Digital Commons Network^™

The Miss America Pageant Should Restore Prioritizing The Evening Gown Segment, Keishel Williams

Capstones

Evening gown in pageants, as in society, has always represented a woman's way of expressing her personality and femininity through fashion. Miss America's attempt to stop requiring evening gowns implies that wearing formal gowns does not equate to being a modern, empowered woman.

Instead of attempting to erase the evening gown as an outdated part of a modern woman’s wardrobe, the Miss America pageant should restore the original gown segment and use this opportunity to reshape America’s perspective on how modern women can choose to wear gowns and still be empowered.

https://keishelawilliams.wordpress.com/

Super, Brown And Queer, Carolyn Adams

Capstones

In response to policy seeking to turn back time for marginalized communities, characters and creators - standing at their intersections - are springing into action to change lives in their worlds and ours. Carolyn Adams explores the circumstances surrounding contemporary mainstream representation of women of color and queer superheroes on the big screen and bookshelves alike.

link to capstone: https://www.carolyn-adams.com/writing-updates/capstone

Enacting Race And Class Online: Gatekeeping And Meaning Making On Reddit’S R/Brooklyn, Peter J. Sclafani

Dissertations, Theses, and Capstone Projects

In the following thesis I examine how race- and class-based power structures are conceptualized and actualized in the virtual sphere. The Internet as an “imagined community” upholds the historically embedded power structures that perpetuate deeply-rooted American hegemonic ideals as they relate to race and class.

To demonstrate the conceptualization of power structures in virtual space an analysis of discourse on the social media and news aggregate website, Reddit, that positions online conversations about race and class as an extension of the racial inequality present in social structures offline. Isolating gentrification, and topics related to gentrification such as new business openings …

To See Again: Vision And Revelation In American Poetics, Emily C. Raabe

Dissertations, Theses, and Capstone Projects

With this project, I am arguing for a particularly American visual poetics that dwells in the state of suspension implied by attention, quivering between wonder and contemplation, immobility and unfixity as it seeks to reveal, as Maurice Merleau-Ponty writes in his 1945 The Phenomenology of Perception, the world which is “always ‘already there’ before reflection begins — as an inalienable presence.”^[1] Grounded in visual theory, the project pairs poets and artists, searching not for similitude, but rather examining resemblance, difference, and most important, relation. Susan Howe, one of my guides for this project, writes that, “immense perspectives …

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

Runaway: A History Of Postwar New York In Four Factories, Andy Battle

Dissertations, Theses, and Capstone Projects

At midcentury, New York City was among the preeminent manufacturing centers in the United States. Within a generation, this manufacturing economy suffered an extraordinary collapse. Beginning in the 1950s, workers and their unions began to use the term “runaway” to describe factories that pulled up stakes in New York and set them back down in other climes. This dissertation explores the deindustrialization of New York City through case studies of “runaway” plants, or factories that left New York for the American South or abroad between the years 1945 and 1975.

In general, the manufacturers that remained in New York at …

Through The Mouth: An Essay On Appetite And Ecocide, Iemanja Brown

Dissertations, Theses, and Capstone Projects

This dissertation is an exploration of mourning and resilient joy in the midst of ecocide. Resisting the pervasive classification of the human as inherently destructive, I look to appetite as an aesthetic procedure that includes a material desire for intimacy with the more-than-human. My study considers the intersections of aesthetic production (primarily twentieth-century poetry and visual art), climate science, geology, cultural studies, theory within the contemporary nonhuman turn, and Alfred North Whitehead’s philosophy of organism. I employ an interdisciplinary approach, which helps me explore the various ways that literal and figurative appetite can be a way of sensing and exploring …

Little Egypt: A Critical Biography, Katherine Vecchio

Dissertations, Theses, and Capstone Projects

Structured as a biography, this thesis investigates the origins of Little Egypt—a stage name assumed by multiple women performing either the danse du ventre or the hoochie-coochie—and considers the character’s cultural legacy. The work draws on nineteenth and twentieth century newspapers, advertisements, photographs, and official publications and archival records from the 1893 World’s Columbian Exposition. Chapter one takes a new look at the World’s Columbian Exposition in Chicago and shows how the presence of dancers performing the danse du ventre on the Midway Pliasance was turned into a flashpoint of controversy by the popular press. This controversy would be key …

Infinity Wars: Post 9/11 Superhero Films And American Empire, Peter J. Bruno

Dissertations, Theses, and Capstone Projects

In the last two decades, superhero films have accounted for some of the most popular and financially lucrative films of all time. This thesis analyzes some of the aesthetic and ideological dimensions of various superhero films following their post 9/11 boom. Beginning with America’s response to the events of 9/11 and a subsequent retreat into a Manichean world of good versus evil, I introduce the term “empirical reality” in order to account for the ways daily American life is shielded from the worst effects of U.S. foreign policy. On screen this manifests by perpetuating the myth of the “clean war” …

Words Are Found Responsible: Poetry's Jurisdiction And The Transformation Of Equal Rights, Talia Shalev

Dissertations, Theses, and Capstone Projects

Across various academic fields and from a range of political orientations, scholars note that a pervasive rights discourse shapes the imaginable horizons of identity, politics, and social life in the United States. Many critiques of rights since the 1970s highlight a particular conundrum of this rights culture: existing rights law and ubiquitous rights invocations fail to guarantee equal conditions for thriving across racialized and gendered axes of identity. Words Are Found Responsible: Poetry’s Jurisdiction and the Transformation of Equal Rights emphasizes and complicates elements of these critiques by reading poetry of the 1970s and 1980s in relation to shifting rights …

Anxieties Of Incorporation: U.S. Territorialization And The Western Imaginary From The Louisiana Purchase To Moby-Dick, Diana Meckley

Dissertations, Theses, and Capstone Projects

Anxieties of Incorporation: U.S. Territorialization and the Western Imaginary from the Louisiana Purchase to Moby-Dick investigates the impact of territorial expansion on authorial constructions of the continental west during the first half of the nineteenth century. As both a geophysical reality or an imagined space, the west functions as a site in which American writers negotiated their ambivalence over the promises and perils of continental aggrandizement and global imperialism. This project examines representative texts by James Fenimore Cooper, Francis Parkman, Susan Shelby Magoffin, and Herman Melville. In so doing, this dissertation traces how the western imaginaries these Anglo-American authors fashioned …

Cyborgs For Environmental Justice: East Asian American Stories From The 1991 People Of Color Environmental Leadership Summit, Lisa Ng

Dissertations, Theses, and Capstone Projects

The goal of this paper is threefold: to serve as an oral history archive of the East Asian American experience at the 1991 People of Color Environmental Leadership Summit, to analyze the role of East Asian Americans in the Environmental Justice Movement (EJM), and to fill an ideological and political vacuum that exists in East Asian American communities. This work analyses the experiences of East Asian Americans who were present at the 1991 People of Color Environmental Leadership Summit--an event scholars have attributed to igniting the EJM. The paper argues that East Asian Americans act as “Cyborgs”—both as their ascribed …

Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova

Dissertations, Theses, and Capstone Projects

This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …

The Gen Z Zombie: Ya Takes On The Undead, Jason Mccormick

Theses and Dissertations

After the terror attacks of 9/11, zombie stories experienced an unprecedented boom, or for some critics, a renaissance. Fears of mass death, infiltration by the Other, and life before and after the apocalyptic moment were played out through zombie stories. The longevity of the boom also saw the zombie myth move into strange new places including Young Adult novels, resulting in what I refer to as the “Gen Z zombie.”

In his discussion of the sympathetic zombie, Kyle William Bishop mentions YA zombie texts including Carrie Ryan’s The Forest of Hands and Teeth and Isaac Marion’s Warm Bodies but groups …

The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz

Theses and Dissertations

This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures …

The Musical World Of Joseph Rumshinsky’S Mamele, D. A. Geller

Dissertations, Theses, and Capstone Projects

“The Musical World of Joseph Rumshinsky’s Mamele” consists of a set of three cases studies that demonstrate the enormous need and potential for further Yiddish theater music scholarship. There exists little Yiddish theater scholarship that addresses music in any meaningful way: scholars like David Lifson, Nahma Sandrow, and Joel Berkowitz tend to view Yiddish theater’s rich musical traditions as a footnote in the larger history of Yiddish theater’s dramatic development. Yet Yiddish theater music developed independently from Yiddish drama, and therefore needs to be studied from a primarily musical perspective. I connect scholarship across the fields of Jewish studies …

Sexual Violation, Feminism, And Foucault: Against A Confessional Politics Of Truth, Amber M. Chiacchieri

Dissertations, Theses, and Capstone Projects

After many decades of feminist struggle, victims of sexual violation finally have the (relative) freedom to speak about their experiences in different venues to diverse audiences; however, they continue to be silenced, spoken over, and spoken for. While scholars and activists maintain close attention to the content of what survivors say and the means by which their speech is suppressed, there is less interrogation into the power relationships that structure the conditions through which this speech is made possible. This approach, sometimes referred to as “Foucauldian discourse analysis,” is associated with the French post-structuralist philosopher Michel Foucault. Foucault argued that …

The Sigh Of Triple Consciousness: Blacks Who Blurred The Color Line In Films From The 1930s Through The 1950s, Audrey Phillips

Dissertations, Theses, and Capstone Projects

This thesis will identify an over looked subset of racial identity as seen through film narratives from the 1930’s through the 1950’s pre-Civil Rights era. The subcategory of racial identity is the necessity of passing for Black people then identified as Negro. The primary film narratives include Veiled Aristocrats (1932), Lost Boundaries (1949), Pinky (1949) and Imitation of Life (1934). These images will deploy the troupe of passing as a racialized historical image. These films depict the pain and anguish Passers endured while escaping their racial identity. Through these stories we identify, sympathize and understand the needs of Black …

Vanishing Leaves: A Study Of Walt Whitman Through Location-Based Mobile Technologies, Jesse A. Merandy

Dissertations, Theses, and Capstone Projects

Vanishing Leaves is a location-based mobile experience (LBME), which employs mobile devices equipped with GPS and high-speed wireless internet capabilities to take users to Brooklyn Heights to learn about the poet Walt Whitman and his connection to the neighborhood where he lived, worked, and published the first edition of his masterwork Leaves of Grass. Through this active first-person immersive learning experience, Vanishing Leaves embraces experimental scholarly methods that extend outside the classroom and off the page in order to engage learners and invite them to create meaningful, personal connections to writers and their literary works.

The following white paper …

Inheritances Of Injustice/Transference Of Freedom: An Intimate Project On Black Women's Intergenerational Relationships And The Consequences Of The Punishment System, Whitney Richards-Calathes

Dissertations, Theses, and Capstone Projects

This project centers the multi-generational familial relationships between system-impacted Black women, mapping and uncovering the ways in which incarceration and practices of punishment impact, shape, hurt, and displace Black femme lineages. Through a qualitative lens and a specific focus on the current social and political landscape of Los Angeles, this dissertation examines the ways Black women are impacted by carceral ideology; from punitive definitions of Black womanhood, to the surveillance on Black femme familial intimacy and the rupture of Black women’s sense of home and place. Understandings of mass incarceration are frequently male-centered and most analyses of Black women’s system …

“Whispers Out Of Time”: Memorializing (Self-) Portraits In The Work Of 
John Berryman, John Ashbery, Anne Carson, And Nan Goldin, Andrew D. King

Dissertations, Theses, and Capstone Projects

This thesis documents four distinct post-WWII North American writers and artists—the poet John Berryman, the poet John Ashbery, the classicist and writer Anne Carson, and the photographer Nan Goldin—who expanded traditional definitions and practices of portraiture. Their works—The Dream Songs, “Self-Portrait in a Convex Mirror,” Nox, and The Ballad of Sexual Dependency (and “The Cookie Portfolio”)—developed new ways of representing human subjectivity and the self that integrated the influences of Romanticism, Modernism and Postmodernism, but were not defined by these movements. In an era when notions of autonomous art and human identity became fractured, they picked up the …

Imagining The Archive: Speculation As A Tool Of Archival Reconstruction, Marieclaire Graham

Dissertations, Theses, and Capstone Projects

This thesis examines a speculative methodological approach towards restoring silenced Black voices in the archive. First, I will discuss the reasons why this work is necessary, exploring the various patterns of muting, distortion, erasure, and disenfranchisement that Black communities experience within the United States in both physical and written forms. The use of speculation specifically addresses the dehumanization that has followed the Black experience in the United States from the earliest violent incarnation of slavery, and creating the foundation of this kind of silencing allows us to understand why speculation, as opposed to other methodological models for archive restoration, is …

Italian/Americans And The American Racial System: Contadini To Settler Colonists?, Stephen J. Cerulli

Dissertations, Theses, and Capstone Projects

This thesis explores the relationship between ethnicity and race, “whiteness,” in the American racial system through the lens of Italian/Americans. Firstly, it overviews the current scholarship on Italian/Americans and whiteness. Secondly, it analyzes methodologies that are useful for understanding race in an American context. Thirdly, it presents a case study on the Columbus symbol and the battle over identity that arose out of, and continues over, this symbol. Finally, this thesis provides suggestions using the case study and methodologies to open up new ways of understanding Italian/Americans and the American racial system.

Broadway Bodies: Casting, Stigma, And Difference In Broadway Musicals Since "A Chorus Line" (1975), Ryan Donovan

Dissertations, Theses, and Capstone Projects

This dissertation explores how embodied identities facing social stigmatization are represented in Broadway musicals and provides histories of casting specific kinds of embodied difference. Broadway Bodies: Casting, Stigma, and Difference in Broadway Musicals since “A Chorus Line” considers the politics of representation and makes clear that casting is always a political act, situated within a power structure favoring certain bodies. Previous scholarship on casting largely centers on race and ethnicity as the central issues; this research reframes the study of casting to focus on bodies, inclusive of race and ethnicity but especially relative to ability, gender, sexuality, and size. Though …

Just A Buncha Clowns: Comedic-Anarchy And Racialized Performance In Black Vaudeville, The Chop Suey Circuit, And Las Carpas, Michael Shane Breaux

Dissertations, Theses, and Capstone Projects

While the practice of white musical variety clowns embodying stereotypes of African, Chinese, and Mexican Americans has been widely documented and theorized in scholarship on US American popular performance, it has been done largely in segregated studies that maintain the idea that racial impersonations in musical variety is a privilege of white performers. For instance, no study exists that focuses on more than one stereotype at a time, and the performer’s body is always either white or of the same “color” as the type being played. In addition, very little has been written about the tours and circuits run by …

"He Who Is Conscious Of The Bright But Keeps To The Dark": The Fame And Legacy Of Jack Kerouac, Regina Crotser

Dissertations, Theses, and Capstone Projects

This thesis traces the legacy and fame of Jack Kerouac from his lifetime up until current day. Since his death, pop-culture has glorified and stereotyped Kerouac to the point where he is an easily digestible concept of counterculture and coolness. This speaks to what our society craves--celebrities boiled down into clickbait titles and single-faceted understandings. Amidst chaos, who can blame us? But when we look at the real Kerouac, who the biographies and archival research say he is, we see someone much more complex than that. And, through writing autobiographical fiction, he introduced that complexity and messiness to his own …

Transfigurations Of The News: True Fictions, Strange Thresholds, Jeffrey Peer

Dissertations, Theses, and Capstone Projects

This dissertation compares twentieth-century literary journalism from the U.S. and Mexico, with a focus on the nonfiction novel and the Mexican chronicle. The dissertation considers the two genres both historically and theoretically, in order to distinguish the borders between literature and unscrupulous journalism. North American journalism is at the heart of a crisis over the epistemological status of facts and their place in our political discourse. Some have argued that works of literary nonfiction can damage social norms like journalistic objectivity. Others argue that forms like the chronicle and the nonfiction novel can describe experience better than news reports. This …

Wolf Packs: U.S. Carceral Logics And The Case Of The New Jersey Four, Leilani Dowell

Dissertations, Theses, and Capstone Projects

On an evening in 2006 a group of black queer women and gender non-conforming people, traveled from Newark, New Jersey, to New York’s Greenwich Village for a night out. When Dwayne Buckle, an African-American man selling DVDs on the street, attempted to flirt with one of them, they told him that they were lesbians. Buckle physically assaulted them and, at some point in the four-minute melee, was stabbed. The seven were arrested. While three of them accepted plea bargains, the other four maintained their right to defend themselves from attack. A New York judge convicted the New Jersey Four (as …

Embodied Nostalgia: Early Twentieth Century Social Dance And U.S. Musical Theatre, Phoebe Rumsey

Dissertations, Theses, and Capstone Projects

In this dissertation, I claim the collective emotional connections and historical explorations characteristic of musical theatre constitute a nostalgic impulse dramaturgically inherent in the form. In my intervention in the link between nostalgia and musical theatre, I look to an area underrepresented in musical theatre scholarship: social dance. Through case studies that focus specifically on how social dance in musical theatre brings forth the dancer on stage as a site of embodied history, cultural memory, and nostalgia, I ask what social dance is doing in musical theatre and how the dancing body functions as a catalyst for nostalgic thinking for …

The Woman We Don’T Want To Be: The Anti-Heroine In American Women’S Modernisms, Madison Priest

Dissertations, Theses, and Capstone Projects

Anita Loos’ Lorelei has a baby because “a kid that looks like any rich father is as good as money in the bank.” Edith Wharton’s Undine uses hers as a pawn in divorce negotiations with the child’s father. Jessie Redmon Fauset’s Angela abandons her sister so her boyfriend won’t guess she’s black, and Nella Larsen’s Helga frustrates and alienates everyone she loves. Yet these protagonists were subject not just to gleeful mockery and sanction, but to furtive pity, uncomfortable recognition, even envy. Each age calls for its own bogeys; and the anti-heroine was, I contend, the perfect instantiation of American …