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The Use Of Violence As Feminist Rhetoric: Third-Wave Feminism In Tarantino's Kill Bill Films, Leah Andrea Katona
The Use Of Violence As Feminist Rhetoric: Third-Wave Feminism In Tarantino's Kill Bill Films, Leah Andrea Katona
Theses Digitization Project
For the purpose of this thesis, the main focus of the feminist rhetorical criticism method was specifically linked to gender-related power inequities. This method was especially appropriate for the analysis of how film violence is used as a feminist rhetorical strategy in the Kill Bill films. This thesis is more closely aligned with challenging rhetorical standards as it sought to identify feminist counter positions of rhetoric in film violence.
One Rhizome, Two Unstoppable Blossoms: Environmental Communication And Ecological Rhetoric, Kevin James Ells
One Rhizome, Two Unstoppable Blossoms: Environmental Communication And Ecological Rhetoric, Kevin James Ells
LSU Doctoral Dissertations
This dissertation will contribute to the project of explaining what environmental communication studies may offer theoretically to an understanding of communication and rhetoric in general, investigate a complex problem in rhetoric from a variety of methodological approaches, offer examples of rhetorical criticism relevant to environmental communication researchers, and delve into certain salient aspects of ecological rhetoric (defined herein as rhetoric from an ecological perspective). The hypothesis of this doctoral thesis is twofold: 1) studying environmental communication can illuminate much about communication and rhetoric in general, and 2) ecological rhetoric has considerable persuasive potential in itself for reasons that can be …
From The Mountains To The Podium: The Rhetoric Of Fidel Castro, Brent C. Kice
From The Mountains To The Podium: The Rhetoric Of Fidel Castro, Brent C. Kice
LSU Doctoral Dissertations
This dissertation examines the rhetoric utilized by Fidel Castro that Castro used in order to maintain his tenure as the sole leader of Cuba for almost 50 years. Castro employs identification through division with an enemy, and he is able to perpetuate this division through an ongoing, dynamically perceived narrative. This narrative takes shape in the form of “the revolution,” a rhetorical construction designed to create a collective Cuban identity, which, in turn, is furthered through ideology by Castro’s elimination of competing points of views. Castro’s unique role as narrator has allowed him to adapt to events and maintain this …