heroine-centered fiction, a plot device inevitably resolved when the heroine returns safely to her home and family. This dissertation proposes a new reading of that narrative by asserting that rather than serving as a space of protection, the home poses the greatest threat to an individual's autonomy. If we understand the domestic as a space in which bodies are ordered and, more specifically, gendered, classed, and raced, the trope of flight from the domestic can be read as an act of resistance to subjugation. This act is …

On The Threshold: Breadwinning, Capitalism And The Absent/Present Father In The Works Of Three Late 20th-Century U.S. Novelists, Nancy J. Hoch

Dissertations, Theses, and Capstone Projects

As society industrialized in the nineteenth century and jobs moved outside the home, a figure which I call the absent/present father began to make his appearance in American literature. This figure, hovering physically or emotionally on the threshold of family life, never completely present but never completely absent either, has filled the pages of fiction from that time until recently when, as the U.S. becomes postindustrial, depictions of the absent/present father decline.

Bringing a socio-economic as opposed to the usual psychological perspective to my close readings of the fictional family, I explore the cultural work the absent/present father does in …

New York City Street Theater: Gender, Performance, And The Urban From Plessy To Brown, Erin Nicholson Gale

Dissertations, Theses, and Capstone Projects

This dissertation investigates the ordinary, public performances of fictional female characters in novels set on the streets of Manhattan during the years of legal segregation in the United States. I examine a range of actions from bragging to racial passing, and I argue these ordinary performances are central to our ability to interpret race, gender, and class relations. I detect race, class, and gender-based impulses to segregate and exclude others that overlap with the motives guiding the national, legal edict to segregate people by race. These guiding inclinations, legible through the history of Manhattan's grid, zoning laws, and the city …

Errant Memory In African American Literature Of The Long Nineteenth Century, Tristan Alexander Striker

Dissertations, Theses, and Capstone Projects

In this dissertation, I trace the complex black literary trope of errant memory through American and African American literature. Authors of African descent are constantly subjected to what I call Africanity, or the paratextual historicizing elements provided by white interlocutors that seek to impose specific caricatures and stereotypes on them and their works to force them into the American historical narrative that depends on their dehumanized and commodified status. These caricatures and stereotypes are rooted in an Africa imagined by these white interlocutors, one that does not match any reality. Authors of African descent transcend this paratextual Africanity through what …

Ni Francaise, Ni Juive, Ni Arabe: The Influence Of Nineteenth Century French Judaism On The Emergence Of Franco- Jewish- Arab Literature, Deborah Rosalind Gruber

Dissertations, Theses, and Capstone Projects

This study proposes that the influence of nineteenth century French Judaism on the Jewish communities of the Middle East from approximately 1910­‐1956 has had an indelible influence on the evolution of Franco- Jewish‐Arab literature today. From the late nineteenth century, the education of the Jews of the Ottoman Empire was provided by the Paris based Alliance Israélite Universelle, an organization established by French Jews with the purpose of emancipating disadvantaged Jewish communities outside of France. The result was the establishment of Franco­‐Jewish-Arab communities that regarded French education as a means of both social and economic advancement. Although the curriculum of …

Dark Matter: Susan Howe, Muriel Rukeyser, And The Scholar's Art, Stefania Heim

Dissertations, Theses, and Capstone Projects

Instead of describing poetry as a set of constraints or history of practices, Muriel Rukeyser calls it "one kind of knowledge." Dark Matter heeds Rukeyser's call, theorizing a poetics of the "scholar's art," in which documentary investigation, autobiographical exploration, and formal innovation are mutual, interwoven concerns. The dissertation pairs American poets Susan Howe (b. 1937) and Muriel Rukeyser (1913-1980), reading their hybrid works not through the received categories of American poetry, or through common generic and disciplinary divisions, but using an inductive methodology that takes its lead from the poets. Understanding Howe and Rukeyser's literary experiments as serious interventions in …

The Sadistic Reader: Gender And The Pleasures Of Violence In The Novel, Pamela Burger

Dissertations, Theses, and Capstone Projects

This project seeks to explain the prevalence of narratives that feature sexual violence against women in the tradition of the Anglophone novel. To this end, it posits the existence of a sadistic reading practice that coincides with readers' sympathetic identification. A sadistic reader takes pleasure in the bodily violation of the woman at the center of a novel; such a reader enters the text expecting violence, and experiences a sense of narrative gratification when the inevitable violation plays out. These expectations emerge from repeated interactions with a literary tradition in which victimized heroines are routine. To explore such sadism, I …

Loosening The Critical Corset: New Approaches To The Short Fiction Of Kate Chopin And Ruth Stuart, Kathryn Erin O'Donoghue

Dissertations, Theses, and Capstone Projects

My dissertation uses the works and lives of two popular late-nineteenth-century writers, Ruth McEnery Stuart and Kate Chopin, as a heuristic to solve the literary mystery of how "fiction by women" became "women's fiction." While feminist scholars resuscitated Chopin, Stuart remains ignored. The realism and irony of Chopin's novel The Awakening resonate with modern readers, but the sentimental aspects of Stuart's work and Chopin's short fiction remain problematic. The aesthetic movements of realism and naturalism influenced literary taste to the extent that sentimentalism is anathema to contemporary critics. I participate in recent scholarship that explores how sentimentalism has been used …

The Mystification Of Christian Salvation: On The Anxiety Of Redemption In Renaissance Poetry And Drama, Kimberly Paige Ambroziak

Dissertations, Theses, and Capstone Projects

"The Legend of the Red Crosse Knight," "Doctor Faustus," "Hamlet," and "Samson Agonistes" are secular poetic explorations with a common idea: the possibility of Christian salvation. These examples of the redemptive quest seem to reveal the uneasiness of salvation which is representative, if only broadly, of the atmosphere in which their authors were writing. More specifically, the intention of this study is to reveal the possibility and nature of Christian uncertainty as it is firmly rooted in the early modern period. As Christian doctrine proves protean from its beginnings in the first century to Protestant tracts in the sixteenth, these …

The Ties That Bind: Gender, Race, And Empire In Caribbean Indenture Narratives, Alison Joan Klein

Dissertations, Theses, and Capstone Projects

This dissertation traces the ways that oppressive gender roles and racial tensions in the Caribbean today developed out of the British imperial system of indentured labor. Between 1837 and 1920, after slavery was abolished in the British colonies and before most colonies achieved independence, approximately 750,000 laborers, primarily from India and China, traveled to the Caribbean under indenture. This is a critical but under-explored aspect of colonial history, as this immigration dramatically altered the ethnic make up of the Caribbean, the cultural norms and traditions of those who migrated, and the structure of British imperialism. I focus on depictions of …

Pierre Matthieu En España. La Biografía Política En Las Traducciones De Juan Pablo Mártir Rizo Y Lorenzo Van Der Hammen., Adrian M. Izquierdo

Dissertations, Theses, and Capstone Projects

This Dissertation studies how history is construed in the 17th century through the reception, translation and adaptation in Spain of French historiographer Pierre Matthieu's historical writings, and particularly, the use of biography as a means to illustrate the political landscape of 17th-century France and Spain. We demonstrate how the biographical tradition inherited from the classics and the early Italian Renaissance is adapted to Counter-Reformation Catholicism to produce a political biography intended not only to advise kings and ministers on the dangers of political power, but also to warn those in power about their current excesses.

The appeal of Matthieu's biographies …

The Trickster In Nella Larsen's Passing (1929): Performing And Masquerading An American Identity, Rachael Miller Benavidez

Dissertations, Theses, and Capstone Projects

This thesis examines Nella Larsen's novel Passing (1929) and the performative nature of `passing' as white through the perspective of the archetypal trickster myth. I read the novel as a trickster tale that challenges gender roles and the construct of race in defiance of the dominant power structure that defines the American identity. I position the character Clare Kendry Bellew as a trickster figure, who performs an identity to defy race and gender roles. My argument challenges the general theory that black passing novels are solely tragic, and the perception that humor is not a pedagogical tool or representation of …

The Literary Legacy Of The Federal Writers' Project, Sara Rendene Rutkowski

Dissertations, Theses, and Capstone Projects

Established by President Roosevelt in 1935 as part of the New Deal, the Federal Writers' Project (FWP) put thousands of unemployed professionals to work documenting American life during the Depression. Federal writers--many of whom would become famous, including Ralph Ellison, Nelson Algren, Saul Bellow, Zora Neale Hurston, Richard Wright, Margaret Walker, and Dorothy West--collected reams of oral histories and folklore, and produced hundreds of guides to cities and states across the country. Yet, despite both the Project's extraordinary volume of writing and its unprecedented support for writers, few critics have examined it from a literary perspective. Instead, the FWP has …

Educating Desire: Auto/Bio/Graphical Impressions Of Addiction In/And Alcoholics Anonymous (Aa), Peter Waldman

Dissertations, Theses, and Capstone Projects

This dissertation is an attempt to connect the personal with the socio-historical--addiction with Addiction, respectively. It is also an attempt to demonstrate that knowledge production can be generated through radically non-traditional means.

What follows is an interpretive, impressionistic, exploratory narrative about addiction in/and Alcoholics Anonymous (AA). It is also a narrative about Narrative. I 'tell' a semi-fictional auto/bio/graphical tale of one 'open' AA meeting in order to disclose what it's like to be an addict and a newcomer in AA. In the 'notes' sections after all but one of the chapters the sober researcher takes over. These 'made-up' aspects of …

The Impact Of Colonialism In Moll Flanders And The Belle’S Stratagem, Tamara Kathwari

Dissertations and Theses

No abstract provided.

Protofeminist Women In Bronte’S Jane Eyre And Braddon’S Lady Audley’S Secret, Allison Wong

Dissertations and Theses

No abstract provided.

Variations On A Theme: Contemporary Memorials To Harriet Tubman, Elise Anne Geltzer

Dissertations and Theses

No abstract provided.

The Will To Change: The Role Of Self-Consciousness In The Literature Of Metamorphosis, Michael Giovanniello

Dissertations and Theses

No abstract provided.

The Paradoxes Of Female Authorship In Samuel Richardson‘S Pamela, Or Virtue Rewarded, Jane Austen's Emma And Henry James' The Portrait Of A Lady, Ewa Barnes

Dissertations and Theses

No abstract provided.