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Sexual Violence In The Field Of Vision, Sharon Sliwinski
Sexual Violence In The Field Of Vision, Sharon Sliwinski
Sharon Sliwinski
Meditating on a single photograph from a recent Human Rights Watch report concerning police violence in Northern British Columbia, Canada, this paper pursues two lines of questions about the visual politics of human rights. One concerns how our ways of seeing—our modes of attending to the vulnerability and integrity of particular persons—can itself be understood as a form of human rights practice. The other aims to widen space in contemporary political theory for thinking about how sexual violence functions as a central technology of sovereignty and how we might make this phenomenon more perceptible. The paper explores the ways photographs …
Inventing Human Dignity, Sharon Sliwinski
Inventing Human Dignity, Sharon Sliwinski
Sharon Sliwinski
Are human beings endowed with an inviolable dignity? Or is dignity something that is lost and won? One of the most significant assertions made in the 1948 Universal Declaration of Human Rights (UDHR) is the statement that every individual possesses an inalienable dignity simply by virtue of belonging to the “human family.” This chapter aims to make a modest contribution to the emerging scholarship on the history and meaning of dignity as it pertains to universal human rights. My goal is to trace how this particular quality came to be affixed to the human …
The Childhood Of Human Rights: The Kodak On The Congo, Sharon Sliwinski
The Childhood Of Human Rights: The Kodak On The Congo, Sharon Sliwinski
Sharon Sliwinski
This article examines the Congo reform movement’s use of atrocity photographs in their human rights campaign (c. 1904–13) against Belgian King Leopold, colonial ruler of the Congo Free State. This material analysis shows that human rights are conceived by spectators who, with the aid of the photographic apparatus, are compelled to judge that crimes against humanity are occurring to others. The article also tracks how this judgement has been haunted by the potent wish to undo the suffering witnessed.
The Aesthetics Of Human Rights, Sharon Sliwinski
The Aesthetics Of Human Rights, Sharon Sliwinski
Sharon Sliwinski
This essay situates the 1755 Lisbon earthquake as an alternate origin point for human rights discourse. As one of the most destructive earthquakes in recorded history, the event had a broad effect on both scientific and philosophical thought. The quake also represents one of the first modern mass media events in which subjects throughout Europe became spectators to a distant catastrophe. Both visual and verbal representations of the event circulated throughout Europe with incredible efficiency and helped inaugurate a secular notion of human suffering as well as thoughts about its prevention. The story of the quake shows that the notion …
The Childhood Of Human Rights: The Kodak On The Congo, Sharon Sliwinski
The Childhood Of Human Rights: The Kodak On The Congo, Sharon Sliwinski
Sharon Sliwinski
This article examines the Congo reform movement's use of atrocity photographs in their human rights campaign (c. 1904–13) against Belgian King Leopold, colonial ruler of the Congo Free State. This material analysis shows that human rights are conceived by spectators who, with the aid of the photographic apparatus, are compelled to judge that crimes against humanity are occurring to others. The article also tracks how this judgement has been haunted by the potent wish to undo the suffering witnessed.