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"Ain’T I A Woman?”: The Intersectional Representation Of Black Women Professional Leaders Above The Concrete Ceiling In Scandal And How To Get Away With Murder, Jessica Love
Dissertations
This dissertation investigates the politics of re-presentation of the two Black leading characters in Shonda Rhimes’s televised series, Scandal (Olivia Pope) and How to Get Away with Murder (Annalise Keating). This textual analysis explores how the characters are re-represented as leaders at the intersections of race, class, gender, and sexuality using Kimberlé Crenshaw’s (1989) theory of intersectionality. This study also imposes Patricia Hill Collins’s (2005) matrix of domination to explicate how the hegemonic structure of the concrete ceiling conditions their identities and exertion of power in the workplace. To do this, the researcher investigated cultural workplace expectations tied to notions …
Fatty Fatty Two-By-Four—Can’T Get Through The Dressing Room Door?: An Examination Of Excess As Queer Failure, Miranda Dottie Olzman
Fatty Fatty Two-By-Four—Can’T Get Through The Dressing Room Door?: An Examination Of Excess As Queer Failure, Miranda Dottie Olzman
Electronic Theses and Dissertations
Failure and fat are not linear. It is taught, learned, reminded, and internalized. Our bodies have memories that are built through repeated moments. And for me, failure has been a part of my body’s map since I was born. This project is the culmination of many failures. In this dissertation, I am examining queer failure in multiple contexts including body size, as well as religion to create a corpulent critique. I do this by examining the lineage of queer failure as well as queer temporality as it is linked to failure (Edelman; Muñoz; Halberstam; Love) with fat queer bodies serving …