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Neither Buddhist Nor Taoist, But Both (And Even More): Exploring The ‘Hall Of Infinite Principle’ (Guangli Fotang): A Chinese Temple In The Romanian Capital, Serban Toader
Occasional Papers on Religion in Eastern Europe
This ethnography regards the sole Chinese temple in the Romanian capital Bucharest, its people and activity, as well as the thinking that supports this new religious movement (Maitreya Great Tao,Mile Dadao 彌勒大道). It is common knowledge that Taoism, Budhism, and Confucianism appear, at least in the official discourse, as a braided rope of unified Chinese tradition, each of the three at the same time preserving their particular features. Nevertheless, Mile Dadao not only seems to implicitly unite the three traditions in one (to which other foreign or popular traditions may be added as well), but also aims to act as …
Sankyoku Magazine And The Invention Of The Shakuhachi As Religious Instrument In Early 20th-Century Japan, Matt Gillan
Sankyoku Magazine And The Invention Of The Shakuhachi As Religious Instrument In Early 20th-Century Japan, Matt Gillan
Yale Journal of Music & Religion
The early 20th century was a period in which understandings of music, religion, and the nation-state underwent rapid change in Japan. In this article I examine Japanese cultural discourse from the first decades of the 20th century in which the shakuhachi, a Japanese bamboo flute, was frequently portrayed as a religious instrument. In some cases, this discourse referenced pre-20th century historical affiliations of the shakuhachi with the Fuke-sect, an organization that was loosely affiliated to Rinzai Zen Buddhism. But the article also explores how religio-musical discourse surrounding the shakuhachi intersected with developments in modern Japanese religious life, …